Showbiz Sandbox 511: The Emmys and TIFF Pull Off the Virtual
September 22, 2020
When COVID-19 shut down the worldwide entertainment industry many wondered how it would affect annual events such as awards shows as well as film and music festivals. While the pandemic led to the cancelation of the Cannes Film Festival, the Emmy Awards honoring excellence in television and the Toronto International Film Festival both managed to hold virtual events that were received quite positively.
Anne Thompson, Indiewire’s Editor at Large, has been attending and covering TIFF for decades, though this year she didn’t have to leave her home to do so. She fills us in on what it was like to attend TIFF virtually, what the standout films were, how they will likely get released in theaters and which ones will be up for (a virtual) Oscars next year.
Of course we also cover some of the week’s top entertainment headlines including complete coverage of the Emmy Awards, a new music video for a beloved Louis Armstrong song and Madonna will direct her own biopic.
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Showbiz Sandbox 510: Studios Play Hide and Seek With Box Office Data
September 15, 2020
Now that new movies are once again playing in reopened cinemas, studios are reluctant to report their pandemic crippled grosses lest their films be deemed publicly as financial flops. At least two studios are delaying box office reports of their latest releases in what many industry insiders fear is a new trend. Is it appropriate for distributors to break with a decades old tradition of reporting weekend grosses in the midst of COVID-19 or do they have the right to keep box office on their titles confidential?
Meanwhile, the Academy of Motion Picture Arts and Sciences announced a new diversity initiative for the Oscars. Now for a film to be eligible for the Best Picture category it has to meet at least two of four diversity requirements. It’s a thoughtful move, even if almost every film made in the last ten years can easily meet the new requirements
Of course we also cover some of the week’s top entertainment headlines including why Disney’s “Mulan” is stirring up unwanted controversy, a major talent agency finally agrees to the Writers Guild code of conduct and sales of vinyl records surpass compact discs for the first time in over 30 years.
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Showbiz Sandbox 509: The Five Stages of Box Office Recovery
September 8, 2020
After zeroing out for six months, the worldwide box office is roaring back to life, led by China and films like “The Eight Hundred” and “Tenet.” We’re joined by Robert Mitchell of Gower Street Analytics who helped develop a staged approach of measuring how the box office in various markets is rebounding and what to expect in the months and years to come.
Meanwhile Hollywood talent agents continue to migrate toward management firms, as the major agencies continue to furlough or layoff staff. Will some creatives choose not to have an agent at all moving forward?
Of course we also cover some of the week’s top entertainment headlines including how Nielsen has begun measuring streaming viewership by the billions of minutes, Tyler Perry goes on a production spree and a whole new way to (sort of) watch Netflix shows.
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Showbiz Sandbox 508: The New Mutants – Agents Become Managers
August 31, 2020
At a time when streaming giants have eroded box office participation and rich TV syndication deals, a significant number of high level talent agents have begun leaving their prestigious positions to become managers. They hope to help top celebrities build companies around themselves in the same way Gwyneth Paltrow and Reese Witherspoon have become business moguls.
Meanwhile, Christopher Nolan’s “Tenet” finally opened in theaters, at least in some international territories. Despite limited capacity screenings the blockbuster managed to live up to the hype earning $53 million at the box office. Even so, two hit films from China made even more money over the past week.
Of course we also cover some of the week’s top entertainment headlines including a big syndication deal for “Young Sheldon,” the New York Times stops printing its TV listings and the Korean boy band BTS blows up a few records with its new single.
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Showbiz Sandbox 507: Movie Theaters Come To Terms with Christopher Nolan’s “Tenant”
August 25, 2020
After COVID-19 forced movie theaters around the world to close for nearly six months, they are now set to reopen with one of the most anticipated films of the year; Christopher Nolan’s “Tenant.” There’s only one catch, the film rental terms Warner Bros. is asking for may make cinema operators want to manipulate time and go back to the simpler days when a studio got 50% of the box office and was happy. What’s more, increased film rental terms may be the new normal for movie theaters.
Meanwhile China may be showing the world how to reopen movie theaters as the historic drama “The Eight Hundred” rockets to more than $100 million at the box office. And to think just a few months ago the Chinese government banned the film.
Of course we also cover some of the week’s top entertainment headlines including how the Berlin Film Festival is going gender neutral, Ron Meyer is out at NBCUniversal and the Tony Awards may happen this year after all.
