Showbiz Sandbox 146: High Frame Rate Hijinks On “The Hobbit”
May 7, 2012
Movie theater owners were abuzz after seeing the first extended footage of “The Hobbit” a few weeks ago at CinemaCon. Most however didn’t have anything positive to say about Peter Jackson’s highly anticipated prequel to his “Lord of the Rings” franchise. The filmmaker decided to shoot the film at 48 frames per second, twice the speed of traditional 35mm film, and many who saw the clips felt they looked like a cheap soap opera. Jackson claims the footage was from unfinished scenes, though it left many wondering if high frame rate films are really worth all the hype.
Meanwhile, two months after Disney took a bath on “John Carter” when it bombed at the box office, the studio is raking in the dough on “Marvel’s The Avengers”. While the film may go on to be the highest grossing film of the year (so far), it wasn’t enough to save the job of Disney chairman Rich Ross.
Movies are even making news on Broadway. Leading the pack of Tony Award nominees last week were two musicals adapted from films; “Once” and “Newsies”.
We also cover some of the top entertainment news stories from the past two weeks including James Bond’s new publisher, Jack White’s first number one album and a Amazon’s plans to crowd source good television shows.
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Showbiz Sandbox 145: Rise of Playlisters Marks The Death of Music Blogs
April 16, 2012
Last week Doug Freeman, a music critic for the Austin Chronicle, wrote an opinion piece in response to a Hypebot interview in which Sean Adams, the founder of Drowned In Sound, suggested music blogs are no longer influential. Freeman joins us to explain that if blogs were simply gateways to new music discovery, then the streaming playlister is the new music blogger. New influencers and kingmakers will emerge in a shifting editorial landscape.
We also take you to the first weekend of this year’s Coachella Music Festival where more than 150 acts strutted their stuff to an more than 100,000 attendees. Headliners such as Radiohead and The Black Keys proved to be big hits, but Dr. Dre and Snoop Dogg stole the show by performing with a picture perfect hologram of the late Tupac Shakur.
“The Hunger Games” continues to feast on the North American box office, but the number one movie in the world this past weekend was “Titanic 3D” thanks to a record breaking opening in China.
We also cover the week’s top entertainment headlines including Mel Gibson’s public fight with a screenwriter, an extended run for “Game of Thrones” and an anti-trust lawsuit against major publishing houses.
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Showbiz Sandbox 140: Nollywood Love – Inside The Booming Nigerian Film Industry
March 13, 2012
Oil rich Nigeria may be best known for political upheavals and brutal civil wars, though over the past twenty years the country has given birth to a thriving film industry. New York Times Magazine contributing writer Andrew Rice explains that what started out as a surplus of blank VHS tapes has grown into what is now called Nollywood; the world’s third largest movie business. Nollywood films now suffer from the same issues faced by Hollywood and Bollywood; piracy and escalating production costs.
The budget for Disney’s “John Carter” was about five thousand times that of the average Nollywood film, which is probably why a $100 million worldwide opening is seen as a bit of a disappointment. Directing his first live-action film, Pixar veteran Andrew Stanton seems to be getting most of the blame for the movie’s lack of success, though it just as easily could be pinned on a studio full of senior executives that lacked experience producing big blockbusters.
Speaking of pricey failures, Fox canceled its sci-fi series “Terra Nova”. Producers hope the show will be picked up by another network, though at $4 million per episode few can afford it.
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Showbiz Sandbox 137: A Revealing Look At Who Votes For The Oscars
February 20, 2012
The Academy of Motion Picture Arts and Sciences has never published a complete list of the 5,765 members who cast ballots for their annual Oscars. Despite the secrecy surrounding the Academy’s membership, Nicole Sperling worked for months with her colleagues at the Los Angeles Times to confirm 5,100 members. Sperling explains the method behind the Times’ research and some of the details they uncovered. Did you know only 2% of members are under the age of 40? Neither did we.
While the Academy Awards may celebrate some of the big critical and financial successes of the past year, Aaron Rich, the gentleman blogger behind All The Movies I Watch joins us to discuss some of his top movies of 2011, many of which were overlooked by Oscar voters.
If you watch the Oscars telecast this weekend you’ll probably be doing so through a cable or satellite signal. Aero, a new company backed by the likes of Barry Diller, hopes to change that by providing those wishing to cut their cable cord with a special antenna capable of receiving broadcast television. That is if the inevitable law suits don’t shut them down first.
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Showbiz Sandbox 117: Crunching The Numbers Behind Summer’s New Box Office Records
September 6, 2011
Big budget sequels and super hero movies helped push the bar on summer box office records slightly higher. North American grosses rose to $4.4 billion as overseas markets improved to $8.2 billion in receipts. But how much did all those blockbusters actually cost to produce and market? After all the money is counted, how profitable will the latest installments of “Pirates of the Caribbean” and “Transformers” truly be? We sharpen our pencils and do the math to answer all these questions and more.
