Showbiz Sandbox 462: Netflix and Amazon Take Advantage of Fall Film Festivals
September 16, 2019
Though the Cannes Film Festival avoids programming movies from streamers like Netflix and Amazon, internationally renowned festivals in Venice, Telluride, Toronto and New York embrace them. And no wonder. As Anne Thompson of Indiewire tells us, the streamers used the fall film festival circuit to premiere some of the year’s most award-worthy movies.
Just back from Toronto and Telluride (and on her way to the New York Film Festival), Thompson fills us in on what new releases movie lovers should look forward to as we kick off awards season. She explains how making a big splash at such festivals can turn a middling movie into a hit collecting both big box office and plenty of kudos. Yes, we’re looking at you, Hustlers.
Meanwhile, with the imminent launch of their own streaming service, Disney wants to rewrite the rules — or at least the contracts — on how the profits from hit television shows gets shared, or as the company would prefer it, not shared. If successful, other networks and studios are sure to follow Disney’s lead.
Of course we also cover the week’s top entertainment headlines including why YouTube is revamping its music charts, Apple announcing the price for its streaming service and “Saturday Night Live” stumbling in a casting move.
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Showbiz Sandbox 461: A Crazy Example of Hollywood’s Gender Pay Gap
September 9, 2019
Pay disparity based on gender is not a new thing in the entertainment industry, especially in the movie business. History is rife with examples where leading men got paid multiples more than their leading ladies. However, gender pay gaps behind the camera aren’t often publicized. That wasn’t the case when Adele Lim, the co-writer of “Crazy Rich Asians” found out how much more her male co-writer was being paid for the sequels, she went public.
The good news according to a new study is that in front of the camera Hollywood is becoming more diverse. Women and people of color are being cast more than ever with 39 out of the top 100 films in 2018 featuring a female lead. Last year also marked a 12-year high for minorities being given speaking roles.
Meanwhile, advertisers and television networks are concerning themselves with a different set of numbers; viewership ratings. For the first time ever, Nielsen is counting all the people who watch TV in bars, airports and hotel lounges. Ratings will surely go up for some big categories such as sports. But will ad rates go up too?
Of course we also cover the week’s top entertainment headlines including why author Walter Mosley quit his “Star Trek: Discovery” writers gig, music sales are up for the year and, despite lots of new competition, Netflix looks poised to maintain its dominance of the streaming market.
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Showbiz Sandbox 460: Spider-Man Exits The Marvel Cinematic Universe
September 2, 2019
The big-time Hollywood divorce that has the entertainment industry buzzing this summer is the acrimonious split between Sony Pictures and Walt Disney Studios over custody of the most popular character in the Marvel Cinematic Universe; Spider-Man. The agreement that allowed Sony to loan out the character for Disney’s Avenger films was unprecedented. But after Disney asked to share in the financing and profit of future Spidey films, Sony opted out of the relationship.
The latest Spider-Man movie was one of the biggest hits of the summer, though box office for the season was actually down. One might think that’s why AMC Cinemas is planning to experiment with dynamically pricing movie tickets, but actually it’s really because they just want to charge more for popular films.
Meanwhile, streaming giants like Netflix are premiering some of their high profile movies at the biggest fall film festivals just in time to kick off awards season. They even plan to show them in cinemas before allowing them to be streamed on their platform. Now all Netflix has to do is convince cinema chains to book them.
Of course we also cover the week’s top entertainment headlines including why Eminem is suing Spotify, the Writers Guild takes its case against talent agents to federal court and why Taylor Swift wants to record all her old albums over again.
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Showbiz Sandbox 459: Jay-Z Gets Played By The NFL
August 19, 2019
In a win-win for the American football and artist Jay-Z (or a lose-lose depending on your point of view), the National Football League is working with one of its biggest critics. Jay-Z has historically been very supportive of the NFL players who have used their visibility to bring attention to issues like police brutality. He also made clear that he wouldn’t perform at the Super Bowl Halftime Show. Now he’s signed a deal with the NFL to consult on the Halftime Show, NFL music in general and assist with other efforts to make the NFL and its entertainment more inclusive.