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Showbiz Sandbox 506: Apple Gets Into An Epic Battle Royale
August 18, 2020
Online gaming allows participants to take part in massive multiplayer battles, but no one ever gets hurt. Well, in real life, Epic Games, the company behind Fortnite is taking on both Apple and Google with an antitrust lawsuit and one of these companies is definitely going to get hurt where it counts most…the bottom line.
Meanwhile, as movie theaters around the world start to re-open after being shut down for months due to the coronavirus pandemic, the box office is sputtering back to life. Even Comscore has started publishing a weekend box office report again. Still, the industry has lost billions of dollars and is far from returning to normal grosses.
Of course we also cover some of the week’s top entertainment headlines including why thousands of actors may lose their health insurance, women are ruling the Billboard music charts and how Warner Music Group is getting a bit more social.
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Showbiz Sandbox 505: The Marvel and Mao Effect: A Hollywood Exec Heads to China, Hijinks Ensue
August 11, 2020
In his 17 years as the President of DMG Entertainment Motion Picture Group, Chris Fenton helped bring 20 Hollywood movies to China, facilitating co-productions, financing and distribution on blockbusters such as “Iron Man 3” and “Looper.” In his new book, “Feeding the Dragon,” the former William Morris agent details his time working in the entertainment industry and China. Fenton helps us read the tea leaves about the future for the relationship between the major studios and China.
Meanwhile, the entertainment industry is undergoing some seismic shifts. In a single week the Paramount Consent Decree was killed for good, television packaging is heading into the sunset and theatrical release windows for studio films just collapsed.
Of course we also cover some of the week’s top entertainment headlines including an executive shakeup at NBC, Taylor Swift sets a new chart topping record with her new album and the Eurovision song contest is coming to the United States.
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Showbiz Sandbox 504: Does The Entertainment Industry Need A Government Bailout?
July 29, 2020
Most of the world’s cinemas are closed. Studios are struggling to release films theatrically. Live theatre probably won’t return until at least 2021. Who knows when concerts can safely be held. Likewise, new movies and television shows can’t get made because producers can’t get production insurance. Is it time for governments to help the entertainment business bounce back the same way they help other industries?
Meanwhile, the Emmy nominations provided some good news, at least for HBO and Netflix who racked up a combined 267 nods. In a year where an Emmy ceremony is hardly likely, the major broadcast networks only scored one nomination for a top award. We go take a stab at predicting which shows will score an Emmy this year.
Of course we also cover some of the week’s top entertainment headlines including why TikTok signed a deal with record labels, Drake charts another music industry record and how Universal Music Group profits from local music acts.
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Showbiz Sandbox 503: An Actor’s Life During A Pandemic
July 21, 2020
Like so many other working actors in New York John Keating saw his world turned upside down by the COVID-19 pandemic. Suddenly, his side gig narrating audio books became a lifeline like never before. We talk to Keating about the impact of the coronavirus shutdown, what it’s like to record an audiobook at home and a new online production of the ghostly tale “The Weir” put together by The Irish Repertory Theatre.
Meanwhile, screenwriters have been locked in a year-long battle with their agents who the scribes claim have placed their own interests ahead of the writers they supposedly represent. Now the peace agreement between the Writers Guild of America has come to an agreement with United Talent Agency which would end packaging deals. Is it just a matter of time before the other big talent agencies follow suit?
Of course we also cover some of the week’s top entertainment headlines including a big promotion for Netflix’s content chief, Ted Sarandos, China begins reopening movie theatres and “Dancing With The Stars” ditches its longtime hosts.
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Showbiz Sandbox 502: The Entertainment Industry’s Slow News Week
July 14, 2020
With concerts and live performances canceled, cinemas closed, movie studios delaying releases, and streaming video or music the only entertainment audiences can enjoy, the industry is slowly grinding to a halt. Perhaps show business folk were recovering from the Fourth of July holiday weekend or are preparing for Bastille Day, but there was hardly any entertainment news to report.
Even so, we tell you why North America’s largest cinema chains are suing the state of New Jersey, what is happening to the release of the latest “Halloween” horror films and why music may be disappearing from elevators.
Plus, proving just how strange a year 2020 has become, the Venice, Toronto, Telluride and New York Film Festivals – usually fierce competitors – have decided to collaborate on what entries they present, not to mention how to do so safely.
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