Showbiz Sandbox 174: Is “The Hobbit” A Death Knell for 3D Movies?
December 17, 2012
All of the talk surrounding the release of “The Hobbit” was over high frame rate and whether audiences would reject a crisper image. It may have been more appropriate to discuss whether audiences have already shunned 3D. Only 49% of audiences chose to see the film in 3D over opening weekend. If moviegoers aren’t willing to see a film shot and meant to be seen in 3D, is the format ultimately doomed?
“The Hobbit” was noticeably absent on a number of important year-end top film lists. Nor was it among the nominations for the Golden Globes and SAG Awards, which were announced last week.
The fantasy book from “The Hobbit” is adapted has been a perennial best seller, but with the explosion of e-book readers future generations may not even know what a book is. Can e-books and print co-exist?
Of course we also cover the week’s top entertainment headlines including this year’s Rock Hall of Fame inductees, the top grossing concert tours of 2012 and (finally!) an end to loud television commercials.
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Showbiz Sandbox 173: Spoiler Alert! Your Movie Has A Kicker
December 10, 2012
Frustrated at not knowing if the movie he was watching would have any special scenes during or after the credits Chris Ramey did something about it. Ramey is the founder of What’s After The Credits? a website that details kickers, as they are often called, to popular movies, television shows and video games. He tells how what inspired him to create the site and how its grown in popularity.
Speaking of popular, “Skyfall” is not only the most successful James Bond film of all time, it has also become the highest grossing movie of all time for Sony Pictures and the United Kingdom. Yet despite positive reviews, the film hasn’t been appearing in any of the recent year end critic polls.
Grammy nominations were announced last week and with acts like the Black Keys racking up five nominations, including Album of the Year, they had a rock and roll vibe. It is nice to see the Grammys include a lot of fresh faces in some of their top categories and refrain from knee-jerk nominations for veteran performers. We’ll provide a rundown of the nominations.
Of course we also cover the week’s top entertainment headlines including the expansion of iTunes to 56 new countries, Netflix signs an exclusive content deal with Disney and how much Psy is making off of his hit song “Gangnam Style”.
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Showbiz Sandbox 165: Neil Young Sings The Praises Of His New Digital Music Format
October 1, 2012
Singer-songwriter Neil Young has never been a fan of digital music. The rock legend despises the inferior audio quality of MP3s and CDs so much that he released an anthology of his of his music on Blu-Ray; the only medium that could hold digital files large enough to offer the quality Young demanded. Taking his quest for high fidelity one step further, next year Young will launch Pono, a portable music player and audio platform that uses technology to provide studio quality sound.
Time will tell whether high quality digital audio and Young’s notoriety will be enough to attract consumers to Pono, though the Beatles aren’t waiting around to find out. EMI is releasing the bands entire catalog of albums on vinyl LPs. Remember those? Now all we need is a phonograph to play them on.
Meanwhile the movie awards season has begun to heat up leaving pundits speculating whether Disney might have not one, but three, entries in this year’s Best Animated Feature category at the Oscars; “Brave”, “Frankenweenie” and “Wreck It Ralph”. How ironic that Seth MacFarlane, creator of the hit animated television series “The Family Guy”, has been tapped to host this year’s Academy Awards ceremony.
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Showbiz Sandbox 153: Hollywood Loses Another Battle In The Copyright War
July 10, 2012
Fearing that it would restrict freedom of speech, basic civil rights and an open Internet, the European Parliament voted down the Anti-Counterfeiting Trade Agreement (ACTA) last week. The move effectively kills the international anti-piracy legislation that the Motion Picture Association of America (MPAA) and the Recording Industry Association of America (RIAA) have lobbied so hard for. We explain what ACTA’s defeat means for Hollywood and what anti-piracy measures you may be hearing about next.
It’s hard to believe piracy is affecting the entertainment industry. Music sales, which have been in a slow decline over the past decade, are actually up this year thanks to digital sales. Movie box office is also up with studios such as Disney having already earned $1 billion in North America alone.
Billion was also a number subscription movie service Netflix has been using a lot lately. Their customers watched more than a billion hours of content in June. That’s not only a new record for the company, but it would make them more popular than any U.S. cable network.
We also cover the week’s top entertainment headlines including Hollywood’s highest-paid actor, Charlie Sheen’s slipping ratings and why we won’t be seeing “Raging Bull 2” anytime soon.
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Showbiz Sandbox 152: Rupert Murdoch Shows Off His Split Personality
July 3, 2012
Last week, in-between sending Twitter posts about the break-up of Tom Cruise and Katie Holmes, News Crop. chairman Rupert Murdoch announced he would be splitting one of the world’s biggest media conglomerates into two different companies; one for the publishing entities, the other for the much more profitable film and television operations. Could the tycoon be trying to focus attention on something other than the ongoing phone hacking scandal he is embroiled in?
Speaking of scandals, Charlie Sheen returned to television with a bang (no pun intended). His new series, “Anger Management” set viewership records for a scripted comedy series. If the first 10 episodes prove to be a ratings hit, FX has promised to produce another 90 episodes.
The Academy of Motion Picture Arts and Sciences invited 176 professionals to become members and it looks like they’re becoming more of an equal opportunity group. In fact, they have finally included hair dressers in the makeup category at the Oscars, renaming it Best Makeup and Hairstyling.
We also cover the week’s top entertainment news, the “Today” show’s continuing troubles, Arsenio Hall’s return to late night television and the record breaking ratings for Eurocup 2012.