Many wondered why Jay-Z would enter into such an agreement when it seemed he had so much to lose and little to gain, especially when it appears as if the NFL is co-opting him. Perhaps the rumors that the rap and entertainment mogul wishes to to buy a significant stake in an NFL team are actually true.
Meanwhile in China, streaming giants such as Netflix, YouTube and eventually Disney+ were granted permission to launch their platforms in the country. That is so long as these companies play by some strict government rules. But what exactly that means, both in regards to mandated propaganda content and censorship remains to be seen.
Of course we also cover the week’s top entertainment headlines including CBS and Viacom get remarried, why Hong Kong protesters want to boycott the live action adaptation of “Mulan” and sales at bookstores decline this year.
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Showbiz Sandbox 458: The Number of Music Copyright Lawsuits Is Sure To Increase
August 12, 2019
Are musicians ripping each other off more than ever? Accusations of plagiarism have been around a long time, but they exploded after musician Robin Thicke was successfully sued over lifting his song “Blurred Lines” from Marvin Gaye’s “Got To Give It Up.” Just ask Katy Perry who recently lost a similar lawsuit over her hit single “Dark Horse.”
Before that case, most legal experts said you needed specific lyrics or main melodies to constitute stealing. Now the courts have decided that beats and even the vague “feel” or “vibe” of a song can be copyrightable.
Meanwhile, Netflix lost subscribers for the first time since 2011 and you’d think the sky was falling. What with new competition from Disney, Warner Bros. and Apple about to launch, there are plenty of doomsayers prognosticating the demise of the streaming giant.
Of course we also cover the week’s top entertainment headlines including “Doctor Who” heads to HBO Max, why Chinese studios are boycotting Asia’s most important movie awards show and two of Hollywood’s biggest public relations firm announced a merger.
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Showbiz Sandbox 457: The Biggest Touring Musical Acts Are Older Than Ever Before
July 29, 2019
Take a quick look at the top earning worldwide concert tours and you might be surprised to discover that half of the top ten acts are over 50-years-old. Heck, the number one tour of the year thus far is Elton John and he’s over 70. In fact, thanks to acts like Fleetwood Mac and Bob Seger, the average age of the top ten global touring acts has surpassed 50 for the first time anyone can remember.
Inversely, the age of the top ten recording artists of the year is getting younger, dropping below 30-years-old. This is due in large part to artists such as Ariana Grande, Post Malone, Travis Scott and Khalid who are all under 30 and in the case of Billie Eilish, under 20. We try to understand the age disparity between today’s biggest recording artists and those making their money on the road.
Meanwhile, in China, the burgeoning movie business has fallen on hard times. This is especially true in the cinema industry, where theater owners are contending with a drop in audiences flocking to the glut of new multiplexes that have opened in recent years. At the same time rents for theater locations have skyrocketed and the government imposed quota of foreign releases means many exhibitors are running out of content to show.
Of course we also cover the week’s top entertainment headlines including the latest on the dispute between the Writers Guild and talent agencies, the Toronto and Venice Film Festivals announce their lineups and how Metallica got caught scalping their own concert tickets.
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Showbiz Sandbox 456: The TV Shows That Will Benefit Most From An Emmy Nomination
July 22, 2019
Television audiences have become so fragmented these days that almost every show can benefit from Emmy Awards attention. Sure, you think everyone knows about shows like “Stranger Things” and “The Handmaid’s Tale” We ask which series might get a needed ratings boost from being in this year’s Emmys race.
HBO took home the most Emmy nominations helped by “Game of Thrones” which set a record earning 32 nods, the most ever for a single show. However, with “GoT” and “Veep” in their final seasons is HBO’s award enjoying a swan song over its Emmy dominance?
