Showbiz Sandbox 130: It’s The Data, Stupid (or Why Live Nation Bought BigChampagne)
December 19, 2011
As 2011 comes to an end mainstream media companies continue to struggle with how to distribute their content through the Internet. That was never more apparent than this week as concert promoter Live Nation acquired BigChampagne, a media tracking and technology company. Joe Fleischer, Big Champgne’s chief marketing officer, explains why a live-event company is interested in staying on top of the latest music industry data and how the acquisition will help Live Nation better understand their customers.
Meanwhile, as SOPA and PIPA make their way through Congress, Universal Music Group caused a stir when they tried to squash news reports of their copyright infringement lawsuit against MegaUpload. Then there was comedian Louis C.K. who used digital convergence to his benefit by selling a video of his most recent stand-up show directly to fans, making a huge profit in the process.
Matt Damon was also muddying the waters last week by revealing the in-fighting going on behind the scenes of the”Bourne” franchise. Of course, we also cover the top entertainment news stories of the week including the Golden Globe and SAG award nominations, Howard Stern’s new television gig on “America’s Got Talent” and Madonna’s new record contract.
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Showbiz Sandbox 126: Foot In Mouth Disease Sweeps Through Hollywood
November 14, 2011
Getting publicity in Hollywood can be a very difficult task. If you are an A-list director like Brett Ratner or a hot actor like Ashton Kutcher however, all you need to do is make a bigoted statement or fire off an ignorant Twitter post and you’ll get more ink than you ever wanted. Ratner’s homophobic slur forced him to resign as producer of next year’s Oscars, while Kutcher’s uninformed opinion on current events caused him to rethink his social media participation. Has the entertainment industry become overly sensitive or do its inhabitants just have no class? We try to figure out what all the fuss is about.
The other big news of the week was the sale of record label EMI to Universal Music Group and Sony. EMI’s owner, Citibank, decided to split the record label from its publishing arm in an effort to get the deal passed antitrust regulators. As the music industry contracts from four major record companies to three, what will it mean for indie artists and their fans?
Broadway may also be undergoing some changes soon. Long running musicals such as “Mamma Mia!”, “Chicago” and “Mary Poppins” seem to be fading fast and may need to make way for new productions such as a revival of “Porgy & Bess”, “Evita” featuring Ricky Martin and a stage version of “Bonnie & Clyde”.
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Showbiz Sandbox 125: Are Radio D.J.’s A Thing Of The Past?
November 7, 2011
Radio listenership has eroded over the past several years as consumers have adopted streaming music services such as Spotify and Pandora. To stay competitive and survive, Clear Channel, the nation’s largest radio station operator, shocked the industry this past week by firing dozens of local D.J.’s and replacing them with a national programming team. Indie-label artists and music fans are sure to suffer as radio playlists become more homogenized and less relevant.
Google has no plans to get into radio, however rumors have surfaced that they might be trying to add a cable television operation to their broadband project in Kansas. Launching and maintaining a cable television service is not exactly like running a search engine; it can be expensive, take years and ultimately lead to a lot of red ink.
Comedian Louis C.K. has shunned traditional cable altogether. He’s decided to broadcast his upcoming comedy concert directly to fans via the Internet, bypassing traditional television distribution.
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Showbiz Sandbox 123: DVR Data Can Save TV Shows From Cancellation
October 17, 2011
It turns out your DVR can be helpful beyond just recording your favorite television shows. Examining which commercials you skip past might be able to help predict box office flops and monitoring which shows you watch can save a borderline series from being canceled. We’ll debate whether television networks and movie studios can benefit from the data being collected from your DVR.
Apple however may be trying to make your DVR obsolete. The long standing rumors that Apple might be working on a next generation television set have heated up once again. Would you welcome Apple into your living room?
Dozens of entries make up this year’s Best Foreign Language Oscar list, though all of them will ultimately be nominated. We’ll explain how the list ultimately gets whittled down to just five movies.
We also cover the week’s top entertainment headlines including why Hulu is no longer for sale, why Jonny Depp’s “Lone Ranger” is back in production and how Amazon plans to make publishers unnecessary.
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Showbiz Sandbox 120: Netflix Must Adapt To A Hollywood It Helped Create
September 26, 2011
Ryan Lawler has spent the last two years writing about online video and digital media trends for GigaOm, a beat he’s covered for a number of publications. Who better to help us sort out what’s been going on with Netflix over the past two weeks? Despite a plunging stock price, slower subscriber growth and increased competition from the likes of Dish Network, Lawler says we shouldn’t be too worried about Netflix. He discusses what the future holds for the company during an in-depth interview.
Meanwhile, the fall television season was jumpstarted by “Two and a Half Men” as more than 28 million viewers tuned in to see Ashton Kutcher replace Charlie Sheen. Don’t feel too bad for Sheen though; he had 6.4 million people watching him get roasted over on Comedy Central and it appears he’s settling his lawsuit with Warner Bros. for a cool $25 million.
“The Lion King 3D” continues to dominate the worldwide box office, despite the fact that it’s a 17 year old movie that most have already seen. “Titanic” and “Top Gun” are already getting 3D makeovers, and it’s likely we’ll see studios reaching back into their archives to find even more titles.
