Showbiz Sandbox 474: YouTube and Facebook Curtail Their Streaming Subscriptions
December 30, 2019
Facebook and YouTube might be giants in technology and media, but they have both decided to sit out the streaming wars. Sure, they’re spending $1 billion per year producing original content but pales in comparison to what the Apples and Amazons and Peacocks and HBO Maxes of the world are shelling out for new content. So, Facebook and YouTube have decided to keep their video offerings free and ad-supported.
As 2019 comes to a close with one of the biggest movie-going weeks of the year it looks as if the industry will end a semi-happy note, with record international box office, perhaps a new worldwide box office record and the second biggest North American haul in history.
Meanwhile, China added another 8,800 movie screens this year, bringing the country’s grand total to a titch under 69,000 in all. And most of the hits playing on those screens are Chinese films and that’s just the way the government wants to keep it.
Of course we also cover the week’s top entertainment headlines including why Universal Pictures may have released a new version of “Cats” after it was already in theaters, live news and sports dominates the year’s basic cable ratings and Spotify gets out of politcs.
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Showbiz Sandbox 473: There Is A Disturbance In The Chinese Force
December 23, 2019
The “Star Wars” franchise was never a huge phenomenon in China the way it was elsewhere in the world, so it wasn’t much of a shock when the latest installment, “Star Wars: The Rise of Skywalker” flopped in its opening weekend in the country. It even came in second behind a local martial arts epic from Donnie Yen. In fact, eight out of the top ten earning movies in China during 2019 were homegrown hits as the country’s annual box office reached new heights.
The box office won’t break any records in North America this year, despite the strong opening of “Star Wars: The Rise of Skywalker.” A film version of the Andrew Lloyd Webber musical “Cats” sure isn’t helping either. It opened to scathing reviews and grosses to match. Good news though, a new version of the film should be in theaters for its second week.
Meanwhile, Netflix released subscriber info region by region and investors liked what they heard. Obviously, Netflix has hit peak subscribership in the United States, but when you look at how the company is doing in the rest of the world, you can see its customer base is growing substantially.
Of course we also cover the week’s top entertainment headlines including a new owner for Miramax, NBC/Universal reveals the pricing for the upcoming streaming service and “South Park” rules cable television for the seventh year in a row.
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Showbiz Sandbox 472: The Growing Dominance of Netflix Movies During Awards Season
December 16, 2019
As Hollywood’s major guilds begin announcing their nominations for best films of the year a trend seems to be emerging; Netflix is becoming a player in prestige cinema. Similar to how cable networks disrupted the domination of broadcast companies at the Emmys, the streaming giant has a growing number of entries vying for top awards.
In China the government has had to pivot from censoring basketball to worrying about how to deal with soccer now that one of the sports star players has spoken out over the protests taking place in Hong Kong. Can the government continue to pull sports off the airwaves without creating a huge programming problem?
Meanwhile, there has been some industry murmurings about the lack of big titles from Marvel or Lucasfilm on next year’s release schedule, leading some to believe box office will be down significantly. We take a quick look at some of the upcoming 2020 releases and explain why there is no need to panic.
Of course we also cover the week’s top entertainment headlines including the controversy that might break the reality show “Survivor,” why Billboard is adding video streaming to its album charts and the National Film Registry announces its latest selections.
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Showbiz Sandbox 471: A Harsh Verdict from Former “America’s Got Talent” Judges
December 9, 2019
After just one season on “America’s Got Talent” celebrity judges Gabrielle Union and Julianne Hough had done what they were hired to do; increase the show’s social media footprint. Yet their contracts were not renewed for a second season and Union gained a huge amount of attention for her claims the show has a toxic culture. The show’s producers and network NBC are being very careful in how they handle the situation.
In Hong Kong, mass protests continue to disrupt the city and its significant entertainment industry. The ongoing demonstrations have affected Asian year-end awards, Hong Kong’s box office and generally made it harder to do business for entertainment companies who are both trying to please China yet show they have a moral compass.
Meanwhile, it looks as if this year won’t set any North American box office records, though it might be the second highest on record. Disney, however, has nothing to worry about as they set theatrical earnings records thanks to a string of billion dollar releases.
Of course we also cover the week’s top entertainment headlines including Golden Globe nominations, the bidding war ver Ali Wong’s next comedy special and Comcast looks to expand in the United Kingdom.
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Showbiz Sandbox 470: The End of the Paramount Consent Decree
December 1, 2019
The Department of Justice has announced their intention to jettison the Paramount Consent Decree, the agreement that ended the studio system and under which the film industry has operated for the past 70 years. What will this mean for movie theater operators moving forward? Now that studios have become big media conglomerates will they behave anti-competitively?
Speaking of agreements, more mid-level talent agencies have signed the Writers Guild of America’s code of conduct. In the process, these agencies have gotten the WGA to agree not to enforce the ban on television packaging until one of four major firms signs on.
Meanwhile, the Thanksgiving holiday weekend was once again a time for audiences to return to cinemas en masse. However this year instead of going to see the latest blockbuster sequel, moviegoers actually sought out original films.
Of course we also cover the week’s top entertainment headlines including the Grammy nominations, why Netflix bought a movie theater in New York City and the controversy over the firing of Gabrielle Union from “America’s Got Talent.”
