Showbiz Sandbox 471: A Harsh Verdict from Former “America’s Got Talent” Judges
December 9, 2019
After just one season on “America’s Got Talent” celebrity judges Gabrielle Union and Julianne Hough had done what they were hired to do; increase the show’s social media footprint. Yet their contracts were not renewed for a second season and Union gained a huge amount of attention for her claims the show has a toxic culture. The show’s producers and network NBC are being very careful in how they handle the situation.
In Hong Kong, mass protests continue to disrupt the city and its significant entertainment industry. The ongoing demonstrations have affected Asian year-end awards, Hong Kong’s box office and generally made it harder to do business for entertainment companies who are both trying to please China yet show they have a moral compass.
Meanwhile, it looks as if this year won’t set any North American box office records, though it might be the second highest on record. Disney, however, has nothing to worry about as they set theatrical earnings records thanks to a string of billion dollar releases.
Of course we also cover the week’s top entertainment headlines including Golden Globe nominations, the bidding war ver Ali Wong’s next comedy special and Comcast looks to expand in the United Kingdom.
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Showbiz Sandbox 470: The End of the Paramount Consent Decree
December 1, 2019
The Department of Justice has announced their intention to jettison the Paramount Consent Decree, the agreement that ended the studio system and under which the film industry has operated for the past 70 years. What will this mean for movie theater operators moving forward? Now that studios have become big media conglomerates will they behave anti-competitively?
Speaking of agreements, more mid-level talent agencies have signed the Writers Guild of America’s code of conduct. In the process, these agencies have gotten the WGA to agree not to enforce the ban on television packaging until one of four major firms signs on.
Meanwhile, the Thanksgiving holiday weekend was once again a time for audiences to return to cinemas en masse. However this year instead of going to see the latest blockbuster sequel, moviegoers actually sought out original films.
Of course we also cover the week’s top entertainment headlines including the Grammy nominations, why Netflix bought a movie theater in New York City and the controversy over the firing of Gabrielle Union from “America’s Got Talent.”
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Showbiz Sandbox 469: Hollywood Unions Set For Fight Over Streaming Residual Payments
November 17, 2019
As television networks turn from linear broadcast methods to consumer streaming platforms a brewing battle over residual payments has the potential to spark a dual union strike in the middle of next year. Jonathan Handel, an entertainment attorney and a contributing editor at The Hollywood Reporter, joins us to discuss how the lack of data coming from streaming giants could lead to a standoff between major guilds and producers.
Indeed, in mid-2020 the master contacts between the Alliance of Motion Picture and Television Producers and the Directors Guild of America, The Writers Guild of America and SAG-AFTRA are set to expire. By now negotiations on new contracts would be well underway. Instead talks have stalled as unions try to revise the formulas used by streamers to make residual payments to their members. Given the timing, it’s a perfect storm for a potential massive industry work-stoppage.
Meanwhile, the Broadway musical “Tootsie” is closing long before it recoups its production costs. Michael Riedel of the New York Post has a host of reasons for why this critic’s darling didn’t click, however only one of them makes sense; the show’s music wasn’t all that great.
Of course we also cover the week’s top entertainment headlines including how Amazon has followed Netflix in deciding not to publish box office figures for its films, George Lucas revises the original “Star Wars” once again and Taylor Swift gets into a public spat with her former record label.
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Showbiz Sandbox 468: A Rundown of This Year’s Rock & Roll Hall of Fame Nominees
November 10, 2019
Next year’s nominees for placement into the Rock & Roll Hall of Fame in Cleveland, Ohio include candidates considered in previous years, including Depeche Mode, Judas Priest and Todd Rundgren. They join new nominees such as Pat Benatar, Dave Matthews Band and Whitney Houston, among others. We speak with Sal Nunziato, a music blogger and drummer for the band The John Sally Ride, to get his encyclopedic thoughts on which of the nominees should actually get the nod.
We also discuss the pros and cons of streaming music services. There is no dispute that it’s great to have an archive of music, not to mention new releases, all available for listening within a few seconds. On the other hand, it’s also nice to support the music we really like by actually buying physical copies.
Meanwhile, the video game industry made some headlines this week after a Chinese team won the latest “League of Legends” world championship. At the same time the latest “Call of Duty” release has generated some controversy since it is set amidst the Syrian Civil War and depicts child soldiers, the killing of civilians, among many other issues.
Of course we also cover the week’s top entertainment headlines including why Woody Allen dropped his lawsuit against Amazon Studios, HBO Max sets its subscription price and technology is allowing filmmakers to cast the late James Dean in an upcoming movie.
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Showbiz Sandbox 467: Is “The Terminator” Really A Franchise Property?
November 4, 2019
When James Cameron made “The Terminator” in 1984 he probably didn’t think the movie would still be spinning off sequels 35 years later, no matter how big a hit it became. Given the disappointing box office brought in by the sixth and latest Terminator film during its opening weekend it’s not hard to wonder whether the franchise might have run its course or if it should have been a franchise at all.
One film we know for sure isn’t a franchise is Martin Scorsese’s most recent film, “The Irishman.” Made for Netflix, the movie will only be in theatres for 26 days before appearing on the streaming platform. Big movie theater chains have expressed their frustration with Netflix for not adhering to a traditional theatrical release window of 90 days, though were rumored to have offered up a shortened 60-day term instead. If true, was Netflix foolish for not accepting it?
