Showbiz Sandbox 444: Disney Gets Serious About Streaming
April 15, 2019
From the moment the Walt Disney Company announced they would eventually launch their own video streaming service everyone wanted more detailed information. When would the service launch? How much would it cost? What content would be offered? Last week Disney answered all of those questions during an investor media event.
Disney+, as the service has been named, will launch this November in and will offer hundreds of hours of television and movies, both old and new, for the attractive price of $6.99 per month or $70 per year. Unlike Apple, who announced their own streaming service just a few weeks ago, Disney proved they know how to launch an attractive content platform. Not surprising since they have content from their animation, Marvel and Lucasfilm labels to offer up.
Meanwhile, the Writers Guild of America and the talent agents which represent their membership, are still arguing over the adoption of a new code of conduct which would prevent agencies from collecting packaging fees on new television series. Late last week the WGA asked its members to fire their agents, which many did rather publicly via social media.
Of course we also cover the week’s top entertainment headlines including how Apple Music has topped Spotify (in the United States), the Emmys revise how certain TV shows are classified and Netflix buys a movie theater.
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Showbiz Sandbox 443: Netflix Dominates CinemaCon Conversation
April 8, 2019
Movie theater owners from around the world gathered in Las Vegas last week to see what upcoming releases studios have in store for them. Sony skipped this year’s CinemaCon leaving many puzzled as to why and Fox showed up with their new owner, Disney. Yet it was a company that doesn’t willingly release films in cinemas that generated some of the biggest buzz; Netflix.
What we learned from attending this year’s CinemaCon is that theatrical windows aren’t disappearing anytime soon, neither are moviegoing subscription services, but 3D grosses have collapsed everywhere but in Asia. Saudi Arabia, the hot topic of last year’s show, was barely mentioned.
You’d think during a year in which worldwide box office set a new record, cinema operators would be rejoicing, however exhibitor and studio consolidation has everyone on edge, as they wait and see how Disney handles its acquisition of Fox.
Of course we also cover the week’s top entertainment headlines including a big ratings decline for “The Walking Dead,” the WGA and talent agencies continue their contentious discussions and the Justice Department goes after the Academy.
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Showbiz Sandbox 442: Apple Finally Unveils Their Content Plans
March 26, 2019
After years of anticipation and endless speculation, the technology giant Apple finally announced its plans for its video streaming service. Not only will Apple TV now be available on all smart televisions and integrate with existing cable providers, it will offer a la carte over the top services. What’s more, Apple revealed a slate of six homegrown series marking its first foray into original content.
Apple is not starting small either, launching their service with shows from some of the biggest names in Hollywood, including Steven Spielberg, J.J. Abrams, Jennifer Aniston and Reese Witherspoon, to name just a few. The only thing they didn’t make public about Apple TV+ is its subscription price.
And while new digital streaming platforms are all the rage, there is still plenty of money to be earned at the theatrical box office. Official numbers for 2018 have now been finalized, with North American box office rising 7%, helping boost worldwide receipts 2% to over $41 billion.
Of course we also cover the week’s top entertainment headlines including the contentious talks between the WGA and talent agencies over packaging fees, Disney officially acquires Fox and the Library of Congress adds 25 new sound recordings to the National Recording Registry.
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Showbiz Sandbox 441: Music Industry Gets Into The Stream of Things
March 18, 2019
In February the RIAA reported that music sales in the United States reached $9.8 billion in 2018, up nearly 12% over the previous year. Total worldwide sales were up over 13% reaching $18.9 billion. What’s remarkable is of that figure $9.6 billion, or 51%, came from streaming revenue, the first time that figure has outpaced digital and physical sales.
While some might see this as just a bunch of numbers and sales figures, labels and artists are beginning to see more revenue from streaming. In fact, musicians selling directly to fans grew 35% last year, topping out at $643 million, none of which went to record labels or middlemen.
Meanwhile, “Captain Marvel” continues to top the box office and looks to be headed toward $1 billion with the release of “Avengers: End Game” just a month or so behind. In China, the Oscar winning “Green Book” is doing surprisingly well.
Of course we also cover the week’s top entertainment headlines including the head of Warner Bros. resigns amid a sexual misconduct scandal, Netflix cancels “One Day At A Time” and MySpace loses it’s music (or at least some of it) .
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Showbiz Sandbox 435: Netflix By The Numbers
January 21, 2019
Despite having cultivated a reputation for keeping its viewership statistics under tight wraps, Netflix has made a complete about face and is now boasting about how many subscribers are tuning in to its original content. The company says nearly 45 million accounts watched its hit movie “Bird Box” and nearly as many watched its latest series “Sex Education”. In the midst of all this success, Netflix has decided to raise it’s monthly subscription fee by $2 in certain territories, including North America.
Unlike the Netflix subscription price, a number not on the rise is the theatrical box office in Germany. After edging up slightly in 2017, grosses in the 8th biggest movie-going market in the world were down 16% last year. Hollywood titles grabbed 75% of the $965 million box office as attendance also dipped 15.5%.
Meanwhile, award season continues with no clear frontrunner emerging as this year’s Oscar nominations are about to be revealed. We take a glance at the makeup, costume and directors guilds awards, not to mention the BAFTAS and nods from one group that really matters; the Producers Guild.
Of course we also cover the week’s top entertainment headlines including why RCA Records is dropping R. Kelley from its label, the Emmys are dumping DVD screeners and sportscaster Bob Costas is leaving NBC.