Meanwhile, Disney’s latest live-action adaptation opened internationally to $531 million on its way to what is likely another billion dollar gross for the studio. In fact, Disney may have five billion dollar movies this year alone.
Of course we also cover the week’s top entertainment headlines including the headlines from Comic-Con, Netflix subscribership drops and why you may not be able to find that hot new album at your local record store.
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Showbiz Sandbox 449: Staying Up Late In Cannes
May 20, 2019
Stories about women empowerment and a growing discontent among the middle or working class have taken center stage at this year’s Cannes Film Festival. A spotlight has also been given to diversity with the 2019 program filled with titles by filmmakers from all over the world, as well as a number of women, including the first female African director. Some selections from legendary filmmakers such as Pedro Almodovar and Terrence Malick are being hailed as masterpieces, despite any dissenting minority.
Keep in mind we are only half-way through the 2019 Cannes Film Festival, which is always a marathon, more than a sprint. Attendees watch hundreds of movies across more than four different categories and, as of this year, the press no longer gets to see the films ahead of their premiere. We discuss what that means for the filmmakers and why journalists may be losing sleep over the new protocol.
Meanwhile, it seems that some talent agencies have begun to sign the Writers Guild of America’s new code of conduct contract, albeit none of them are firms that package television shows or are even in the Association of Talent Agents. Are the agencies going to crack or are writers beginning to realize that maybe agents aren’t as important as they once were.
Of course we also cover the week’s top entertainment headlines including Disney takes full control of Hulu, the entertainment industry continues to work out how or whether to shoot their productions in Georgia and ITV cancels the Jeremy Kyle Show after one of its guests commits suicide.
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Showbiz Sandbox 447: The Madness of Media Moguls Making Mega-Millions
May 6, 2019
While the exorbitant salaries of the entertainment industry’s top executives are not a new phenomenon, the subject cropped up again recently after a relative of Walt Disney objected to the $65 million paycheck Disney CEO Robert Iger earned last year. That amounts to 1,424 times more than the average salary of a Disney employee. We debate whether Hollywood moguls should be earning hundreds of times more than their employees and why their compensation is so high in the first place.
On Broadway, Tony nominations were announced last week and they pack more drama and excitement than the creatively weak season that just ended. We’ll take a look and predict which shows will benefit the most from awards and the chance to perform live on TV.
Meanwhile, “Avengers: Endgame” continues to dominate the worldwide box office, earning $2 billion in just 11 days, faster than any film in history. That said, we wonder why Hollywood studios neglect to mention that their tentpole movies often begin showing on Thursdays.
Of course we also cover the week’s top entertainment headlines including big changes at CBS News, YouTube scores some Major League Baseball games and why the London production of “Les Miserables” is getting a makeover
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Showbiz Sandbox 445: Is Netflix Leaving Money On The Table?
April 22, 2019
There is no arguing that Netflix is doing quite well these days. Even the announcement of heavyweight competition from the likes of Disney and Apple hasn’t affected its stock price nor, more importantly, hampered its subscriber growth. The company added 10 million new subscribers in the first quarter of 2019 alone.
Even so, Netflix may want to rethink their approach to how they monetize their television shows. While their big hits such as “House of Cards” may not be appropriate or too exclusive to syndicate on traditional linear networks, others such as “One Day At A Time” may be a missed opportunity for the streamer to do what it’s never done before: seek more outside revenue.
Meanwhile, this year’s Cannes Film Festival lineup features longtime favorites like Ken Loach and Pedro Almodovar, new favorites like Xavier Dolan and more female filmmakers than in the past. Just don’t look for any movies from Netflix.
Of course we also cover the week’s top entertainment headlines including the continuing dispute between the WGA and talent agents, MoviePass loses 90% of its 3 million subscribers and director Roman Polanski wants back into the Academy.
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