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Showbiz Sandbox 146: High Frame Rate Hijinks On “The Hobbit”
May 7, 2012
Movie theater owners were abuzz after seeing the first extended footage of “The Hobbit” a few weeks ago at CinemaCon. Most however didn’t have anything positive to say about Peter Jackson’s highly anticipated prequel to his “Lord of the Rings” franchise. The filmmaker decided to shoot the film at 48 frames per second, twice the speed of traditional 35mm film, and many who saw the clips felt they looked like a cheap soap opera. Jackson claims the footage was from unfinished scenes, though it left many wondering if high frame rate films are really worth all the hype.
Meanwhile, two months after Disney took a bath on “John Carter” when it bombed at the box office, the studio is raking in the dough on “Marvel’s The Avengers”. While the film may go on to be the highest grossing film of the year (so far), it wasn’t enough to save the job of Disney chairman Rich Ross.
Movies are even making news on Broadway. Leading the pack of Tony Award nominees last week were two musicals adapted from films; “Once” and “Newsies”.
We also cover some of the top entertainment news stories from the past two weeks including James Bond’s new publisher, Jack White’s first number one album and a Amazon’s plans to crowd source good television shows.
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Showbiz Sandbox 142: Is The MPAA Rating System Broken?
March 26, 2012
Though the MPAA often rates more than 700 films per year, the number of rating disputes rarely reaches the double digits. This year however eight films have already appealed their ratings and it’s not even April. Has the MPAA lost touch with modern culture or are filmmakers beginning to push the boundaries with edgier content? Ethan Noble, of Motion Picture Consulting, helps guide filmmakers and studios through the ratings process. Noble, who recently tried to appeal the restrictive rating on the documentary “Bully”, provides an overview of the MPAA’s rating system and tells us whether it needs to be fixed.
Speaking of the MPAA, they released their annual report on the motion picture industry. Moviegoing may have declined 4% in North America, but overseas revenue grew more than 5% and is booming in markets such as China and Japan.
We previously predicted that Broadway shows such as “Sister Act” and “Priscilla, Queen of the Desert” would close by now. Despite playing to half empty theaters and consistently losing money, they are still running night after night. What gives?
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Showbiz Sandbox 141: Mike Daisey Learns The Difference Between Journalism and Art
March 19, 2012
Monologist Mike Daisey began performing his one-man show, “The Agony and Ecstacy of Steve Jobs”, hoping to highlight the poor working conditions suffered by workers who make Apple products in Chinese factories. When it was learned that Daisey made-up most of his accounts of meetings with factory employees, it stirred up a debate over the changing definition of journalism. Are Daisey’s monologues really human truths in story form, or was he simply bending the truth to tell a better story?
Meanwhile, fans of British television are probably already familiar with Acorn Media. Now current and classic British programming such as “Upstairs Downstairs” can be watched on the company’s new streaming service, Acorn TV. Most recently Acorn acquired the rights to the popular World War II mystery series “Foyle’s War” as well as the estate of Agatha Christie. Miguel Penella, the company’s CEO, joins us to discuss some of Acorn’s bold moves for survival and long-term growth.
In music news, Billboard has finally figured out a way to include online music streaming figures in their weekly Hot 100 chart. Even so, some skeptics are pointing out that music video plays still aren’t being counted.
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Showbiz Sandbox 140: Nollywood Love – Inside The Booming Nigerian Film Industry
March 13, 2012
Oil rich Nigeria may be best known for political upheavals and brutal civil wars, though over the past twenty years the country has given birth to a thriving film industry. New York Times Magazine contributing writer Andrew Rice explains that what started out as a surplus of blank VHS tapes has grown into what is now called Nollywood; the world’s third largest movie business. Nollywood films now suffer from the same issues faced by Hollywood and Bollywood; piracy and escalating production costs.
The budget for Disney’s “John Carter” was about five thousand times that of the average Nollywood film, which is probably why a $100 million worldwide opening is seen as a bit of a disappointment. Directing his first live-action film, Pixar veteran Andrew Stanton seems to be getting most of the blame for the movie’s lack of success, though it just as easily could be pinned on a studio full of senior executives that lacked experience producing big blockbusters.
Speaking of pricey failures, Fox canceled its sci-fi series “Terra Nova”. Producers hope the show will be picked up by another network, though at $4 million per episode few can afford it.
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Showbiz Sandbox 136: Crafting A Story For The Grammys Through Triumph and Tragedy
February 13, 2012
Los Angeles Times entertainment reporter Geoff Boucher was on assignment at the Grammy Awards when he heard about the the sudden death of pop star Whitney Houston over the weekend. While still covering music’s biggest night, Boucher was given two hours to write Houston’s obituary for the Sunday paper.
At the same time, David Wild was backstage at the Grammys putting the finishing touches on his script for the telecast. A contributing editor at Rolling Stone and best-selling author, Wild had less than 24-hours to work with Grammys producer Ken Ehrlich and revise the awards in the wake of Houston’s passing.
After an exhausting weekend Boucher and Wild join us to discuss how this year’s Grammys focused on two voices; one looking to the future with Adele winning six awards and one honoring the past by mourning the fresh tragedy of Houston’s death.
A whopping 40 million people watched this year’s Grammys telecast, though if we were to believe Nielsen few of them were under the age of 24. Brian Stelter of the New York Times stops by to explain why young people are watching television less often.
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