Showbiz Sandbox 566: Spider-Man Saves The Annual Box Office From Omicron

The opening of “Spider-Man: No Way Home” toppled box office records around the world on its way to a $600 million debut. And this is without China and Japan where the film has yet to bow. This is just what the industry needed to help pump up 2021 grosses. Especially as surges of a new COVID variant begin to shut down cinemas and live theater venues in various regions.

The Los Angeles Film Critics Association named their best movie of the year and we predict it will have no impact on the Oscars race.

Of course we also cover the week’s top entertainment headlines including the sale of Bruce Springsteen’s back catalog, the latest entries to the National Film Registry and Disney settles a carriage dispute with YouTube.
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Showbiz Sandbox 565: Are COVID Rules Unfairly Targeting Movie Theaters?

As COVID cases rise in various parts of the world, local governments are quick to restrict movie theater attendance, while at the same time allowing restaurants and pubs to operate normally. Patrick von Sychowski, editor of Celluloid Junkie, explains why these rules unfairly target movie theaters and discusses a new study that highlights which moviegoers are reluctant to return to cinemas. Plus, we’ll shine a light on LED movie screens and whether they’re the future everywhere…or just in China.

Meanwhile, the Golden Globes announced this year’s list of nominees, but since the ceremony will not be televised it remains to be seen whether they will still influence the ongoing awards season.

Of course we also cover the week’s top entertainment headlines including how the United Kingdom will get its own version of “Saturday Night Live,” Adele helps revive the sale of compact discs and all the big winners at this year’s video game awards show.

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Showbiz Sandbox 564: Film Critics Start Selecting the Best Movies of 2021

It’s that time of year when Film Critics Start Selecting the Best Movies of 2021 for newspapers, magazines and websites begin naming their favorite movie releases. The National Board of Review named its favorite film of the 2021, then proceeded to name 32 more in various categories. The New York Film Critics were tougher however, naming five top films in categories like nonfiction, debut film, animated feature and foreign language. We discuss where any awards season favorites are beginning to stand out.

Thankfully, movie theatres around the world are mostly open, allowing audiences to catch up with some of the critics top picks. However, a new COVID variant named after what would appear to be a character out of a Transformers movie, is temporarily shuttering cinemas in various parts of the world such as China and Russia.

Of course we also cover the week’s top entertainment headlines including why CNN fired the host of its highest rated news program, the Grammys clarify who can be nominated as a songwriter and the reason Middle Eastern countries won’t show Steven Spielberg’s take on “West Side Story.”

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Showbiz Sandbox 563: The Grammy Nominations Are Bigger and More Baffling Than Ever

When this year’s Grammy nominations were announced last week the Recording Academy made a last minute decision to expand some of its biggest categories from eight to 10 nominees. This allowed popular artists like Taylor Swift, Kanye West and Lil Nas X to be included in this year’s list. While this generates a small amount of grumbling, we discuss why it may not be such a bad move.

Meanwhile the Thanksgiving weekend helped the worldwide box office continue to recover from the ongoing pandemic. Still some industry watchers are dismayed that popular releases like Disney’s “Encanto” and the latest “Ghostbusters” aren’t opening to bigger numbers. Though, when you have studios claiming blockbusters such as the Queen biopic “Bohemian Rhapsody” are still in the red after earning nearly a billion dollars, would it really matter if they doubled their opening weekend gross?

Of course we also cover the week’s top entertainment headlines including how Adele got Spotify to stop shuffling around, The Weeknd breaks a long-standing record on the music charts and Netflix (sort of) becomes more transparent with viewership data.

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Showbiz Sandbox 562: The Death of Network Television Is Greatly Exaggerated

While the entertainment industry and Wall Street may be distracted by the growth of streaming services and their subscriber numbers, senior network television executives are reminding everyone that linear TV is far from dead. In fact, according to the latest viewing metrics, more audiences are tuning into network television programs on a consistent basis than actually watch streaming content.

Meanwhile, while the fall film festival season may be dominated by events in Toronto, Telluride and Venice, there are still a number of festivals taking place that are just as noteworthy, including the AFI Fest and Doc NYC. We’ll discuss some of this year’s official selections at both of these festivals.

Of course we also cover the week’s top entertainment headlines including why a high profile director walked away from the next Star Wars movie, Peter Jackson sells his special effects toolkit and Spotify starts a new chapter in streaming.

