Showbiz Sandbox 466: How Hollywood Kowtows to China

October 28, 2019

Entertainment companies are finding themselves in compromising positions when it comes to avoiding political pitfalls in China. Movie studios and media conglomerates don’t want to disrupt their bottom line by appeasing Chinese authorities while surrendering their creative freedom. The result is that companies distributing content in China find themselves censoring themselves.

“South Park,” on the other hand, chose an alternative path; directly offending the Chinese government and immediately being banned throughout the country. Even when companies do kowtow to the Chinese government, they find themselves getting into trouble at home and abroad. Just ask the producers of the animated film “Abominable,” an animated film which was banned in the country for showing a map that favored China’s disputed territorial claims.

Meanwhile, the new television season started. Not that you’d know it based on the ratings, which are down almost any way you slice them. And the clear message is this: people’s viewing habits have changed, probably forever, and it’s not going to help TV channels trying to sell eyeballs to advertisers.

Of course we also cover the week’s top entertainment headlines including a tie for this year’s Booker Prize, Netflix somehow adds even more subscribers and a big Hollywood talent agency scraps its long awaited IPO.

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Showbiz Sandbox 462: Netflix and Amazon Take Advantage of Fall Film Festivals

September 16, 2019

Though the Cannes Film Festival avoids programming movies from streamers like Netflix and Amazon, internationally renowned festivals in Venice, Telluride, Toronto and New York embrace them. And no wonder. As Anne Thompson of Indiewire tells us, the streamers used the fall film festival circuit to premiere some of the year’s most award-worthy movies.

Just back from Toronto and Telluride (and on her way to the New York Film Festival), Thompson fills us in on what new releases movie lovers should look forward to as we kick off awards season. She explains how making a big splash at such festivals can turn a middling movie into a hit collecting both big box office and plenty of kudos. Yes, we’re looking at you, Hustlers.

Meanwhile, with the imminent launch of their own streaming service, Disney wants to rewrite the rules — or at least the contracts — on how the profits from hit television shows gets shared, or as the company would prefer it, not shared. If successful, other networks and studios are sure to follow Disney’s lead.

Of course we also cover the week’s top entertainment headlines including why YouTube is revamping its music charts, Apple announcing the price for its streaming service and “Saturday Night Live” stumbling in a casting move.

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Showbiz Sandbox 453: The Biggest Disaster in the History of the Music Industry

July 2, 2019

When a fire ripped through Universal Studios in Los Angeles back in 2008 it was initially feared that all of the historic films and music locked away in the vaults that burned were lost forever. At the time Universal reported that, quite miraculously, very little damage had occurred and that few, if any, of the master recordings in the vaults were damaged.

However, in an in-depth investigative piece The New York Times reports that the fire actually wiped out hundreds of thousands of invaluable masters of legendary recording artists such as Louis Armstrong, Chuck Berry, Duke Ellington, Billie Holiday, Elton John, Nirvana and possibly hundreds of others. Universal Music Group continues to insist the loss is overstated, but artists are clamoring for more information and the first class action lawsuit has already been filed.

Meanwhile talks between the Writers Guild of America and the Association of Talent Agents over packaging fees and affiliate productions have stalled and now lawsuits have started to fly.

Of course we also cover the week’s top entertainment headlines including which Broadway shows got a post-Tony Awards bump in grosses, J.J. Abrams lands at WarnerMedia and Celine Dion is leaving Las Vegas.

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Showbiz Sandbox 450: Once Upon A Time… in Cannes

May 28, 2019

This year’s Cannes Film Festival will be remembered for presenting a selection of titles from around the world that were, for the most part, really good movies. The premiere of Quentin Tarantino’s ninth film, “Once Upon A Time… in Hollywood,” was one of the highlights, but it was “Parasite” from Korean director Bong Joon-ho that stole the show, as well as the festival’s top prize, the Palme d’Or. We take you to the Croisette in the French Riviera to cover the entire festival and all the films to look out for over the coming months.

Harvey Weinstein used to be one of the movie moguls that showed up in Cannes each May, but these days he’s busy negotiating a reported $44 million settlement with those accusing him of sexual harassment and assault.

Meanwhile, when some of those films from Cannes make it to cinemas, audiences will likely check Rotten Tomatoes to see what critics and moviegoers have to say about them. We give a 95% Fresh Rating to how Rotten Tomatoes plans on protecting their website from being manipulated in the future.

Of course we also cover the week’s top entertainment headlines including a new name for Warner Bros. Records, why film and television productions are boycotting the state of Georgia and Lil Nas X cuts a deal for a new pair of Wranglers.

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Showbiz Sandbox 447: The Madness of Media Moguls Making Mega-Millions

May 6, 2019

While the exorbitant salaries of the entertainment industry’s top executives are not a new phenomenon, the subject cropped up again recently after a relative of Walt Disney objected to the $65 million paycheck Disney CEO Robert Iger earned last year. That amounts to 1,424 times more than the average salary of a Disney employee. We debate whether Hollywood moguls should be earning hundreds of times more than their employees and why their compensation is so high in the first place.

On Broadway, Tony nominations were announced last week and they pack more drama and excitement than the creatively weak season that just ended. We’ll take a look and predict which shows will benefit the most from awards and the chance to perform live on TV.

Meanwhile, “Avengers: Endgame” continues to dominate the worldwide box office, earning $2 billion in just 11 days, faster than any film in history. That said, we wonder why Hollywood studios neglect to mention that their tentpole movies often begin showing on Thursdays.

