Showbiz Sandbox 281: Literati Get Down To Business at BookExpo and BookCon
June 2, 2015
BookExpo America and BookCon are two of the most important events in the North American book publishing business. BEA is a trade show where the publishing industry talks to itself. Editors, writers, publicists, librarians and bookstore owners all get together for meetings and professional seminars.
BookCon is where the publishing industry talks directly to the world through a conference aimed at book lovers. There are loads of author talks, book signings and even movie screenings. Our own Michael Giltz attended both shows last week and fills us in on all the emerging industry trends and hot new titles.
Meanwhile, Broadway is gearing up for the Tony Awards next weekend to honor the best and brightest productions from the past year. They have a lot to celebrate too, as the most recent Broadway season set a number of records, grossing a record $1.3 billion and selling 13.1 million tickets in all.
Of course, we also cover the week’s top entertainment news stories including why Iggy Azalea canceled her upcoming tour, why film composers are suing Hollywood studios and China cracks down on reality television.
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Showbiz Sandbox 280: French Films Win Big In Cannes This Year
May 26, 2015
The 68th annual Cannes Film Festival wrapped up over the weekend with the French drama “Dheepan” winning the Palme d’Or. In a festival filled with artistic works commenting on modern social issues, director Jacques Audiard’s film tells the story of three Sri Lankan refugees who form a family-of-convenience while fleeing to France in hopes of a better life.
Anne Thompson, Editor-at-Large for Indiewire, joins us to discuss the highs and lows of this year’s Festival de Cannes, which include many of the films that took home awards, not to mention a 3D porno. But as Thompson explains, many of the big buzzworthy films were Hollywood titles screened out-of-competition; “Mad Max: Fury Road” and “Inside Out” come to mind.
Time Warner Cable meanwhile, fresh from having broken up with their previous suitor, Comcast, may now be acquired in a $56.7 billion deal. Though this move was widely expected, it is an indicator of how the market is attempting to stay ahead of the fast changing ways by which audiences consume television content.
Of course, we also cover the week’s top entertainment news stories including the David Letterman’s signs off the “Late Show” one final time, Jennifer Lopez is taking up residency in Las Vegas for a string of shows next year, and multi-hyphenate Barbra Streisand is penning her memoirs.
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Showbiz Sandbox 279: “Carol”, “Amy” and “Saul” Stand Tall At Cannes
May 18, 2015
It is impossible to see all the films at this year’s Cannes Film Festival, but halfway through the 68th edition at least three films have scored some positive buzz, all of them about tortured souls. Director Todd Haynes is leading the pack with “Carol” a film about repressed sexuality set in the 1950s, the Hungarian entry “Son of Saul” set in a Nazi concentration camp and “Amy” a powerful and moving documentary about the life of singer “Amy Winehouse”.
From the official screenings to the behind-the-scenes press conferences, we give you all the ins and outs of this year’s Cannes, including the world premiere of Pixar’s “Inside Out” which wowed attendees. Join us for our annual trip to the south of France.
Meanwhile, back in the United States, television networks have been busy selling advertising for next season’s lineup at the upfronts. We’ll tell you which shows got canceled, which new series got picked up and whether the television season has become year round.
Of course, we also cover the week’s top entertainment news stories including the BAFTA TV Awards, David Lynch heads back to “Twin Peaks” again and “American Idol” sings its final note.
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Showbiz Sandbox 278: Grooveshark Goes Down As Periscope Comes Up
May 4, 2015
Content owners seem to be locked in a never-ending game of legal Whac-A-Mole in an attempt to thwart technologies that enable copyright infringement. Last week record labels managed to shutter the music streaming service Grooveshark and movie studios were granted a court ordered injunction against Popcorn Time, which has been dubbed the Netflix of Piracy. Yet now entertainment companies are concerned about audiences live streaming television shows and movies from their mobile phones using social media apps such as Periscope.
That’s exactly what happened on Saturday during the welterweight title fight between Floyd Mayweather Jr. and Manny Pacquiao. Some viewers took it upon themselves to beam video of the boxing match by transmitting the pay-per-view broadcast through their phones.