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Showbiz Sandbox 434: The Golden Globes Are Full of Surprises
January 7, 2019
As the 2019 award season continues its steady pace toward the Oscars, the Hollywood Foreign Press Association kicked the year off by confounding pundits when they gave Golden Globes to a few underdogs. While many thought “A Star Is Born” or “Roma” would run the table at this year’s ceremonies, it was “Green Book” and “Bohemian Rhapsody” that took the night’s top prizes.
Though the Golden Globes may be a swanky affair and an honor to receive, the nominations that are more telling of who might walk off with an Oscar are those from the craft guilds. This week the unions representing Art Directors, Cinematographers, Editors, Producers and Writers all announced their 2019 nominees. We’ll tell you what their selections mean for the Academy Awards.
We also revisit the Great White Way, where we take a look back at some of the predictions we made about the fall Broadway season. Most of the productions we thought might not fare so well are, indeed, underperforming, or in some cases, have closed already.
Of course we also cover the week’s top entertainment headlines including the continuing kerfuffle over whether Kevin Hart should host the Oscars, Apple buys an indie record label and why dozens of works will enter the public domain this year as their copyrights expire.
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Showbiz Sandbox 431: India Is Set for A Battle Over Streaming Market Share
December 3, 2018
By 2023 the country of India is forecast to have 550 million people streaming content, earning $18 billion in video streaming alone. Of course, most of people will be watching on their mobile devices, but big players like Amazon, Disney, Netflix and Spotify don’t care, so long as they wind up with the largest piece of the Indian market. One major hurdle; India makes its own content and doesn’t need Hollywood.
That is why streaming companies have begun to produce their own India-centric shows, though that can be challenging in a country with more than 20 languages and wildly diverse cultures. Plus all the major providers have to compete with the likes of YouTube, which is by far India’s most popular streaming service thanks to its advantageous price point; free.
Meanwhile, the awards season is clearly upon us with the National Board of Review and the New York Film Critics weighing in on their favorites. Los Angeles Film Critics will be making their picks shortly and Golden Globe nominations will be announced this week.
Of course we also cover the week’s top entertainment headlines including a lucrative new deal at Warner Bros. for director and producer Ava DuVernay, actor Hugh Jackman is planning a worldwide concert tour and the collapse of independent bookstores.
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Showbiz Sandbox 429: Remembering the Genius of Stan Lee
November 13, 2018
In a career that spanned over six decades, Stan Lee became one of the most influential creators and publishers of comics that ever worked in the medium. He helped build Marvel Comics by creating dozens of superheroes including most notably Spider-Man, The Incredible Hulk and X-Men. Geoff Boucher, the new genre editor at Deadline Hollywood, joins us to discuss how Lee’s enduring work has heavily influenced the modern pop culture landscape.
Boucher also tells us how he got the exclusive story on Fox’s plans to release a PG-13 version of “Deadpool 2” in the midst of the holiday season. You might be interested to hear how this led to the kidnapping of actor Fred Savage, best known for his role in “The Wonder Years”.
Meanwhile a team from China just won the 2018 “League of Legends” World Championship. Though 110 million people in China play the game, it’s the first time the country has ever captured one of the most prestigious prizes in e-sports.
Of course we also cover the week’s top entertainment headlines including how we’re headed toward a record year at the North American box office, why Fox News is chastising some of its hosts and pay TV loses over one million subscribers in the third quarter.
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Showbiz Sandbox 426: China Gets A Tighter Grip On Its Entertainment Industry
October 8, 2018
When movie star Fan Bingbing went missing in June there was little doubt that the Chinese government had her in custody for tax evasion. Confirmation came this week when the actress resurfaced, apologizing to the country and begging for “everyone’s forgiveness!”. Chinese authorities have announced Fan will pay at least $70 million in back taxes or face criminal prosecution.
The episode has shined a spotlight on the use of what are known in China as “yin-yang contracts,” wherein two different contracts for different amounts are used; one with the full value of the contract and one with a lower value used with tax agencies. Now that the government seems to have taken notice, the Chinese film and television industry has come to a standstill as everyone restructures their deals to comply with the country’s tax laws.
Speaking of China, Hollywood’s share of the country’s box office for the year is off by roughly $500 million and we wonder why. Back in North America, September grosses nearly set an all time record and October is off to a great start.
Of course we also cover the week’s top entertainment headlines including how Apple is stumbling its way into original TV programming, the RIAA diversifies and Bill Cosby heads to jail.
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Showbiz Sandbox 425: Ticketmaster Gets Caught Abusing Its Market Domination
September 24, 2018
When Live Nation and Ticketmaster merged eight years ago it was openly feared that the combined companies would run roughshod over the industry and consumers alike. While there has been speculation about some of the shenanigans Ticketmaster has been up to since then, we now have conclusive proof that the ticketing juggernaut is manipulating the market and working with resellers in the secondary market in order to collect additional fees. They’ve even developed a software tool for just such a purpose.
The United States Senate, meanwhile, passed the Music Modernization Act. It creates a blanket mechanical license which allows for songwriters and artists receive royalties for streaming. It also fixes the problem of receiving royalties for works created before 1972 and includes producers in the new scheme. We’ll take a look a the new bill and explain what it all means.
Speaking of music, a new report indicates that industry revenue in North America is up slightly during the first half of 2018, just as Spotify makes it even easier for independent artists to post their music directly to the streaming service. Does that make Spotify a record label?
Of course we also cover the week’s top entertainment headlines including Kelly Clarkson gets a new daytime talk show, Comcast beats Disney in an auction for Sky in the United Kingdom and singer Sam Smith loses his voice just before going on stage.
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