Showbiz Sandbox 60: Reality TV Doesn’t Kid Around

If you are a minor working on a reality television series it turns out there are no child labor laws that protect you. A month long investigation by the Los Angeles Times found  dozens of kids appearing on reality programs without legal safeguards due to widespread uncertainty about how to classify the shows. Times staff writers Matea Gold and Richard Verrier reveal that most of the popular shows had not obtained work permits to employ minors. Gold joins us this week to provide all the details.

It was good news and bad news at the box office. Good news for “Toy Story 3”, which finished in first place for the second week and bad news for Tom Cruise, whose latest movie, “Knight and Day” didn’t open to boffo numbers. If you’d like to place a bet on how much Cruise’s next movie might make, you might never get the chance. The U.S. Congress is set to pass a financial reform bill that would prevent two box office futures exchanges from operating.

The government is also getting involved in the annual Lollapalooza festival in Chicago, and not in a good way. The events promoters was subpoenaed last week for an anti-trust investigation. Turns out the “radius clause” in Lollapalooza’s contract is preventing Chicago night clubs from booking musical acts. Maybe Coachella’s booking rules aren’t so bad after all.

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Showbiz Sandbox 44: And The (Six) Oscars Go To… “Hurt Locker”

The ballots have been counted, the envelopes have been opened and the nominees have undoubtedly returned their ball gowns and tuxes. Finally, after all the news coverage and public speculation about who would this year’s Oscars, the Academy of Motion Picture Arts and Sciences put us out of our misery on Sunday during their annual awards ceremony. The proceedings lasted more than three hours as usual and provided very few surprises.

Katheryn Bigelow made history by being the first woman to win the Best Director Oscar for “The Hurt Locker”, which won six awards in total including Best Screenplay and Best Picture. Jim Cameron’s “Avatar” won three technical awards for art direction, cinematography and visual effects. One of the night’s biggest surprises was when Geoffrey Fletcher walked off with the Best Adapted Screenplay Oscar for “Precious”, upsetting Jason Reitman’s “Up In The Air”.

As we predicted on last week’s episode, Jeff Bridges won Best Actor for “Crazy Heart”, Sandra Bullock won Best Actress for “The Blind Side”, Mo’Nique won Best Supporting Actress for “Precious” and Christolph Waltz won Best Supporting Actor for “Inglorious Basterds”. Damien Bona, co-author of the book Inside Oscar, stops by to help us analyze this year’s Oscar results. Read more

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Showbiz Sandbox Special Episode: And The Oscar Nominations Go To….

Early Tuesday morning the Academy of Motion Picture Arts and Sciences handed out their nominations for the 82nd Academy Awards. This is the first year since 1943 (when Casablanca won) that the Academy is expanding the list of Best Picture nominees to 10, up from the traditional five. The Academy’s original goal in increasing the field of nominees was that more popular films would be nominated, rather than a handful of independent films few are familiar with. It’s safe to say, they got their wish.

Not only were predictable entries nominated, such as “Avatar” and “The Hurt Locker”, but so were a few surprises that included crowd favorites such as “The Blind Side” and “District 9”. Even Pixar’s “Up” was nominated, making it the second film to ever be nominated for an Oscar. Of course, this year even if the list of Best Picture nominees hadn’t expanded, “Avatar”, the biggest box office winner of all time, was a lock for one of the slots. Read more

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Showbiz Sandbox 38: Gender Matters In Hollywood

The New Year may have started off slow, but 2010 is heating up! “Avatar” is on track to top “Titanic” as the highest grossing film of all time, The Golden Globes were handed out on Sunday and of course the late night talk show war has really taken some interesting turns.

Dylan Stableford who writes The Wrap’s Media Alley column joins us to talk about his post, “The Vilification of Leno: Loud, Nasty and Fleeting.” Will audiences warm up to Jay Leno again? Who was the bad guy in all this fracas? Leno, Conan O’Brien, or NBC?

In movie news, director Sam Raimi and star Tobey Maguire dropped out of “Spider-Man 4” and Sony now says it plans to reboot the franchise with a younger actor.

Finally, though she didn’t win a Golden Globe, director Kathryn Bigelow is earning critical praise for her film “The Hurt Locker.” Academy Award nominations have yet to be announced, but she appears to have a lock on one, and may be the first woman to win the best director Oscar in the history of the awards show. Women in Hollywood and the film industry is a topic we discuss frequently here on Showbiz Sandbox thanks in part to Karen Woodward. Joining us to discuss the issue today is Matthew Hammett Knott Read more

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Showbiz Sandbox 33: “Avatar” Is A $100 Hamburger

James Rocchi was one of the lucky entertainment journalists invited to the “Avatar” premiere and press junket in London and he joins us this week to tell us all about it. Rocchi also helps us dissect all those year-end “Top 10” critics lists, not to mention one that rates the year’s best unproduced screenplays. Who do you think will be on the red carpet at Oscar time?