Of course we also cover the week’s top entertainment headlines including big changes at CBS News, YouTube scores some Major League Baseball games and why the London production of “Les Miserables” is getting a makeover

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Showbiz Sandbox 438: The Oscars Play It By The Book

February 26, 2019

In a year when diversity took center stage at the Oscars, with people of color and women taking home some of the major prizes, the Academy awarded Best Picture to “Green Book,” a film partially about race relations that has been faulted by some as being whitewashed. Anne Thompson, Indiewire’s Editor-at-Large, attended the Oscar ceremony and joins us to discuss all the winners, including how “Green Book” managed to overcome a number of obstacles to walk off with the top award.

Though “Roma” was a frontrunner throughout the Oscar race, and wound up winning three awards including Best Director for Alfonso Cuaron, it didn’t win Best Picture to the relief of some in the industry who did not want to reward a film which shunned a traditional theatrical release. The film caused quite a stir when it took home the top BAFTA award earlier in the month.

Meanwhile, in China, the Lunar New Year box office was extraordinary but it came at a price: record grosses and record ticket prices were matched with record piracy.

Of course we also cover the week’s top entertainment headlines including the layoffs at Activision Blizzard, why Celine Dion parted ways with her long-time agent and millions attend a virtual concert on the video game Fortnite.

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Showbiz Sandbox 429: Remembering the Genius of Stan Lee

November 13, 2018

In a career that spanned over six decades, Stan Lee became one of the most influential creators and publishers of comics that ever worked in the medium. He helped build Marvel Comics by creating dozens of superheroes including most notably Spider-Man, The Incredible Hulk and X-Men. Geoff Boucher, the new genre editor at Deadline Hollywood, joins us to discuss how Lee’s enduring work has heavily influenced the modern pop culture landscape.

Boucher also tells us how he got the exclusive story on Fox’s plans to release a PG-13 version of “Deadpool 2” in the midst of the holiday season. You might be interested to hear how this led to the kidnapping of actor Fred Savage, best known for his role in “The Wonder Years”.

Meanwhile a team from China just won the 2018 “League of Legends” World Championship. Though 110 million people in China play the game, it’s the first time the country has ever captured one of the most prestigious prizes in e-sports.

Of course we also cover the week’s top entertainment headlines including how we’re headed toward a record year at the North American box office, why Fox News is chastising some of its hosts and pay TV loses over one million subscribers in the third quarter.

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Showbiz Sandbox 428: Why Everyone Is Raving About “Red Dead Redemption 2”

November 5, 2018

While there may still be some debate over whether video games are works of art, there is no doubting their earning potential. This was proven yet again when the game “Red Dead Redemption 2” earned a whopping $725 million in global retail sales after its first three days. And with glowing reviews haling it as a new gold standard for video games, and online components yet to be released, it’s poised to rake in much more.

Meanwhile, theatrical box office in North America is also looking profitable. In fact, 2018 may end with record setting grosses (if not attendance), and it’s all due to Hollywood releasing blockbuster movies outside the usual summer and holiday season.

In China, movie stars continue to fess up to how much money they have avoided paying taxes on. The latest is Chow Yun Fat who took his cue from the government and decided now was a good time to announce he’d be giving away his fortune, estimated at more than $700 million.

Of course we also cover the week’s top entertainment headlines including why Rihanna turned down the Super Bowl halftime show, Drake topples another Billboard chart record and why Broadway is skewing a little younger.

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Showbiz Sandbox 426: China Gets A Tighter Grip On Its Entertainment Industry

October 8, 2018

When movie star Fan Bingbing went missing in June there was little doubt that the Chinese government had her in custody for tax evasion. Confirmation came this week when the actress resurfaced, apologizing to the country and begging for “everyone’s forgiveness!”. Chinese authorities have announced Fan will pay at least $70 million in back taxes or face criminal prosecution.

The episode has shined a spotlight on the use of what are known in China as “yin-yang contracts,” wherein two different contracts for different amounts are used; one with the full value of the contract and one with a lower value used with tax agencies. Now that the government seems to have taken notice, the Chinese film and television industry has come to a standstill as everyone restructures their deals to comply with the country’s tax laws.

Speaking of China, Hollywood’s share of the country’s box office for the year is off by roughly $500 million and we wonder why. Back in North America, September grosses nearly set an all time record and October is off to a great start.

Of course we also cover the week’s top entertainment headlines including how Apple is stumbling its way into original TV programming, the RIAA diversifies and Bill Cosby heads to jail.

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Showbiz Sandbox 423: After New Allegations Time Was Up For Les Moonves at CBS

September 10, 2018

When CBS head Les Moonves was accused of sexual misconduct this past summer his firing seemed inevitable. Instead he over the weekend after six additional women came forward with allegations dating back decades. Now the question is not how much severance Moonves will get but how much money can CBS pay him to go away and avoid a drawn-out lawsuit without angering activists .

Ultimately Moonves may have lost the battle but won the war. His stepping aside allowed for the settlement of an ownership lawsuit which prevents National Amusements, the network’s parent company, from trying to merge CBS and Viacom for at least two years.

Meanwhile Netflix scored big at the Venice Film Festival when their movie “Roma” picked up the Golden Lion, the festival’s top prize. Director Alfonso Cuarón’s film seems like just the type the Academy might fall for come Oscar time, but first it has to find a movie theater willing to show it.

Of course we also cover the week’s top entertainment news including why there won’t be a Best Popular Film category at next year’s Oscars, a new “Law & Order” series and all the history made at the Creative Arts Emmy Awards.

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