Showbiz Sandbox 102: Why Music Videos Matter (Again)
May 9, 2011
Music videos rose to prominence in the 1980s to become on of the most important promotional vehicles for new music. As fans grew tired of watching their favorite musicians lip sync their way through elaborate videos MTV and the like stopped showing them. However, with the advent of inexpensive production equipment and the ability to reach a massive global audience via the Internet, musicians have begun churning out a new crop of innovative, and at times interactive, music videos, revitalizing an art form once written off as extinct.
In other music news, Warner Music Group was finally auctioned off for $3.3 billion. Now there is talk that the record labels new owner might scoop up EMI making Warner Music Group even larger than it is already. Meanwhile, in an attempt to reverse declining box office, concert promoters are trying to win audiences back with cheaper ticket prices and high-end acts.
Flixster and Rotten Tomatoes, two of the Internet’s most popular movie sites, were sold to Warner Bros. We debate whether the move will influence some of the reviews and recommendations the websites have become known for.
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Showbiz Sandbox 101: How Jay-Z Went From Street Corner To Corner Office
May 2, 2011
Starting out on the streets of Brooklyn, New York as a drug dealer in the late 1980s, hip-hop star Jay-Z has transformed himself into a recognizable brand encompassing music, clothing, restaurants, nightclubs and an NBA basketball team. Our guest this week is Forbes staff writer Zack O’Malley Greenburg who tells the improbable story of how Jay-Z rose to the top of the business world in his new book, “Empire State of Mind: How Jay-Z Went from Street Corner to Corner Office
Another brand that has proven their business acumen is home video subscription service Netflix. The company, which reported record first quarter numbers this past week, soon will have a number of competitors, including the likes of YouTube, DirecTV and Comcast.
Maybe Vin Diesel can turn himself into a mega-brand, proving he can still open a film on a global scale with “Fast Five”, the fifth installment in the “The Fast and The Furious” franchise. The film earned mega-bucks this past weekend, despite being up against the summer blockbuster “Thor” in international territories.
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Showbiz Sandbox 100: In Showbiz, As In Life, Size Matters
April 25, 2011
It’s hard to believe we’ve recorded 100 episodes of Showbiz Sandbox. It’s also hard to believe that a 3D porno (okay, an erotic comedy) could ever smash a box office record set by “Avatar”. But that’s exactly what happened in Hong Kong, where “Sex and Zen: Extreme Ecstasy” opened to USD $2.19 million. The producers wanted to screen the film in Imax, but were refused, disappointing Karen Woodward, our guest and former co-host, who says that despite all the rumors, size does matter.
If bigger really is better, then Netflix has nothing to worry about. They are set to become the largest subscription entertainment business in the United States with over 23 million customers, beating out satellite radio and cable television. The same can’t be said about any of the music streaming services that Apple, Google and others are working on. Apparently, negotiating a licensing deal with record labels can be quite difficult. Go figure!
The Coachella Music Festival also took the size issue to heart, adding more space for attendees to enjoy the more than 100 bands which performed this year. J. Sperling Reich was there and tells us which artists are worth checking out (Lauryn Hill), and which shouldn’t quit their day jobs (Odd Future).
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Showbiz Sandbox 99-B: The Special Excuse Episode
April 17, 2011
The dog ate our homework! Here we were, all prepared to fill you in on the week’s top entertainment headlines during this week’s episode, when unexpected travel plans got in the way.
Entertainment journalist extraordinaire Michael Giltz was hoping to talk about daytime soap operas “All My Children” and “One Life To Live” being canceled by ABC. Of course, we’ve pointed out on numerous occasions that soap operas have been dying a slow death, so it should really come as no surprise. We had a whole bunch of news about “The Hobbit”, as well as some info on how much it will cost to purchase a 30 second commercial during Oprah’s finale this May.
Co-host J. Sperling Reich attended the Coachella Music and Arts Fetival and was going to fill us in on all the hot acts worth checking out. But have no fear, we plan on returning next week for our 100th episode and will catch you up on all the news then. In the meantime, feel free to catch up on some of our past episodes.
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Showbiz Sandbox 99: How To Fix Hollywood’s Obsolete Residual Payments System
April 11, 2011
Labor and contract negotiations are a constant concern in Hollywood. Entertainment attorney Jonathan Handel is a contributor to The Hollywood Reporter and has written a book about the industry’s labor disputes, “Hollywood on Strike!: An Industry at War in the Internet Age
Blockbuster, the beleaguered video chain which filed for bankruptcy protection last year, was auctioned off to Dish Networks. How the acquisition will benefit the satellite television provider remains to be seen.
The Grammy Awards are getting trimmed down as they cut more than 30 categories and combine a number of others. Music industry professionals are split over whether the changes will help the awards show.
