Showbiz Sandbox 228: The Dish On That Disney Deal With Dish
March 11, 2014
After months of rancorous public and legal battles with television networks over their ad-skipping Hopper technology, U.S. satellite provider Dish Network reached a landmark retransmission consent agreement with the Walt Disney Company. The deal calls for Dish to disable bypassing commercials for three days after a show originally airs. In return Dish is getting the rights to provide Disney’s networks via the Internet for any future IP-television offering they might develop.
Meanwhile, the city which has become known for producing movies and television shows is under siege. Not from a foreign invader, but rather Los Angeles (and California) is suffering from what is known as “runaway production” thanks to tax incentives being offered in other states and countries.
Austin Texas has also been invaded over the past week by attendees at the annual South by Southwest festival. Neil Young marked the occasion by announcing Pono, his long awaited high-def music player, along with its accompanying store filled with digital tracks for audiophiles.
Of course, we also cover the week’s top entertainment news stories including Sandra Bullock’s giant “Gravity” payday, television networks start premiering their shows in summer and why time-shifting made HBO’s “True Detective” a huge hit.
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Showbiz Sandbox 226: Back To The Future – Why TV Networks Suddenly Love Old People Again
February 24, 2014
Broadcast television networks are finally catching on to what most of us have known all along; people over the age of 50 actually watch a lot of TV. In a never-ending pursuit to attract younger viewers, networks discovered that baby boomers make up a large portion of their audience. Surely we’ll be seeing a lot more programming meant to appeal directly to this new found demographic.
Maybe some of these new, more mature shows can be turned into movies one day. That seems to be the new trend in Hollywood as studios get set to release two movies that are spun-off from canceled series (“Veronica Mars”) or are have actually already appeared on television as mini-series (“Son of God”).
Speaking of Hollywood studios, it turns out that despite crying poor on a perennial basis, they all managed to make hundreds of millions of dollars in profit during 2013. Not revenue… actual profit.
Of course, we also cover the week’s top entertainment news stories including Cee Lo Green quitting “The Voice”, CNN quitting Piers Morgan and the end of Moviefone’s movie listing service.
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Showbiz Sandbox 224: How Leno’s Departure Will Affect Late Night and Los Angeles
February 10, 2014
When Jay Leno signed off as host of “The Tonight Show” last week he left late night television and the city of Los Angeles in different states than when he first began the job 22-years earlier. Scott Collins, TV reporter for the Los Angeles Times, discusses the legacy Leno leaves behind in a late night landscape that now includes two dozen shows, along with what “The Tonight Show’s” move to New York City means for L.A. production jobs.
If you weren’t one of the more than 14 million viewers tuning in to Leno’s last late night stints, then maybe you’re watching the Winter Olympics. Networks such as NBC in the United States are making it easier to stream the Olympic Games online… sort of. The catch is that you must already be a subscriber to cable or satellite television services.
Meanwhile the Berlin Film Festival is currently taking place in Germany though the person making most of the headlines at the event is an actor who claims to no longer be famous. Can you guess who it is? (Hint: It’s Shia Labeouf).
Of course, we also cover the week’s top entertainment news stories including singer Clay Aiken’s run for seat in Congress, Fox puts an end to the “X Factor” and the Red Hot Chili Peppers get called out for miming their Super Bowl halftime performance.
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Showbiz Sandbox 213: Has Thor Brought The Hammer Down On 3D Movies?
November 11, 2013
There is no disputing the financial success of “Thor: The Dark World”, a sequel in the franchise based on the Marvel Comics superhero. What’s less clear is what the film’s box office grosses say about the adoption of 3D. During opening weekend 700 2D screens in North America accounted for 60% of tickets sales, as opposed to the 40% earned by 3,100 3D screens. Is this yet another sign audiences have given up on 3D movies?
Netflix doesn’t care how you see a superhero movie, so long as you’re watching it through their service. Last week the on-demand video powerhouse cut a deal with Disney to produce four new original series based on Marvel superheroes, all of which will lead up to a crossover miniseries.
As if competing with Netflix wasn’t bad enough, television broadcasters are still figuring out how to deal with DVRs and the growing number of audiences who time shift their content. One major broadcast network is pushing for advertisers to pay for increased viewership on DVRs for up to seven days after a show originally airs.
Of course, we also cover the week’s top entertainment news stories including the death of Blockbuster Video, the official release date for “Star Wars: Episode VII” and Richard Branson brings reality television into space.
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Showbiz Sandbox 212: Should There Be An Oscar For Casting Directors?
November 4, 2013
Last week Woody Allen wrote an “open letter” to the film industry pointing out that casting is the only single card credit at the beginning of a movie which is not honored by the Academy Awards. Like many before him, the filmmaker argued casting directors are crucial to any good movie, especially his. Should the Oscars consider adding a category for casting directors to recognize them alongside editors, cinematographers and other craftspeople?
Meanwhile, a film that hasn’t started the casting process in earnest is “Star Wars: Episode VII”. The movie doesn’t even have a script yet, which is why its filmmakers have been trying to convince Disney to push its release date back a year to 2016.
In the television world there was bad news for Time Warner Cable last week. Their dispute with CBS which led to a month-long blackout of the network cost the company over 300,000 subscribers. This likely means other cable providers will be afraid to pick fights with broadcasters over the rising cost of programming. Digital rights, however, are an entirely different battle.
