Showbiz Sandbox 368: Virtual Reality is a Big Winner at the Cannes Film Festival
May 29, 2017
This year’s Cannes Film Festival came to an end over the weekend with the Palm d’Or being awarded to “The Square”, a comedy with socio-political overtones directed by Sweden’s Ruben Östlund. Sofia Coppola won the award for Best Director for “The Beguiled”, only the second time in the festival’s 70-year-history the prize went to a woman.
Though critics found the films selected by Cannes programmers to be underwhelming this year, there was unanimous praise for a virtual reality project created by director Alejandro González Iñárritu which was installed at the festival. We’ll take you inside the unique VR experience and tell you why the fuss being made over it is legitimate.
Meanwhile, this year’s upfronts were held over the past two weeks giving us a pretty good picture about the state of modern television. Here’s the question, if we are presently in the era of peak TV, how come all the new shows networks are trotting out seem so boring.
Of course, we also cover the week’s top entertainment news including the controversy over a women-only screening of “Wonder Woman,” Katy Perry signs on to judge the “American Idol” reboot and Steven Soderbergh returns to the directing movies… as we predicted.
Podcast: Play in new window | Download
Showbiz Sandbox 367: Netflix Makes Waves At the Cannes Film Festival
May 24, 2017
If the Cannes Film Festival’s decision to premiere two Netflix films in competition was controversial when it was announced, it was all anyone could talk about once the festival actually began. It didn’t help that this year’s jury president, director Pedro Almodovar of Spain, made headlines on the first day when he was mis-translated as saying he wouldn’t award films that won’t play in cinemas with any prizes.
Just about every filmmaker and movie star attending Cannes has been asked about their opinion on the streaming versus cinema debate, though most have offered ambivalent answers, realizing that their next paycheck might be coming from Netflix or a similar service. To be sure, the discussion is far from over.
Meanwhile, after recent terrorist attacks throughout Europe, including nearby Nice, security has been tighter than ever for the more than 50,000 attendees in Cannes this year. This has caused delays at festival events for the first time in recent memory, though everyone has been very understanding. Especially this week, after bomb was set off at an Ariana Grande concert in Manchester, England killing 22 people.
Of course, we also cover the week’s top entertainment news including how TV networks are learning to take advantage of Ramadan to boost viewership, King Kong will try to tackle Broadway and Jimmy Kimmel will return as the host of next year’s Oscar telecast.
Podcast: Play in new window | Download
Showbiz Sandbox 366: Shifting TV Viewership is Affecting Ratings, Ad Sales and Future Programming Decisions
May 15, 2017
All the major television networks are preparing their dog-and-pony shows for advertisers at this year’s upfront presentations as they look to sell $9 billion worth of commercial time for the upcoming season. However with viewership continuing to become more fractured, the industry has grown concerned that falling ratings over the past year will lead to lower ad sales. Which raises the question about just how accurate audience measurement is these days.
Networks have begun taking measures to shore up potentially weaker ad sales by demanding harder bargains from production companies, owning more of their own series and making untold fortunes internationally with certain shows. They’re also dabbling more and more with live television specials including musicals such as “A Christmas Story”.
The 70th edition of the Cannes Film Festival will also begin this week, though not without some controversy over two Netflix titles screening in competition, but not in French movie theaters. This has led Cannes to create a new rule beginning in 2018 that any film selected for the festival must have a theatrical release in France.
Of course, we also cover the week’s top entertainment news including why Spotify might abandon plans for its IPO in lieu of a direct list o the stock market, Cheryl Boone Isaacs decides not to run for another term as head of the Academy of Motion Picture Arts and Sciences and Kelly Clarkson joins “The Voice” just as ABC announces the return of “American Idol.”
Podcast: Play in new window | Download
Showbiz Sandbox 365: As Cord-Cutting Grows, Media Company Revenue Falls
May 8, 2017
Media company stocks took a beating last week with a one-two punch from cord-cutting and a soft ad market. The first quarter of 2017 saw pay cable subscriptions fall by over 700,000 in the United States, the largest ever such loss. This has caused some concern that cord-cutting has accelerated just as major advertisers have started to spend less on marketing.
However, television networks may just be shifting where revenue comes from. Rather than huge carriage fees and ad rates tied to huge viewership, networks may now be earning money off licensing content to streaming video providers and selling ads on digital platforms. There’s just one problem; such digital platforms pay far less than networks used to getting.
Warner Music Group is also suffering from shrinking revenues thanks to consumer migration to streaming online services. The company signed a new licensing agreement with YouTube, but they aren’t happy with a deal they felt forced into accepting. We’ll explain why.
Of course, we also cover the week’s top entertainment news including the multiple “Game of Thrones” spin-offs planned by HBO, Harry Potter heads to Broadway and the return of “American Idol”.
Podcast: Play in new window | Download
Showbiz Sandbox 364: Hollywood Averts Another Writer’s Strike With Last Minute Deal
May 2, 2017
Though it came down to the wire and took an all-night negotiating session, Hollywood avoided another costly writer’s strike earlier this week. The Writers Guild of America, which represents upwards of 12,000 movie and television writers, came to a tentative agreement with the Alliance of Motion Picture and Television Producers, which negotiates on behalf of Hollywood studios and networks. The three year contract reportedly resolves several issues including the WGA health plan, how long a writer can be held by a television series as well as parity for online and cable residuals.
In other breaking news, the nominations for this year’s Tony Awards were announced, but it is anyone’s guess which of the four productions up for Best Musical will come out on top. The same is true of the four plays, each of which is by an American playwright making their Broadway debut. The only sure thing is that Bette Midler will win the Best Leading Actress in a Musical Award for “Hello Dolly!”
Meanwhile, after a 15 year decline in which global recorded music lost 40% of its value, the music industry is showing signs of life. You can thank streaming. For the second year in a row, music sales worldwide have increased – that includes physical product, digital and income from streaming.
Of course, we also cover the week’s top entertainment news stories including more layoffs at ESPN, “Saturday Night Live” heads to China (sort of) and Ryan Seacrest gets a new television gig.
Podcast: Play in new window | Download