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Showbiz Sandbox 98: Why New Distribution Models Terrify Hollywood
April 4, 2011
Movie studios, television networks and record labels still haven’t updated their business models to account for video and music streaming services like Netflix and Spotify. Now companies such as Amazon, Google and Apple plan on introducing a whole new group of media subscription services. With premium video-on-demand on the horizon it’s no surprise the entertainment industry is concerned about all these disruptive distribution methods.
One of the biggest players in the current content licensing wars has been Netflix. Showtime and Starz began pulling shows from the video rental giant, while Fox and Paramount offered up popular series and hit movies. Cable operators have also entered the fray by allowing viewers to watch live television on mobile device apps.
The creator of “Mad Men” was embroiled in his own fight with AMC and Lionsgate over the future of the series. In the end, Matthew Weiner was able to reach an agreement on a new contract, though new episodes won’t air until 2012.
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Showbiz Sandbox 97: What The Failure Of “Mars Needs Moms” Means For Hollywood
March 22, 2011
When Disney’s animated film “Mars Needs Moms” flopped at the box office, film industry insiders struggled to pinpoint a possible cause. Was it the motion-capture animation style? The lackluster storyline? Are multiplexes saturated with too animated family films? Have higher 3D ticket prices caused moviegoers to become more picky? We are joined by New York Times media reporter Brooks Barnes who faults a long list of culprits for the movies failure.
Meanwhile, music industry big shots trekked to Austin, Texas last week hoping to find undiscovered artists at the South by Southwest music conference. However, 13-year-old Rebbecca Black didn’t have to attend SxSW to attract attention. She became the world’s latest pop-star in under a week when her much maligned song and music video turned into a viral Internet sensation.
Streaming video continues to change the television landscape. Video streaming service Netflix made the jump into original programming by picking up a television series. Such a move was aimed at keeping Netflix ahead of an endless assortment of competitors entering the market.
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Showbiz Sandbox 96: Why Facebook Is Becoming Your Friendly Neighborhood Video Store
March 14, 2011
In their never ending quest to replace declining DVD revenue movie studios have begun renting movies on Facebook. Such partnerships are focused on more than just sales, or finding a Netflix competitor, they are also about marketing. As Facebook users rent and purchase movies they’ll be transformed into a social marketing army.
Mel Gibson made headlines again last week accepting a plea deal in his spousal battery case. Whether moviegoers will forgive Gibson for recent ethnic slurs and racist comments will be tested when his next film, “The Beaver”, premieres at the South by Southwest festival in Austin, Texas. Meanwhile, Carlie Sheen, in between streaming his wacky behavior on the Internet, was also headed to court to file a $100 million lawsuit against Warner Bros. and sitcom producer Chuck Lorre.
Julie Taymor joined Sheen on the unemployment line. After spending nine years bringing the Broadway musical “Spider-Man Turn Off The Dark”, Taymor was replaced as the director of the expensive, beleaguered musical.
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Showbiz Sandbox 95: The Media Is Charlie Sheen’s Worst Enabler
March 7, 2011
It’s hard to believe that we’re writing headlines about Charlie Sheen for the second week in a row. Alas, the actor went on a whirlwind media campaign let the world know he was ready to go back to work on his hit sitcom. Mainstream media reveled in an endless supply of Sheen’s erratic and manic behavior, portraying him as a deluded, drugged out narcissist.
Eric Deggans, the television and media critic for the St. Petersburg Times, stops by to discuss his NPR commentary piece on how mixed-race couples are portrayed on network television. However, we get sidetracked when news arrives that Sheen has been fired from “Two And A Half Men”.
During Inside Baseball we are joined by Andrew Wallenstein of PaidContent (and soon Variety) who explains why movie studios should start a war over premium video-on-demand.
We also cover all the week’s top entertainment news including Google’s rumored music service, “American Idol’s” ratings dominance, Courtney Love’s Twitter lawsuit and Oprah’s struggling cable network.
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Showbiz Sandbox 94: Charlie Sheen Is More Entertaining Than The Oscars
March 1, 2011
The 83rd Annual Academy Awards are finally over and, as expected, “The King’s Speech” took home most of the top prizes, including Best Picture. IndieWire’s Anne Thompson gives us her take on all the winners and losers, not to mention the poorly received Oscar telecast. One day before the Oscars Anne was at the Independent Spirit Awards and she reveals what the attendees were up to during the commercial breaks.
Remarkably actor Charlie Sheen just about managed to upstage the Oscars, and he wasn’t even there. Though that may be the only place Sheen could not be found. He continued his oddball antics by calling into radio shows, texting gossip websites and appearing on news programs causing CBS to ceased production of “Two And A Half Men”. The question on everyone’s mind now is just how much money does the network stand to lose by dumping the hit show.
Speaking of money, we discuss the music industry’s top earners in 2010 and how some of them made the list without releasing an album. We review all the week’s entertainment news including Broadway’s new number one show, plans to take “American Idol” voting online and the sale of troubled home video giant Blockbuster.
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