One future blockbuster that was recently axed by Disney may actually get made after all. The studios is lowering the budget on “The Lone Ranger” by asking star Johnny Depp and filmmaker Gore Verbinski to take a pay cut.
The publishing world also seems to be doing quite well lately thanks to strong sales of digital titles. Even though the e-books may be getting all the love in mainstream media stories, Random House wants everyone to know that print books aren’t dead. In fact, the sale of hardcover and paperback books still outpaces their digital counterparts.
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Showbiz Sandbox 116: Will Hollywood Miss Steve Jobs?
August 30, 2011
Last week’s news that Steve Jobs was stepping down as the CEO of Apple caused headline writers all over the world to work overtime. Sure Jobs became a household name by helping revolutionize personal computing, but he also helped shape the modern entertainment industry with products such as iTunes, the iPod and the iPad. And we shouldn’t forget his role in founding a little animation company called Pixar. We discuss what Jobs departure from Apple means to Hollywood and why some entertainment execs may be secretly relieved to see him exit the stage.
On the other hand, news that filmmaker Ridley Scott was working on a sequel to his sci-fi masterpiece “Blade Runner” didn’t seem to please anyone. Some showbiz pundits went so far as to call the idea “catastrophically bad”. We’ll explain why.
Over in the world of television, one of the husbands on “The Real Housewives of Beverly Hills” committed suicide causing Bravo to re-edit episodes for the upcoming season. Will the death of Russell Armstrong cause networks to rethink how they handle reality television?
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Showbiz Sandbox 111: Can Paste Magazine Ignite A Digital Publishing Revolution?
July 11, 2011
Less than a year after ceasing publication of their print edition Paste Magazine has revived itself in a new digital format. The popular music and culture magazine shunned the traditional print medium and relaunched as a weekly web periodical chock full of long-form features, downloadable music and multimedia content. Editor Josh Jackson reveals how the new Paste mPlayer was designed from the ground up as a next-generation publication. Is Paste giving us a glimpse into the future of magazines?
Soap operas are in the midst of their own transformation. Rather than canceling “All My Children” and “One Life To Live” as planned, ABC has struck a deal to keep the shows alive on the Internet. Will loyal viewers migrate online to keep up with their favorite soaps?
The music industry has also received some good news lately. Not only will the hotly anticipated arrival of Spotify in the United States soon be a reality, but Nielsen Soundscan is reporting that music sales are up slightly this year. Does all of this mean the music business is poised to make a comeback?
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Showbiz Sandbox 108: China Becomes Hollywood’s New Best Frenemy
June 20, 2011
Hollywood movie studios have been raking in the yuan at the Chinese box office over the past year. This despite China missing the most recent World Trade Organization deadline to open its market to more foreign films. Forced to work through government sanctioned monopolies, studios have been aggressive about getting their movies in front of China’s billion plus citizens. Meanwhile, actors such as Christian Bale have headed east to star in China’s big blockbusters, such as Zhang Yimou’s Heroes of Nanking.
Maybe a film from China will be nominated for a Best Picture Oscar in the near future. Of course, contenders will have to figure out the new Best Picture nomination process put forth by the Academy last week. In an effort to create an air of suspense, the number of nominees for the year’s big film prize will fluctuate between 5 and 10 entries, depending on how balloting shakes out. We’ll explain all the new rules.
It looks as if Spotify, the popular European music streaming service, may be launching in the United States as early as July. They’ll go up against well established offerings like Pandora, which went public last week.
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Showbiz Sandbox 100: In Showbiz, As In Life, Size Matters
April 25, 2011
It’s hard to believe we’ve recorded 100 episodes of Showbiz Sandbox. It’s also hard to believe that a 3D porno (okay, an erotic comedy) could ever smash a box office record set by “Avatar”. But that’s exactly what happened in Hong Kong, where “Sex and Zen: Extreme Ecstasy” opened to USD $2.19 million. The producers wanted to screen the film in Imax, but were refused, disappointing Karen Woodward, our guest and former co-host, who says that despite all the rumors, size does matter.
If bigger really is better, then Netflix has nothing to worry about. They are set to become the largest subscription entertainment business in the United States with over 23 million customers, beating out satellite radio and cable television. The same can’t be said about any of the music streaming services that Apple, Google and others are working on. Apparently, negotiating a licensing deal with record labels can be quite difficult. Go figure!
The Coachella Music Festival also took the size issue to heart, adding more space for attendees to enjoy the more than 100 bands which performed this year. J. Sperling Reich was there and tells us which artists are worth checking out (Lauryn Hill), and which shouldn’t quit their day jobs (Odd Future).
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