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Showbiz Sandbox 561: After “Squid Game,” Korea Wants Netflix to Pay Up

Though Netflix’s expensive blockbuster “Red Notice” is getting little notice in movie theatres, the company’s signature streaming service is thriving. In fact, its series “Squid Game” is so popular around the world that in Korea Netflix is being barraged with questions about paying for the cost of the increased streaming traffic it continues to generate.

Meanwhile, a music festival in Houston headlined by Travis Scott left at least eight concertgoers dead and scores injured after they were crushed when the audience surged toward the stage. We’ll explore the poor choices made by Astroworld’s promoters that lead to the tragedy.

Of course we also cover the week’s top entertainment headlines including why the BBC may lose funding, Netflix launches its mobile games and the Justice Department wants to stop two of the world’s largest book publishers from merging.

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Showbiz Sandbox 560: Should Hollywood Get Rid of the (Real) Guns?

In European film and television productions, real guns with either live or blank rounds are rare to non-existent. Instead, plastic replicas or airsoft blowback guns are used with muzzle flashes added during post-production. So why do Hollywood productions continue to rely on working firearms when it would be cheaper and safer for them not to? This is one of the questions the industry is asking itself after a tragic gun accident on Alec Baldwin’s latest film left the cinematographer dead.

In more positive news, October turned out to be the biggest for movies all over the world as the box office works its way back to pre-pandemic levels. Meanwhile, in Germany, exhibitors are rebelling against movies that are showing day and date on Disney+, while in France, cinema operators freaked out when Netflix tried to show movies in theaters instead of just streaming them.

Of course we also cover the week’s top entertainment headlines including how “Squid Game” has dominated the streaming conversation, the controversy over Spain’s top literary prize and a glimpse at some post-COVID Broadway grosses.

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Showbiz Sandbox 559: Dune Survives The Streaming Desert

Despite being available to stream day-and-date with its theatrical release, Denis Villeneuve’s epic film adaptation of Frank Herbert’s science fiction novel “Dune” opened to strong box office around the world. While we don’t know, and may never know, how many people viewed the movie on HBO Max, it’s availability on the service has surely cut into its box office potential.

Speaking of numbers, Apple TV+ has begun working with Nielsen to get its streaming numbers reported on the company’s charts. And Netflix finally suggests it too will start embracing the “total minutes watched” metric that Nielsen has been using. Maybe Nielsen isn’t dead after all, as so many media pundits have espoused.

Of course we also cover the week’s top entertainment headlines including the latest on the new IATSE contract and the dreadful firearms accident involving actor Alec Baldwin on the set of the film “Rust” that left the cinematographer of the movie dead and the director seriously injured.

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Showbiz Sandbox 558: Hollywood Workers Scrutinize Gains In New Contract

At the eleventh hour the International Alliance of Theatrical Stage Employees (IATSE), the union representing film and television production workers, negotiated a new contract with studios and networks. What is still unclear is whether workers are grateful about averting a strike or upset they didn’t gain more. Besides gaining wage increases, the union was aiming to clamp down on workplace conditions that lead to long, exhausting hours.

Meanwhile, across the entertainment business, the black hole of data is getting bigger. We don’t really know what streaming shows are popular, we can’t add up all the ways people consume music, TV producers are struggling to prove they’re reaching a lot of eyeballs and Broadway has stopped reporting grosses. Is this just annoying for journalists or a real problem for the industry as a whole?

Of course we also cover the week’s top entertainment headlines including why the Grammys are booting Kacey Musgraves from the country music category, Elton John sets a new record on the music charts and Disney loses a key, veteran executive.

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Showbiz Sandbox 557: Talent Agents Strike A Deal… for Themselves

In yet another sign that the entertainment industry is consolidating, Creative Artists Agency, one of Hollywood’s most powerful talent agencies, announced it would acquire ICM Partners, the fourth largest player in the space. Is the move meant to help CAA gain leverage when negotiating with streaming giants like Netflix, or is it all about ensuring success on Wall Street for its biggest investor? And what will this mean for smaller agencies which may actually stand to benefit from the deal?

Meanwhile, this year’s Tony Awards honoring Broadway’s brightest were finally held with a live audience. However, some productions in both New York and London are stumbling as they turn on their marquees for the first time since the COVID pandemic began.

Of course we also cover the week’s top entertainment headlines including how James Bond and Venom are competing for box office glory, Scarlett Johansson settles her “Black Widow” lawsuit with Disney and the labor strike that could shut down Hollywood.
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