Showbiz Sandbox 35: Women In Hollywood… It’s Complicated

You know it’s a slow entertainment news week when J. Sperling Reich, Karen Woodward, and Michael Giltz wind up talking about their personal arrest records. However even during the holiday season we can find showbiz news to talk about, not to mention places to talk. Michael joins us from the boisterous Cranky Café where he was enjoying homemade mac and cheese (and free Wifi).

America was sinning over the holidays, and by that we mean seeing movies on Christmas Day. Avatar set box office records with a $75 million North American gross and a $145 million international gross, but is it really a good movie? One movie that Karen and Michael agree is not at all good is “It’s Complicated”, and yet it’s doing rather well at the box office – is that because women are so starved for a decent “women’s film” that they will see whatever is in theatres?

Speaking of women’s films, or lack thereof, Karen digs up a couple of interesting news pieces focusing on the lack of a strong female presence in Hollywood, both on screen and off. Read more

Podcast: Play in new window | Download

Showbiz Sandbox 34: Hollywood’s Box Office Billions Set New Record

We are joined this week by two of the film industry’s top box office pundits, Paul Dergarabedian of Hollywood.com and Daniel Frankel of TheWrap.com. They help us understand how the North American box office surpassed $10 billion in 2009 while releasing few films during an economic recession. Of course, we also touch on “Avatar’s” opening weekend box office and the worldwide spin it’s distributor claims makes the film a huge hit.

But we promise this week’s episode won’t be entirely about Avatar! We also discuss the untimely death of actress Brittany Murphy and the rumor mongering it set off among online tabloids. The Golden Globe nominations were announced mid week. Were there any surprises? What about snubs? Which noms will carry over to the Oscars, and what can be done to get audiences to actually watch the Oscars?

There’s also a ton of television and music news, such as the rumor that Simon Cowell might leave “American Idol” (oh no!), the list of next year’s Rock and Roll Hall of Fame inductees (ABBA!) and an old Rage Against The Machine song beating out this year’s winner of “X Factor” on the U.K. singles charts during Christmas week (huh?!). Read more

Podcast: Play in new window | Download

Showbiz Sandbox 33: “Avatar” Is A $100 Hamburger

James Rocchi was one of the lucky entertainment journalists invited to the “Avatar” premiere and press junket in London and he joins us this week to tell us all about it. Rocchi also helps us dissect all those year-end “Top 10” critics lists, not to mention one that rates the year’s best unproduced screenplays. Who do you think will be on the red carpet at Oscar time?

And the Best of 2009 lists extend into television and music territory as well. The Los Angeles Times rounded up the TV winners and losers for the season (and we compare them to our own predictions for this year’s television series from Episode 22). Meanwhile, SoundScan released the best selling albums and artists of the decade. Guess how many of them were released before 2002? Listen to the podcast to find out.

We sail through some of the week’s top entertainment news headlines in our Big Deal/Big Whoop segment, including the possibility of a “Ghostbusters 3” sequel in the works. Read more

Podcast: Play in new window | Download

Showbiz Sandbox 32: Grammys and Spirits and Comcast, Oh My!

Rolling Stone contributing editor David Wild joins us this week to talk about the 52nd Annual Grammy nominations, a subject he knows a lot about since he’s one of the writers on the awards show. If music isn’t your thing than maybe independent film is. Eugene Hernandez, editor of indieWIRE drops by to discuss the Spirit Award nominees as well as the official selections of the 2010 Sundance Film Festival.

In other news, Sandra Bullock continues to impress moviegoing audiences in “The Blind Side” which knocked “Twilight Saga: New Moon” out of first place in the North American box office over the weekend. Speaking of “Twilight” who would you like to see direct the fourth installment of the franchise, “Breaking Dawn”? J. Sperling Reich, Michael Giltz and Karen Woodward agree that it’s probably not going to be Tim Burton, Peter Jackson or Quenten Tarantino as Moviefone suggests. But then stranger things have happened. Kind of like Apple buying Lala. What could they possibly be planning to do with the struggling music social network?  Read more

Podcast: Play in new window | Download

Showbiz Sandbox 31: Blind Sided By Adam Lambert’s Double Standard

While we all still may be sluggish from all the turkey and stuffing on Thanksgiving, the North American box office sure wasn’t. It set a record for the Thanksgiving holiday weekend as once again “The Blind Side” surprises everyone. The Sandra Bullock movie defied expectations to earn another $40 million over the five-day period, almost topping “The Twilight Saga: New Moon” as the winner this weekend. Proof positive that Sandra Bullock is a movie star.

So is George Clooney, whose “Up In The Air” opens on Friday. According to Claudia Eller of the Los Angeles Times the film is proving to be a marketing challenge for its distributor, Paramount. Apparently the studio is afraid Jason Reitman’s humorous drama about corporate downsizing may touch a raw nerve. But how could this critically acclaimed movie be a marketing challenge? We’ve got two words that might help Paramount’s advertising campaign: George. Clooney. Sheesh, maybe we should be marketers.

Actually, maybe we should become linguistics experts instead. USC linguistics professor Paul R. Frommer was brought in by James Cameron – writer and director of a little upcoming release called “Avatar” – to develop the language of the 10-foot tall blue Smurfs – um. . . aliens – who inhabit Pandora, the setting for the film’s conflict.  Read more

Podcast: Play in new window | Download

Showbiz Sandbox 30: “Modern Warfare” Stuns Hollywood

As predicted, the teen vampire romance “The Twilight Saga: New Moon” opened this week and earned record breaking box office. The second installment of the “Twilight” franchise made $140 million in North America, making it one of the largest openings in history. The film did manage to break the record for highest grossing midnight screening when it opened Friday morning. What might be more amazing is that the Sandra Bullock vehicle “The Blind Side” came in second with an impressive $34 million. Opening so strongly against a powerhouse tent pole like “Twilight” makes Bullock one of the more bankable stars in Hollywood these days.