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Showbiz Sandbox 466: How Hollywood Kowtows to China
October 28, 2019
Entertainment companies are finding themselves in compromising positions when it comes to avoiding political pitfalls in China. Movie studios and media conglomerates don’t want to disrupt their bottom line by appeasing Chinese authorities while surrendering their creative freedom. The result is that companies distributing content in China find themselves censoring themselves.
“South Park,” on the other hand, chose an alternative path; directly offending the Chinese government and immediately being banned throughout the country. Even when companies do kowtow to the Chinese government, they find themselves getting into trouble at home and abroad. Just ask the producers of the animated film “Abominable,” an animated film which was banned in the country for showing a map that favored China’s disputed territorial claims.
Meanwhile, the new television season started. Not that you’d know it based on the ratings, which are down almost any way you slice them. And the clear message is this: people’s viewing habits have changed, probably forever, and it’s not going to help TV channels trying to sell eyeballs to advertisers.
Of course we also cover the week’s top entertainment headlines including a tie for this year’s Booker Prize, Netflix somehow adds even more subscribers and a big Hollywood talent agency scraps its long awaited IPO.
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Showbiz Sandbox 465: Ang Lee’s Latest Science Project
October 14, 2019
Filmmaker Ang Lee is arguably one of the best directors to ever step behind a camera. He’s made acclaimed films such as “Crouching Tiger, Hidden Dragon,” “Brokeback Mountain” and “Life of Pi,” winning three Oscars along the way. However Lee’s latest efforts have been more concerned with filmmaking technology than their script.
That was certainly the case with “Gemini Man,” an action film that stars Will Smith playing an assassin opposite a digitally de-aged version of himself. Geoff Boucher of Deadline spoke with Lee about the challenges of making the film, which was shot in high frame rate at 120 frames per second.
Meanwhile, China deleted “South Park” from the airwaves (and the internet) after a new episode mocked the country’s human rights record. Then China canceled the broadcast of an NBA basketball game being played in Shanghai after a league executive showed support for anti-government protestors in Hong Kong. We discuss what this means for all the businesses that want a piece of the Chinese market but don’t want to damage their brand worldwide.
Of course we also cover the week’s top entertainment headlines including the Nobel Prize for Literature is awarded to a controversial writer, a new K-Pop supergroup storms the music charts and Apple launches an in-house production studio with some big name talent.
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Showbiz Sandbox 464: Warner Bros. Gets the Last Laugh With “Joker”
October 7, 2019
After winning the top prize at the Venice Film Festival last month, “Joker” shattered October box office records around the world. This was despite mixed critical reviews and concerns about violence that led to heightened security at movie theaters. The question remains whether the movie will be too dark for Oscar voters come awards season.
The box office in China also made headlines over the past week as the country celebrated National Day by heading to the movies. China’s biggest release for the holiday week even made it onto the North American box office charts.
Meanwhile, one of Hollywood’s biggest talent agencies was hoping to raise a lot of money by going public and ultimately change how agents do business. However, Endeavor wound up pulling its initial public offering at the last minute as market makers began raising doubts.
Of course we also cover the week’s top entertainment headlines including how who will be performing at next year’s Super Bowl Halftime Show, Spider-Man rejoins Marvel’s Cinematic Universe and Apple will release (some of) its movies in theatres with a 90-day theatrical window.
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Showbiz Sandbox 463: Why the Emmy Awards Make For Such Bad Television
September 23, 2019
How is it that an awards show honoring the best and brightest talent and content on television always winds up being such a poor representation of the medium? We’re talking about the Emmy Awards, which were handed out this past weekend in a ceremony without a host. While it was nice to see a few new honorees take home trophies, the proceedings themselves were rather dull. We try and figure out why.
Meanwhile, in the music business Live Nation and Ticketmaster are once again being scrutinized by the Department of Justice for antitrust. It doesn’t help that the company’s latest attempt to thwart scalpers left some fans of the Black Keys holding worthless canceled tickets.
Speaking of music, Amazon is raising the bar for streaming services by offering a Hi-Def streaming tier with lossless audio. Even the notoriously fussy rocker Neil Young is hailing the move.
Of course we also cover the week’s top entertainment headlines including how “Downton Abbey” spurred adults into cinemas, French courts claim you have the right to resell your legally purchased digital content and screenwriters take a big stand in their dispute with talent agencies.
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Showbiz Sandbox 462: Netflix and Amazon Take Advantage of Fall Film Festivals
September 16, 2019
Though the Cannes Film Festival avoids programming movies from streamers like Netflix and Amazon, internationally renowned festivals in Venice, Telluride, Toronto and New York embrace them. And no wonder. As Anne Thompson of Indiewire tells us, the streamers used the fall film festival circuit to premiere some of the year’s most award-worthy movies.
Just back from Toronto and Telluride (and on her way to the New York Film Festival), Thompson fills us in on what new releases movie lovers should look forward to as we kick off awards season. She explains how making a big splash at such festivals can turn a middling movie into a hit collecting both big box office and plenty of kudos. Yes, we’re looking at you, Hustlers.
Meanwhile, with the imminent launch of their own streaming service, Disney wants to rewrite the rules — or at least the contracts — on how the profits from hit television shows gets shared, or as the company would prefer it, not shared. If successful, other networks and studios are sure to follow Disney’s lead.
Of course we also cover the week’s top entertainment headlines including why YouTube is revamping its music charts, Apple announcing the price for its streaming service and “Saturday Night Live” stumbling in a casting move.
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