Meanwhile on Broadway, this year’s Tony Award nominations were announced, recognizing the best and brightest new live theatre productions. We’ll give you a rundown of who was nominated and why walking off with one of the prestigious prizes can mean big profits at the box office.
Of course, we also cover the week’s top entertainment news stories including the gigantic opening of “Avengers: Age of Ultron”, a remake of “Roots” and how “Seinfeld” is earning big bucks on subscription video-on-demand.
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Showbiz Sandbox 277: CinemaCon Predicts A Bright Future For Moviegoing
April 27, 2015
When theater owners and film distributors from around the world convened last week for CinemaCon in Las Vegas they were presented with a slate of upcoming blockbusters and cutting edge innovations which forecast an optimistic future for the industry. After ending last year with the most depressed box office returns in recent memory, 2015 is shaping up to break all records with at least four films potentially grossing more than a billion dollars.
Adding to the optimistic outlook are emerging technologies that enhance the experience of going to the cinema. Upgrades such as immersive sound, laser projection and high dynamic range may help lure certain demographics back to theaters. Teenagers and young adults, for instance, have seen declining attendance since 2007 as the number of on-demand entertainment options began expanding.
Meanwhile, cable giant Comcast called off its $45 billion acquisition of Time Warner Cable after government agencies informed the company they would actively work to block the merger. Regulators believed the deal, which many feared but felt would ultimately be approved, might allow Comcast to dominate not just cable television, but more importantly high speed Internet access.
Of course, we also cover the week’s top entertainment news stories including the end of “Sabado Gigante”, how WikiLeaks got involved in the Sony cyberattack and Netflix just keeps growing.
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Showbiz Sandbox 276: Agency Wars Have A Long History in Hollywood
April 13, 2015
Even in the best of times being a Hollywood talent agent has never been an easy job. The dog eat dog nature of the agency business has never been more apparent than during the last few weeks when 11 agents suddenly defected from Creative Artists Agency, one of the industry’s leading agencies, to become partners at a rival firm, United Talent Agency. Following in the footsteps of their agents were A-list clients such as Will Ferrell, Zach Galifianiakis, Ed Helms, Melissa McCarthy and Chris Pratt.
This isn’t the first time big shot agents have deserted their agencies for greener pastures and taken their clients with them, nor will it be the last. In fact, CAA was founded in 1975 when Michael Ovitz along with Ron Meyer and several other agents, abruptly departed the William Morris Agency to form their own firm. The now legendary Ari Emanuel did the same thing 20 years later to start Endeavor.
Meanwhile, changes are also afoot in how television networks want advertisers to pay for commercial time. Two major conglomerates, Time Warner and Viacom, are moving away from Nielsen ratings and offering to let advertisers pay for the “impact” their ads have through metrics such as increased brand recognition, increased loyalty program registrations and consumer engagement on social media.
Of course, we also cover the week’s top entertainment news stories including Jay-Z makes a streaming media play with Tidal, filmmaker David Lynch backs out of “Twin Peaks” reboot, and NBC selects “The Wiz” as its next live televised musical.
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Showbiz Sandbox 275: TV Casting Isn’t Just Black and White
March 30, 2015
Thanks to the success of new shows like “How To Get Away With Murder”, “Black-ish”, “Fresh Off The Boat”, “Jane the Virgin” and, of course, “Empire”, Deadline Hollywood reports this year’s pilot season is experiencing an explosion of minority casting. Networks are now writing roles specifically for ethnic actors and demanding series pilots feature a diverse cast. Though long overdue, the suggestion that the “pendulum might have swung a bit too far in the opposite direction” ruffled a few industry feathers.
In less controversial news, the Library of Congress announced the 25 recordings it will be adding to the National Recording Registry this year. Among them are classics by The Doors and Radiohead, Broadway cast albums and hits by The Righteous Brothers and Johnny Mercer. There are even a few historical wax cylinder recordings dating all the way back to the 1890s.