And the Best of 2009 lists extend into television and music territory as well. The Los Angeles Times rounded up the TV winners and losers for the season (and we compare them to our own predictions for this year’s television series from Episode 22). Meanwhile, SoundScan released the best selling albums and artists of the decade. Guess how many of them were released before 2002? Listen to the podcast to find out.

We sail through some of the week’s top entertainment news headlines in our Big Deal/Big Whoop segment, including the possibility of a “Ghostbusters 3” sequel in the works. Read more

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Showbiz Sandbox 30: “Modern Warfare” Stuns Hollywood

As predicted, the teen vampire romance “The Twilight Saga: New Moon” opened this week and earned record breaking box office. The second installment of the “Twilight” franchise made $140 million in North America, making it one of the largest openings in history. The film did manage to break the record for highest grossing midnight screening when it opened Friday morning. What might be more amazing is that the Sandra Bullock vehicle “The Blind Side” came in second with an impressive $34 million. Opening so strongly against a powerhouse tent pole like “Twilight” makes Bullock one of the more bankable stars in Hollywood these days.

Of course, even “Twilight’s” $258 million worldwide opening pales in comparison to what the new video game “Call of Duty: Modern Warfare 2” raked in during its first five days in stores. Ben Fritz an entertainment business reporter for the Los Angeles Times joins us to talk about the wild success of the video game. Actually, calling it a video game is almost an insult – it’s more like an interactive action movie, and one that made $550 million within five days of its November 19th launch.

Fritz is a prolific journalist who this past week wrote tons of stories for the L.A. Times Company Town column and blog. One such story was on the controversy over the Academy Awards’ Documentary short list. Read more

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Showbiz Sandbox 28: Why Spider-Man Is Hard Up For $52 Million

We don’t always talk about theater on the podcast, but Los Angeles Times staff writer John Horn wrote a story too good to resist. The Broadway debut of “Spider-Man: Turn off the Dark” has found its greatest enemy is the budget. Horn joins us to talk about the story behind one of the most troubled productions in Broadway history and how he got the scoop (not to mention the musical’s script, soundtrack and a video promo reel).

But first, Michael Giltz eats another serving of crow this week, as the Michael Jackson rehearsal documentary “This Is It” held up respectably and indie-darling “Precious” grossed a stunning $1,800,000 on just 18 theaters over the weekend. “Precious” will no doubt be nominated for a few Oscars come awards season. Speaking of the Academy Awards, Steve Martin and Alec Baldwin are teaming up to host next year’s Oscar telecast. Karen Woodward though the decision to go with Martin and Baldwin was dated and hopes they don’t hijack the show. On the other hand, Michael and J. Sperling Reich thought it was a good choice.

In more frivolous news, Nicolas Cage is suing his former money manager, Samuel J. Levin, for $20 million in Los Angeles Superior Court, claiming he enriched himself while “sending Cage down a path toward financial ruin.” Read more

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Showbiz Sandbox 20: Judging Ellen DeGeneres and 3D TV

Getting everyone’s schedules in sync was a challenge this week given that all of our hosts were in different cities. It certainly didn’t help the audio quality either. Michael Giltz reports in from Toronto where he is covering the Toronto Film Festival.

If you’re following Michael on Twitter then you already know what movies he’s seen and what he thought of them (he loved “Up In The Air” and “A Serious Man” and wasn’t so keen on “Men Who Stare At Goats”). Michael tells us all about the Coen Brothers latest movie and the start of George Clooney’s run for another Oscar.

On the other side of the world in J. Sperling Reich was in Amsterdam, Holland speaking at the International Broadcaster’s Convention. The big news from the trade show is all the buzz about 3D content in the home. Karen Woodward and Michael agree, the world isn’t ready for 3D television. . . or is it? Read more

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Showbiz Sandbox 10: The Death Of Pop, Pinup Girls and (Possibly) 2D Movies

Roger Friedman, senior columnist for The Hollywood Reporter, and Showbiz411.com joins us along with writer Michael Giltz to discuss the death of Michael Jackson. Friedman has been covering Jackson since his first child molestation trial and is one of the trusted reporters covering the pop star’s life and death.

The Academy of Motion Pictures and Sciences announced this week that the Academy Awards would now nominate ten films in the Best Picture instead of the usual five. Will this allow more deserving movies a shot at the big prize, or is this blatant pandering for higher Nielsen ratings?

“Transformers 2” stormed the world-wide box office over the weekend, but that still doesn’t make it a good movie. Read more

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