Of course, even “Twilight’s” $258 million worldwide opening pales in comparison to what the new video game “Call of Duty: Modern Warfare 2” raked in during its first five days in stores. Ben Fritz an entertainment business reporter for the Los Angeles Times joins us to talk about the wild success of the video game. Actually, calling it a video game is almost an insult – it’s more like an interactive action movie, and one that made $550 million within five days of its November 19th launch.

Fritz is a prolific journalist who this past week wrote tons of stories for the L.A. Times Company Town column and blog. One such story was on the controversy over the Academy Awards’ Documentary short list. Read more

Podcast: Play in new window | Download

Showbiz Sandbox 29: Camped Out For “Twilight: New Moon”

There was a debate over titling this week’s episode “The Profanity Podcast “due to some various disagreements and the name of a new sitcom. Intrigued? Read on.

Harry Medved from Fandango.com joins us briefly to talk about next week’s number one movie at the box office, “The Twilight Saga: New Moon.” (Did we get the name right? Can’t we just call it “New Moon” or “Twilight 2”?) Yes, that’s right, we’re prognosticating next week’s number one movie in North America. Hey, when women of all ages are lining up just to catch a glimpse of Robert Pattinson and/or Taylor Lautner at the premiere, you know you might have a hit on your hands.

Speaking of hits, is Twentieth Century Fox taking a huge risk by bankrolling a film based on an unfamiliar story with no Hollywood superstars and a budget approaching $500 million? We’re talking about “Avatar,” and particularly Michael Cieply’s article in the New York Times’ on the film directed by James Cameron. (So, is Cameron himself not a superstar?) John Horn and Claudia Eller from the Los Angeles Times write that the movie’s price tag continues to climbe and that its global marketing campaign could cost as much as $150 million, “Avatar” won’t have to do “Titanic” business to make money, but it will have to fill auditoriums around the world for weeks to become profitable. Read more

Podcast: Play in new window | Download

Showbiz Sandbox 28: Why Spider-Man Is Hard Up For $52 Million

We don’t always talk about theater on the podcast, but Los Angeles Times staff writer John Horn wrote a story too good to resist. The Broadway debut of “Spider-Man: Turn off the Dark” has found its greatest enemy is the budget. Horn joins us to talk about the story behind one of the most troubled productions in Broadway history and how he got the scoop (not to mention the musical’s script, soundtrack and a video promo reel).

But first, Michael Giltz eats another serving of crow this week, as the Michael Jackson rehearsal documentary “This Is It” held up respectably and indie-darling “Precious” grossed a stunning $1,800,000 on just 18 theaters over the weekend. “Precious” will no doubt be nominated for a few Oscars come awards season. Speaking of the Academy Awards, Steve Martin and Alec Baldwin are teaming up to host next year’s Oscar telecast. Karen Woodward though the decision to go with Martin and Baldwin was dated and hopes they don’t hijack the show. On the other hand, Michael and J. Sperling Reich thought it was a good choice.

In more frivolous news, Nicolas Cage is suing his former money manager, Samuel J. Levin, for $20 million in Los Angeles Superior Court, claiming he enriched himself while “sending Cage down a path toward financial ruin.” Read more

Podcast: Play in new window | Download

Showbiz Sandbox 27: That’s It For “This Is It”

This week we begin with Michael Giltz and Karen Woodward disagreeing over “This Is It,” the Michael Jackson documentary/concert film/eulogy. Is the film recommendable? Not according to the box office numbers, where the film brought in a disappointing $23 million. But since the film made $103 million worldwide J. Sperling Reich wanted to serve Michael some crow pie.

If you don’t want to see “This Is It,” maybe you’ll see “Avatar”? The second trailer for the highly anticipated film was released this week, after the first one bombed. The new trailer looks like this movie is actually about something. How about “Precious”? Sperling and Michael disagree over whether this movie is a heart tugging Oscar winner or shallow drivel.

Speaking of shallow, did Jeffrey Katzenberg really add anything new to the future of entertainment conversation in his recent Business Week interview? Seems more like a politician staying message then a mogul adding to the dialogue. Read more

Podcast: Play in new window | Download

Showbiz Sandbox 26: Hollywood Struggles With New Business Models

Freelance entertainment journalist Todd Gilchrist joins us this week to talk about movies, music, and journalism. (But he recused himself from discussing TV because he doesn’t watch a lot of it. [gasp!]) Fine. We’ll start with movies then.

“Paranormal Activity” took over the box office this week. The film has been so well received that Paramount, which distributed the film, may produce a sequel. If a film is this successful, is a studio almost obligated to make a sequel? (And will it be as bad as “Blair Witch 2: Book of Shadows”?)

In other news involving Paramount , the studio has angered members of the National Association of Theatre Owners by releasing “G.I. Joe: The Rise of Cobra” on DVD only 88 days after its theatrical run. It also set the Jeremy Piven comedy “The Goods: Live Hard, Sell Hard” for DVD-rental release 88 days from its theatrical bow, not that anyone wants to see it. “We don’t know what Paramount is up to,” NATO president John Fithian said. “But it’s highly objectionable.”  Read more

Podcast: Play in new window | Download

Next Page »