Showbiz Sandbox 84: A Black List Every Screenwriter Wants To Be On
December 20, 2010
Since 2005 Hollywood studio executive Franklin Leonard has compiled an annual list of the industry’s “most liked” unproduced screenplays. Dubbed The Black List, past selections have gone on to win Academy Awards (“Juno”) or be turned into critically acclaimed films (“The Social Network”). Leonard talks about the project he began on a whim and how it has grown to a point where it can help launch a screenwriter’s career.
Also joining us on this week’s show is Geoff Boucher of the Los Angeles Times. Boucher explains how he recently broke two big stories in the film world. His first scoop was about filmmaker Jon Favreau who, after helming the first two installments of the Iron Man franchise, has opted not to direct “Iron Man 3”. Instead he’ll make a big budget film about Disneyland. That’s right… Disneyland. Meanwhile, Boucher also spoke at length with director Ron Howard who is working closely with author Stephen King to adapt the writer’s “Dark Tower” series for the big screen.
The Hollywood Foreign Press Association had many in Hollywood scratching their heads this week after they announced their Golden Globe nominations. Exactly how (or why) they nominated an action film such as “The Tourist” in the Best Musical or Comedy category is anybody’s guess.
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Showbiz Sandbox 83: The Social Network Tops Critics Year-End Picks
December 13, 2010
Even the latest “Chronicles of Narnia” film can’t steal the spotlight from “The Social Network”. David Fincher’s little Facebook movie is the toast of critics groups throughout the country with most selecting it as the year’s best film. “Blue Valentine” may be getting overlooked when it comes to top awards, but the MPAA decided to downgrade the film’s NC-17 rating to a more marketable R.
Spotify, Europe’s leading online music service, still hasn’t launched in the United States thanks to licensing disputes with the record labels. We’ll just have to be satisfied with watching music videos on YouTube where artists like Rhianna, Eminem and Justin Bieber rake in millions from advertising.
Disney and ABC aren’t relying on YouTube to make money online with their television shows. Instead, they struck a lucrative licensing deal with Netflix who will stream the shows to to paying subscribers.
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Showbiz Sandbox 82: Training For The Awards Season Marathon
December 6, 2010
The end of the year always has more “best of” lists and awards show news than any media outlet knows what to do with. Over the past week nominees were announced for the Independent Spirit Awards, the Grammys and the Annies (for animated films). In Europe, they’ve already started holding awards ceremonies, with “The King’s Speech” cleaning up at the British Independent Film Awards and “Ghost Writer” topping the European Film Awards.
Competing at next year’s awards shows will likely be a few films selected for the upcoming Sundance Film Festival which will take place in January. Some outlets noted that the festival’s competition selection didn’t have enough star driven films, but artistic director John Cooper points to the premieres section which has been programmed with films sure to keep the Park City paparazzi quite busy.
In television news, it appears the degree to which networks and advertisers trust Nielsen’s rating system is decreasing by the day. They claim Nielsen’s method of acquiring its numbers is antiquated. Meanwhile, on Broadway, all anyone wants to talk about is “Spider-Man: Turn Off The Dark”. While most avid theater-goers believe the super hero musical is going to be awful, they all still can’t wait to see it.
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Showbiz Sandbox 81: Kanye West Spins His Own Hype
November 30, 2010
The week of Thanksgiving is usually slow when it comes to entertainment news, but not this year. There was a horse race at the box office as Disney’s 50th animated feature nearly toppled the seventh Harry Potter film at the box office. “Tangled” received positive reviews and earned an impressive $69 million over the four day holiday weekend.
Also bowing last week was Kanye West’s fifth studio album which is being hailed by critics as a masterpiece. But even before critics had weighed in West had jumped on popular social networking platforms to promote the release and his image. A story in the Los Angeles Times claims the hip-hop star has become a master at creating and controlling his own hype. If that’s the case, then why does West have such a terrible reputation as a troublemaker?
Also trying to promote themselves via social media was Sesame Street’s Cookie Monster. The furry blue “cookie enthusiast” is campaigning to host “Saturday Night Live” starting with a video on YouTube. Don’t laugh too hard though, since “SNL” seems to be where the Oscars are scouting for hosts. Just ask two former SNL guests James Franco and Anne Hathaway who will be co-hosting the 83rd Academy Awards.
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Showbiz Sandbox 80: Disney Dumps Fairy Tales For Original Stories
November 22, 2010
As “Harry Potter and the Deathly Hallows: Part 1” debuted to $125 million in its opening weekend, Disney prepared to release its 50th animated feature film less than a week later. However, despite building a multi-billion dollar empire based on stories that feature princesses, according to Dawn C. Chmielewski of the Los Angeles Times “Tangled” may be the last fairy tale we see out of the studio. She joins us to explain how future Disney Animation titles will focus on original stories.
Reality shows continue to dominate television news, not to mention political news. The media seemed all abuzz last week over how Bristol Palin, the daughter of Sarah Palin, had not yet been voted off “Dancing With the Stars”. She even beat out pop stars such as Brandy. There were accusations that conservative Tea Party supporters were rigging the voting on the show.
Meanwhile, Justin Bieber swept the American Music Awards, winning four trophies including Artist of the Year. Unfortunately for Bieber though, nobody was watching since the telecast received the worst ratings in its history.
