Showbiz Sandbox 463: Why the Emmy Awards Make For Such Bad Television

How is it that an awards show honoring the best and brightest talent and content on television always winds up being such a poor representation of the medium? We’re talking about the Emmy Awards, which were handed out this past weekend in a ceremony without a host. While it was nice to see a few new honorees take home trophies, the proceedings themselves were rather dull. We try and figure out why.

Meanwhile, in the music business Live Nation and Ticketmaster are once again being scrutinized by the Department of Justice for antitrust. It doesn’t help that the company’s latest attempt to thwart scalpers left some fans of the Black Keys holding worthless canceled tickets.

Speaking of music, Amazon is raising the bar for streaming services by offering a Hi-Def streaming tier with lossless audio. Even the notoriously fussy rocker Neil Young is hailing the move.

Of course we also cover the week’s top entertainment headlines including how “Downton Abbey” spurred adults into cinemas, French courts claim you have the right to resell your legally purchased digital content and screenwriters take a big stand in their dispute with talent agencies.

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Showbiz Sandbox 462: Netflix and Amazon Take Advantage of Fall Film Festivals

Though the Cannes Film Festival avoids programming movies from streamers like Netflix and Amazon, internationally renowned festivals in Venice, Telluride, Toronto and New York embrace them. And no wonder. As Anne Thompson of Indiewire tells us, the streamers used the fall film festival circuit to premiere some of the year’s most award-worthy movies.

Just back from Toronto and Telluride (and on her way to the New York Film Festival), Thompson fills us in on what new releases movie lovers should look forward to as we kick off awards season. She explains how making a big splash at such festivals can turn a middling movie into a hit collecting both big box office and plenty of kudos. Yes, we’re looking at you, Hustlers.

Meanwhile, with the imminent launch of their own streaming service, Disney wants to rewrite the rules — or at least the contracts — on how the profits from hit television shows gets shared, or as the company would prefer it, not shared. If successful, other networks and studios are sure to follow Disney’s lead.

Of course we also cover the week’s top entertainment headlines including why YouTube is revamping its music charts, Apple announcing the price for its streaming service and “Saturday Night Live” stumbling in a casting move.

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Showbiz Sandbox 461: A Crazy Example of Hollywood’s Gender Pay Gap

Pay disparity based on gender is not a new thing in the entertainment industry, especially in the movie business. History is rife with examples where leading men got paid multiples more than their leading ladies. However, gender pay gaps behind the camera aren’t often publicized. That wasn’t the case when Adele Lim, the co-writer of “Crazy Rich Asians” found out how much more her male co-writer was being paid for the sequels, she went public.

The good news according to a new study is that in front of the camera Hollywood is becoming more diverse. Women and people of color are being cast more than ever with 39 out of the top 100 films in 2018 featuring a female lead. Last year also marked a 12-year high for minorities being given speaking roles.

Meanwhile, advertisers and television networks are concerning themselves with a different set of numbers; viewership ratings. For the first time ever, Nielsen is counting all the people who watch TV in bars, airports and hotel lounges. Ratings will surely go up for some big categories such as sports. But will ad rates go up too?

Of course we also cover the week’s top entertainment headlines including why author Walter Mosley quit his “Star Trek: Discovery” writers gig, music sales are up for the year and, despite lots of new competition, Netflix looks poised to maintain its dominance of the streaming market.

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Showbiz Sandbox 460: Spider-Man Exits The Marvel Cinematic Universe

The big-time Hollywood divorce that has the entertainment industry buzzing this summer is the acrimonious split between Sony Pictures and Walt Disney Studios over custody of the most popular character in the Marvel Cinematic Universe; Spider-Man. The agreement that allowed Sony to loan out the character for Disney’s Avenger films was unprecedented. But after Disney asked to share in the financing and profit of future Spidey films, Sony opted out of the relationship.

The latest Spider-Man movie was one of the biggest hits of the summer, though box office for the season was actually down. One might think that’s why AMC Cinemas is planning to experiment with dynamically pricing movie tickets, but actually it’s really because they just want to charge more for popular films.

Meanwhile, streaming giants like Netflix are premiering some of their high profile movies at the biggest fall film festivals just in time to kick off awards season. They even plan to show them in cinemas before allowing them to be streamed on their platform. Now all Netflix has to do is convince cinema chains to book them.

Of course we also cover the week’s top entertainment headlines including why Eminem is suing Spotify, the Writers Guild takes its case against talent agents to federal court and why Taylor Swift wants to record all her old albums over again.

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