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Showbiz Sandbox 118: Mr. Television Rates This Year’s New Shows
September 12, 2011
There’s a good reason Marc Berman is known as Mr. Television. As the man behind MediaWeek’s daily television newsletter The Programming Insider his commentary on the medium reached more than 50,000 readers per day. Berman recently launched TV Media Insights, a new online destination for television and media with its own newsletter, forum and podcast. Berman handicaps this year’s Emmy Awards and also tells us which new shows are worth watching in the upcoming season.
We also continue our discussion on the publishing industry, which due to the dramatic changes in how they do business, is becoming one of the more fascinating parts of the entertainment industry. As e-book sales increase, popular authors are beginning to announce plans to release new work directly to readers and Amazon plans on creating a Netflix fof books.
Meanwhile, a The Hollywood Reporter served a cease and desist order on Deadline.com which sparked a war of words between the two trade outlets. Is the Reporter in financial trouble, and if so, should Deadline staff be spreading the word to potential advertisers?
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Showbiz Sandbox 117: Crunching The Numbers Behind Summer’s New Box Office Records
September 6, 2011
Big budget sequels and super hero movies helped push the bar on summer box office records slightly higher. North American grosses rose to $4.4 billion as overseas markets improved to $8.2 billion in receipts. But how much did all those blockbusters actually cost to produce and market? After all the money is counted, how profitable will the latest installments of “Pirates of the Caribbean” and “Transformers” truly be? We sharpen our pencils and do the math to answer all these questions and more.
One future blockbuster that was recently axed by Disney may actually get made after all. The studios is lowering the budget on “The Lone Ranger” by asking star Johnny Depp and filmmaker Gore Verbinski to take a pay cut.
The publishing world also seems to be doing quite well lately thanks to strong sales of digital titles. Even though the e-books may be getting all the love in mainstream media stories, Random House wants everyone to know that print books aren’t dead. In fact, the sale of hardcover and paperback books still outpaces their digital counterparts.
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Showbiz Sandbox 111: Can Paste Magazine Ignite A Digital Publishing Revolution?
July 11, 2011
Less than a year after ceasing publication of their print edition Paste Magazine has revived itself in a new digital format. The popular music and culture magazine shunned the traditional print medium and relaunched as a weekly web periodical chock full of long-form features, downloadable music and multimedia content. Editor Josh Jackson reveals how the new Paste mPlayer was designed from the ground up as a next-generation publication. Is Paste giving us a glimpse into the future of magazines?
Soap operas are in the midst of their own transformation. Rather than canceling “All My Children” and “One Life To Live” as planned, ABC has struck a deal to keep the shows alive on the Internet. Will loyal viewers migrate online to keep up with their favorite soaps?
The music industry has also received some good news lately. Not only will the hotly anticipated arrival of Spotify in the United States soon be a reality, but Nielsen Soundscan is reporting that music sales are up slightly this year. Does all of this mean the music business is poised to make a comeback?
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Showbiz Sandbox 110: “Transformers” Proves Mediocrity Makes Money
July 6, 2011
When “Transformers 3: Dark of the Moon” hit theaters over the Fourth of July holiday weekend fans of the franchise were relieved to discover it wasn’t nearly as bad ad the second film. That seems to be a fairly common response to Michael Bay’s latest critic-proof popcorn blockbuster. The highly anticipated movie made nearly $400 million at the worldwide box office in its first week explaining why studios love such formulaic dreck and all but ensuring another sequel.
Last week also saw the sale of MySpace. The once dominant social network Internet site which was once valued at $12 billion was sold by News Corp. at a loss for a mere $35 million. What may be more surprising than anyone actually wanting to buy MySpace is that pop star Justin Timberlake has been tapped to help turn the company’s fortunes around by focusing on music.
Speaking of music, NPR tried to figure out how much it costs to make a hit pop song by examining the finances behind Rihanna’s recent single “Man Down”. Apparently all it takes is $1.1 million in production and promotions costs and 12 minutes to right the lyrics.
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Showbiz Sandbox 107: The Pros And Cons Of Cloud Music Services
June 13, 2011
After months of rumors and speculation Apple finally announced their cloud music service last week. Aptly named iCloud, the new service joins similar offerings from both Amazon and Google. Though each of the services has their benefits, no two are exactly alike. Amazon and Google stream music over the Internet and require you to upload your entire music library. Apple doesn’t do any of those things. We dissect the pros and cons of all three services and wonder why anyone really needs them in the first place.
Something else that’s probably not needed is a sequel to “Tron: Legacy” but thanks to a television series spinoff of last year’s sci-fi blockbuster, we’ll probably get one. And it will probably be in 3D like its predecessor even though Dreamworks Animation head Jeffrey Katzenberg is heartbroken over the decline of the format.
The Tony Awards were handed out on Sunday and as we predicted, “The Book Of Mormon” walked off with the most trophies, including Best Musical. But what is a Tony really worth to a Broadway show’s bottom line? We’ll try and find out.
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