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Showbiz Sandbox 79: A New Social Music Chart To Rival Billboard?
November 16, 2010
Media measurement company BigChampagne believes that ranking songs and musicians based on radio airplay and record sales is an antiquated method. Joe Fleischer, the company’s Chief Marketing Officer, explains how they’ve added social platforms such as YouTube, Facebook and Pandora into the mix to create the Ultimate Chart, a new music chart giving industry heavyweights Billboard and Soundscan a run for their money.
Speaking of media metrics, the biggest entertainment launch in history occurred last week and it wasn’t a James Cameron movie. In fact, it wasn’t a movie at all, but a video game. “Call of Duty: Black Ops” earned a record setting $360 million in its first day alone.
If that’s not strange enough for you, the biggest headlines coming out of the Country Music Awards may not have been from winners Miranda Lambert and Blake Shelton or even the red hot Taylor Swift. Instead it was actress Gwyneth Paltrow who performed the title song from her upcoming movie “Country Strong”. Paltrow proved she can really belt out a tune, though whether that helps rehabilitate her career or image remains to be seen.
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Showbiz Sandbox 78: The Fight Over Streaming Television Online
November 8, 2010
As if broadcast and cable networks didn’t have enough to worry about with online streaming offerings from Apple and Google, they now have startups such as ivi.TV to contend with. The company recently launched an online service that retransmits signals from broadcast television stations in New York and Seattle with more cities coming online soon. Though networks and movie studios are trying to shut the company down, its CEO, Todd Weaver, explains that ivi.TV is operating legally under current copyright laws.
Another media company dealing with legal issues is MGM who filed for bankruptcy protection last week. Fortunately the restructured studio won’t have to worry about an actor’s strike since the two unions representing thespians agreed to a new contract with studios and networks. The Hollywood Reporter’s Jonathan Handel fills us in on the key deal points as well as what the news means for writers and directors as they begin their own contract negotiations.
This week also marks the return of Conan O’Brien to late-night television as he kicks off his new show on TBS.
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Showbiz Sandbox 77: It’s Official – Hollywood To Make Nothing But Sequels
November 1, 2010
With the seventh installment of the Saw franchise and Paranormal Activity 2 topping this week’s box office, it’s not hard to see why Hollywood studios have been greenlighting sequels and prequels. They range from high profile titles such as “The Hobbit” and “Avatar”, to questionable projects such as “Top Gun 2”. Don’t even get us started on the prequel to Martin Scorsese’s “Goodfellas”.
If big budget Hollywood movies aren’t your thing, you could always stay home and watch television, provided the broadcast networks don’t get into a carriage dispute with your cable provider and black out their signal. Fox did just that to Cablevision subscribers recently and we’ll explain why. Meanwhile, Conan O’Brien prepares for his new late night talk show with a Rolling Stone interview.
During Big Deal or Big Whoop we provide analysis of the week’s top entertainment headlines, including Charlie Sheen’s latest trouble, a new hit for AMC and a film based on Michael Jackson’s “Thriller”. Our Inside Baseball discussion focuses on why consumers prefer to rent digital movies rather than purchase them.
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Showbiz Sandbox 76: Taking On The Hobbit And Ticketmaster Down Under
October 25, 2010
Our friends Down Under generated a lot of entertainment news this past week. In New Zealand a union boycott of “The Hobbit” may cause Warner Bros. to relocate the production to another country. Director Peter Jackson has publicly opposed such a move, but as the Hollywood Reporter’s Jonathan Handel explains, this may just be Warner Bros. way of negotiating better government tax subsidies.
Over in Australia, Rupert Murdoch’s News Corp. has launched Foxtix, a live event ticketing service aimed at capturing a share of Ticketmaster’s business. Taking on Ticketmaster is a difficult and expensive fight, but Adam McArthur, the head of Foxtix, fills us in on how the company will differentiate itself in the market.
Former Australian native and current Hollywood pariah Mel Gibson was all set to make a comeback with a cameo in “The Hangover 2”, but Warner Bros. decided he was just too much trouble and opted for Liam Neeson.
Meanwhile, in television news the Fox network pulled its programming from Cablevision’s channel lineup over a retransmission fee dispute. Don’t worry, Cablevision’s customers were still able to follow the baseball playoffs through Twitter posts from the Federal Communications Commission. Read more
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Showbiz Sandbox 75: Hollywood Stunned By A Jackass (And It’s Not Perez Hilton!)
October 18, 2010
Everyone expected the latest installment of the low-rent “Jackass” franchise to bring in a few bucks, especially since it was filmed in 3D, but nobody expected the movie to take in $50 million in its debut weekend and set records for an October opening. Another surprise from this past week came when gossip blogger Perez Hilton told the world he would no longer “bully” or “out” celebrities on his popular website. Hilton has left everyone wondering if he is being honest, or just trying to grab a few headlines.
In television news, the big story was all about the Chilean miner rescue which drew huge ratings for cable news networks. As for some of the season’s new shows, we provide an update on which ones seem to be fairing well and which may be headed into a permanent hiatus.
The nominations for the American Music Awards were announced, though instead of pulling names from Billboard’s Hot 100 chart, the show relied on the Ultimate Chart published by BigChampagne.
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