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Showbiz Sandbox 469: Hollywood Unions Set For Fight Over Streaming Residual Payments
November 17, 2019
As television networks turn from linear broadcast methods to consumer streaming platforms a brewing battle over residual payments has the potential to spark a dual union strike in the middle of next year. Jonathan Handel, an entertainment attorney and a contributing editor at The Hollywood Reporter, joins us to discuss how the lack of data coming from streaming giants could lead to a standoff between major guilds and producers.
Indeed, in mid-2020 the master contacts between the Alliance of Motion Picture and Television Producers and the Directors Guild of America, The Writers Guild of America and SAG-AFTRA are set to expire. By now negotiations on new contracts would be well underway. Instead talks have stalled as unions try to revise the formulas used by streamers to make residual payments to their members. Given the timing, it’s a perfect storm for a potential massive industry work-stoppage.
Meanwhile, the Broadway musical “Tootsie” is closing long before it recoups its production costs. Michael Riedel of the New York Post has a host of reasons for why this critic’s darling didn’t click, however only one of them makes sense; the show’s music wasn’t all that great.
Of course we also cover the week’s top entertainment headlines including how Amazon has followed Netflix in deciding not to publish box office figures for its films, George Lucas revises the original “Star Wars” once again and Taylor Swift gets into a public spat with her former record label.
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Showbiz Sandbox 468: A Rundown of This Year’s Rock & Roll Hall of Fame Nominees
November 10, 2019
Next year’s nominees for placement into the Rock & Roll Hall of Fame in Cleveland, Ohio include candidates considered in previous years, including Depeche Mode, Judas Priest and Todd Rundgren. They join new nominees such as Pat Benatar, Dave Matthews Band and Whitney Houston, among others. We speak with Sal Nunziato, a music blogger and drummer for the band The John Sally Ride, to get his encyclopedic thoughts on which of the nominees should actually get the nod.
We also discuss the pros and cons of streaming music services. There is no dispute that it’s great to have an archive of music, not to mention new releases, all available for listening within a few seconds. On the other hand, it’s also nice to support the music we really like by actually buying physical copies.
Meanwhile, the video game industry made some headlines this week after a Chinese team won the latest “League of Legends” world championship. At the same time the latest “Call of Duty” release has generated some controversy since it is set amidst the Syrian Civil War and depicts child soldiers, the killing of civilians, among many other issues.
Of course we also cover the week’s top entertainment headlines including why Woody Allen dropped his lawsuit against Amazon Studios, HBO Max sets its subscription price and technology is allowing filmmakers to cast the late James Dean in an upcoming movie.
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Showbiz Sandbox 467: Is “The Terminator” Really A Franchise Property?
November 4, 2019
When James Cameron made “The Terminator” in 1984 he probably didn’t think the movie would still be spinning off sequels 35 years later, no matter how big a hit it became. Given the disappointing box office brought in by the sixth and latest Terminator film during its opening weekend it’s not hard to wonder whether the franchise might have run its course or if it should have been a franchise at all.
One film we know for sure isn’t a franchise is Martin Scorsese’s most recent film, “The Irishman.” Made for Netflix, the movie will only be in theatres for 26 days before appearing on the streaming platform. Big movie theater chains have expressed their frustration with Netflix for not adhering to a traditional theatrical release window of 90 days, though were rumored to have offered up a shortened 60-day term instead. If true, was Netflix foolish for not accepting it?
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Showbiz Sandbox 466: How Hollywood Kowtows to China
October 28, 2019
Entertainment companies are finding themselves in compromising positions when it comes to avoiding political pitfalls in China. Movie studios and media conglomerates don’t want to disrupt their bottom line by appeasing Chinese authorities while surrendering their creative freedom. The result is that companies distributing content in China find themselves censoring themselves.
“South Park,” on the other hand, chose an alternative path; directly offending the Chinese government and immediately being banned throughout the country. Even when companies do kowtow to the Chinese government, they find themselves getting into trouble at home and abroad. Just ask the producers of the animated film “Abominable,” an animated film which was banned in the country for showing a map that favored China’s disputed territorial claims.
Meanwhile, the new television season started. Not that you’d know it based on the ratings, which are down almost any way you slice them. And the clear message is this: people’s viewing habits have changed, probably forever, and it’s not going to help TV channels trying to sell eyeballs to advertisers.
Of course we also cover the week’s top entertainment headlines including a tie for this year’s Booker Prize, Netflix somehow adds even more subscribers and a big Hollywood talent agency scraps its long awaited IPO.
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Showbiz Sandbox 465: Ang Lee’s Latest Science Project
October 14, 2019
Filmmaker Ang Lee is arguably one of the best directors to ever step behind a camera. He’s made acclaimed films such as “Crouching Tiger, Hidden Dragon,” “Brokeback Mountain” and “Life of Pi,” winning three Oscars along the way. However Lee’s latest efforts have been more concerned with filmmaking technology than their script.
That was certainly the case with “Gemini Man,” an action film that stars Will Smith playing an assassin opposite a digitally de-aged version of himself. Geoff Boucher of Deadline spoke with Lee about the challenges of making the film, which was shot in high frame rate at 120 frames per second.
Meanwhile, China deleted “South Park” from the airwaves (and the internet) after a new episode mocked the country’s human rights record. Then China canceled the broadcast of an NBA basketball game being played in Shanghai after a league executive showed support for anti-government protestors in Hong Kong. We discuss what this means for all the businesses that want a piece of the Chinese market but don’t want to damage their brand worldwide.
Of course we also cover the week’s top entertainment headlines including the Nobel Prize for Literature is awarded to a controversial writer, a new K-Pop supergroup storms the music charts and Apple launches an in-house production studio with some big name talent.
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