Of course, we also cover the week’s top entertainment news stories including why “slow TV” is such a hit in Norway, the rising cost of the “Hunger Games” franchise and the Jonas Brothers officially call it quits.
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Showbiz Sandbox 208: Why Studios Are Reshuffling Their Executive Ranks
October 7, 2013
Movie moguls have always faced unreliable job security, though never more so than over the last two years. Beginning in early 2012 five of the six major Hollywood movie studios have fired their top executives and reshuffled existing management. We discuss what’s causing the studio shakeup and it it will affect the movies we see in years to come.
Soon enough unemployed studio big shots may be able to find work in South Korea’s film industry. With a wave of fresh homegrown talent and exciting new stories finding their way into theaters, the country’s box office has skyrocketed making it one of the world’s strongest movie markets.
When it comes to box office on Broadway, it’s become a tradition for productions to boast when they’ve broken even. This also means we can do some quick math to conclude how much it costs to keep a show up and running on a weekly basis, a figure that many productions don’t always like to share.
Of course, we also cover the week’s top entertainment news stories including David Letterman’s new late night contract, New York City Opera files for bankruptcy and a jury decides a concert promoter is not liable for the death of Michael Jackson.
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Showbiz Sandbox 207: Which New TV Shows Are Hits? Ratings Alone Won’t Tell You
September 30, 2013
The new television season got off to a strong start last week with major broadcast networks celebrating higher prime-time viewership. That is what initial ratings results would lead one to believe, though such figures are increasingly inaccurate. Delayed viewing on DVRs and online has made it more difficult than ever to properly measure viewership in a timely fashion.
Changes are also afoot at the Oscars as the Academy is modifying the way animated films are nominated for Best Animated Feature. Rather than rely on a selection committee, a majority of the organization’s 6,000 members will now be able to participate in the nomination process by viewing films on screeners.
Meanwhile as the film industry moves from celluloid film to digital projection, object based audio is also being adopted over traditional channel based surround sound. Major studios recently made the issue more contentious by mandating any new audio be distributed in a common, non-proprietary format. Will this stifle future innovation in the cinema space?
Of course, we also cover the week’s top entertainment news stories including why iTunes music purchases have started disappearing, Robocop returns to Detroit (literally) and “Star Wars” fans draft an open letter to director J.J. Abrams about how to make the franchise.
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Showbiz Sandbox 204: The Argument Over Broadcast Retransmission Consent Fees
September 9, 2013
After a programming blackout that lasted more than month Time Warner Cable came to an agreement with CBS over retransmission consent fees. Unless the 20-year-old retransmission consent legislation is revised or updated, the number of network blackouts will continue to increase. Unfortunately the real losers in all such disputes are consumers.
The Time Warner Cable-CBS deal was reached just as the new television season is about to begin. We’ll review some new series that have potential and are worth catching, as well as a few you might want to avoid.
Meanwhile, the book publishing industry was in the news last week with Amazon announcing plans to bundle e-books with the sale of traditional print copies, and a new startup hoping you’ll stop buying books altogether and simply rent them.
Of course we also cover the week’s top entertainment news including declining attendance on Broadway over the summer, Bruno Mars heads to the Super Bowl and a major personnel change at the Academy of Motion Picture Arts and Sciences.
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Showbiz Sandbox 202: Holy Overreaction, Batman!
August 26, 2013
You would have thought the world was coming to an end last week when Warner Bros. announced the casting of Ben Affleck as Batman in the upcoming blockbuster which will pair the Dark Knight with Superman. Fans of the Caped Crusader weren’t the only ones to weigh in on the casting choice. Just about everyone on earth seemed to have an opinion (most of them negative) on whether Affleck should put on the Batsuit.
No matter who plays Batman, you can be sure the character will resurface in more films. After all, seven of the top ten grossing movies of the summer were sequels or remakes, helping the 2013 domestic box office stay on track with last year.
Much the moviegoers have gotten used to reboots and sequels, television audiences have grown accustom to having their cable providers blackout networks over licensing disputes just as Time Warner Cable is doing presently with CBS and its affiliated networks. Industry critics and politicians have suggested a la carte cable may help stem such actions, though we’ll explain why it may prove to be a horrible idea.
Of course we also cover the week’s top entertainment news including the launch of iTunes Radio, the return of “Duck Dynasty” and the death of drive in movie theaters.
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Showbiz Sandbox 201: Why CBS Is Winning The Battle (And The War) Over Cable Television
August 12, 2013
For the past two weeks Time Warner Cable has been blacking out CBS networks in New York, Los Angeles and other major markets over a retransmission dispute. Despite losing more than 3 million households ratings on CBS have remained steady giving the network no reason to back down from its demands. With the new television and football seasons set to begin in September Time Warner Cable may have no choice but to cave in to CBS’ terms.
Meanwhile, this summer’s blockbuster movies continue to underperform at the box office with Disney announcing they may have to take a $190 million write down on losses from “The Lone Ranger”. Actor Johnny Depp and producer Jerry Bruckheimer have figured out who to blame for the movie’s failure; vengeful American film critics.
After being publicly trashed by George Clooney, activist investor Daniel Loeb was unable to convince Sony to spin-off its entertainment divisions. Even so, Loeb says he’s pleased since the company’s stock price is up and its management more accountable to shareholders.
Of course we also cover the week’s top entertainment news including a lost film from Orson Welles, a new ending for the “Finding Nemo” sequel and the surprising new owner of The Washington Post.
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