And just when you thought the awards season was long over, the New York Independent Film Critics held their annual meeting to select the IRA Film Awards. Our host Michael Giltz was on hand to argue, discuss and vote for the best in movies from last year with a prestigious group that believes they have better taste than all those other awards shows. We’ll go over the list of winners.
Of course, we also cover the week’s top entertainment news stories including who will replace Jon Stewart as host of “The Daily Show”, the popular television series “Downton Abbey” calls it quits as does Zayn Malik, a now former-member of One Direction.
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Showbiz Sandbox 274: Cord-Cutting Has Never Been Easier, or More Expensive
March 23, 2015
Cord-cutting has been a growing fear of the television industry for many years. The terrifying possibility that consumers will give up their expensive cable bundles in lieu of online streaming is quickly becoming a reality as numerous services have sprung up to provide over-the-top options. Unfortunately none of these services offers access to all the major networks forcing viewers to spend just as much, or even more, to see all their favorite programs.
When you start adding up the cost of subscriptions to Netflix, Amazon Prime, Hulu along with newcomers such as Dish Networks Sling TV and HBO Now, cutting the cord may not be the cost savings everyone has been hoping for.
Meanwhile, the music industry has been undergoing its own struggles as existing revenue models have been upended by digital distribution. Last year marked the first time that streaming music earned more than the sale of music on compact discs. This has led to a rallying cry from industry trade groups for artists to be fairly compensated regardless of the platform on which their music is accessed.
Of course, we also cover the week’s top entertainment news stories including how female moviegoers are driving this year’s box office, why John Williams won’t be scoring Steven Spielberg’s next movie and the new math formula determining whether Madonna’s recent release is the top selling album of the week.
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Showbiz Sandbox 273: Bringing The ‘Blurred Lines’ Verdict Into Focus
March 16, 2015
A federal jury decided last week that the hit song “Blurred Lines” was improperly derived from Marvin Gaye’s 1977 classic “Got to Give It Up” and ordered songwriters Robin Thicke and Pharrell Williams to Pay $7.4 Million for copyright infringement. Though the verdict was a surprise, Eriq Gardner, a senior editor for The Hollywood Reporter, tells us it may not have the wide ranging implications for the music industry everyone now predicts.
Gardner explains some of the legal positions taken by both sides in the case. Usually for a copyright lawsuit to be successful the melody, harmony or lyrics must be infringed upon, though in this instance it was extended to include the style and “vibe” of the work. What will this mean for songwriters in the future?
Meanwhile, the MPAA published their verdict on last year’s box office figures. The good news is the organization’s annual report looks at the entire world, and not just the U.S. The bad news, at least according to some, is that box office receipts only increased 1% during what was a record breaking year in Asia.
Of course, we also cover the week’s top entertainment news stories including Sony’s plans for a Ghostbuster’s universe, the worldwide premiere of next season’s “Game of Thrones” and Disney announces a sequel to “Frozen”.
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Showbiz Sandbox 272: Why The TV Industry Is Fighting Over Your Viewing Habits
March 9, 2015
Time-shifting content consumption has grown astronomically over the past several years thanks to technology like streaming and DVRs. Nearly half of all TV viewers no longer watch shows when they are first aired, upending the traditional ratings system used to measure audiences. Networks now want advertisers to pay for all the viewers of a program up to a week after its original telecast.
Presently, advertisers only pay for viewers of a show during the first three days after its broadcast, a timeframe the don’t wish to extend. Complicating the matter is a dramatic increase in the number of shows airing during primetime, fracturing audiences and forcing ad execs to sift through 1,700 programs in which commercials can be placed.
Buying ad time during the Academy Awards ceremony is usually a no-brainer for marketing moguls, however the Oscars telecast has become so predictably dull that it’s audience has begun to shrink. In an effort to boost ratings, the Academy’s Board of Governors is now hinting they may revert back to having only five Best Picture nominees, rather than the potential of ten. We debate why this is not such a good idea.
Of course, we also cover the week’s top entertainment news stories including the high profile court battle over the authoriship of a hit song, NBC goes over-the-top and Bruce Willis heads to Broadway.
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