Showbiz Sandbox 211: Why Movie Studios Are Playing Musical Chairs With Release Dates
October 28, 2013
There was a time if a Hollywood studio pushed back the release date for one of its eagerly anticipated titles it signaled the movie might be in trouble. If there was ever a sign that such stigmas no longer apply when delaying a release date, one need look no further than this year. An overly crowded and competitive awards season has meant the release dates for a number of high-end hopefuls have been wisely pushed into 2014, including “Monuments Men”, “Foxcatcher” and “Jack Ryan: Shadow Recruit”.
Distributors in China, Japan and South Korea may soon have to start worrying about release dates too. Box office is surging to record levels in Asia, thanks not to Hollywood blockbusters, but rather homegrown productions.
If it were up to consumer electronics manufacturers, we’d all be watching movies at home on our new 4K Ultra HD televisions. Broadcasters, burned by the original conversion to HD and a string of 3D experiments, want to know who is going to foot the bill this time around.
Of course, we also cover the week’s top entertainment news stories including the new, yet familiar, writers taking on the “Star Wars” sequels, YouTube gets into the music streaming business and Netflix wants to make original movies.
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Showbiz Sandbox 207: Which New TV Shows Are Hits? Ratings Alone Won’t Tell You
September 30, 2013
The new television season got off to a strong start last week with major broadcast networks celebrating higher prime-time viewership. That is what initial ratings results would lead one to believe, though such figures are increasingly inaccurate. Delayed viewing on DVRs and online has made it more difficult than ever to properly measure viewership in a timely fashion.
Changes are also afoot at the Oscars as the Academy is modifying the way animated films are nominated for Best Animated Feature. Rather than rely on a selection committee, a majority of the organization’s 6,000 members will now be able to participate in the nomination process by viewing films on screeners.
Meanwhile as the film industry moves from celluloid film to digital projection, object based audio is also being adopted over traditional channel based surround sound. Major studios recently made the issue more contentious by mandating any new audio be distributed in a common, non-proprietary format. Will this stifle future innovation in the cinema space?
Of course, we also cover the week’s top entertainment news stories including why iTunes music purchases have started disappearing, Robocop returns to Detroit (literally) and “Star Wars” fans draft an open letter to director J.J. Abrams about how to make the franchise.
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Showbiz Sandbox 196: Hollywood’s Frivolous Five Year Plan
June 24, 2013
Hollywood movie studios have a history of announcing the release date for big tentpole films a year or more in advance. The goal has always been to secure a prime weekend that will force the competition to stear clear. Lately however studios have taken to scheduling releases five years in advance. With some untitled projects yet to start production or even complete a script, it appears that release dates are more important than the movies themselves.
With longstanding geographic monopolies in-place cable companies rarely have to worry about competition, other than from satellite providers. That may be why Time Warner Cable is facing a class-action lawsuit which claims customers, especially non-sports fans, are being forced to pay for the company-owned sports channels to help offset the cost of expensive licensing deals.
Speaking of lawsuits, the government wrapped up its anti-trust case against Apple over the fixing of prices for e-books. While the Justice Department went into the trial looking like a winner, in the end Apple may have proved it was innocent of any illegal activity.
Of course we also cover the week’s top entertainment news including Robert Downey Jr.’s deal to play Iron Man in the next two “Avengers” movies, Billboard disses Jay-Z and Warner Bros. shakes up its top executives.
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Showbiz Sandbox 190: How The Academy’s New Voting Rules Will Affect The Oscars?
May 6, 2013
The Academy of Motion Picture Arts and Sciences announced it will now be allowing members to vote in all 24 Oscar categories, including Documentary Short Subject and Foreign Language Film. Anne Thompson, Indiewire’s editor-at-large and host of the Oscar Talk podcast, believes the change is long overdue. She explains what the old voting rules were and how these new ones will affect the Oscars moving forward.
The Rolling Stones are also making changes, at least to the ticket prices for their current North American tour. With face-value prices upwards of $600 has the legendary UK band and its tour promoters misjudged fan’s appetites for paying top dollar for big acts? Based on the number of unsold tickets to the first few shows of the tour, the answer is yes.
Meanwhile on Broadway, the Tony Award nominations were announced last week. “Kinky Boots”, “Matilda” and “Lucky Guy” lead the pack with the most nominations. We try to make educated predictions, and blind guesses, as to who might walk home with a Tony in June.
Of course we also cover the week’s top entertainment news including six billion hours of YouTube videos, trademarking superheroes and why studios don’t want to pay a tax on movie tickets in China.
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Showbiz Sandbox 189: Contentious CinemaCon; Corporate Coachella
April 29, 2013
At this year’s CinemaCon movie studios showed up in full force to pitch the world’s largest gathering of cinema operators on a bounty of upcoming blockbusters. Behind the scenes however, some of the larger theater chains were haggling with studios over how to divide ticket sales for tentpole releases such as “Iron Man 3”.
Meanwhile, for the second year in a row, the promoters of the Coachella Music Festival tried to replicate the event over two weekends. They held the same festival, with the same musical acts, on back-to-back weekends. While at times it couldn’t help but seem like a greedy attempt to extract more money from attendees, there were moments of sheer magic that only happen at Coachella.
Then there is Netflix, which after being ridiculed publicly for a series of ill-advised strategic moves in 2011, has managed to turn its ship around. After successfully producing its own hit-content with “House of Cards”, subscribers have returned, profits are increasing and the stock price is on the rise. Netflix CEO is feeling so good he wrote a manifesto on the future of televsion.
Of course we also cover the week’s top entertainment news including Zach Braff’s successful Kickstarter campaign, how Bittorent is helping market a movie and whether “Django Unchained” will ever be released in China.
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Showbiz Sandbox 172: The TV Industry Has Its Head Up Its Ass
December 3, 2012
Kevin Reilly, chairman of entertainment at Fox Broadcasting, realizes the ways people watch TV have radically and irrevocably changed. He believes the industry has not even remotely caught up to that fact yet. Or, as he puts it, “We have our head up our ass.” We’ll discuss the checklist Reilly provided at recent industry event which touched on every facet of the business.
As the year draws to a close the awards season has begun to heat up as both the Gotham Awards and European Film Awards were handed out last week. We’ll give you a rundown of who the big winners were and which movies are topping the first few year-end critics polls.
In theater news one can make it big with an Off-Broadway production, they just can’t make big money. A few recent hit shows are closing after barely breaking even or never turning a profit.
Of course we also cover the week’s top entertainment headlines including a list of top earning musicians, Jeff Zucker lands at CNN and why China may surpass the United States as the biggest movie market in the world.
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Showbiz Sandbox 168: Why TV Audiences Abandoned Broadcast Networks
October 22, 2012
The start of the new television season has been a huge disappointment for broadcast networks with ratings down as much as 28% on Fox. Only NBC has seen an increase in viewership in key demos and after years of coming in fourth among networks, now finds itself bouncing back. Why have audiences abandoned broadcast television? Here’s a hint; it has to do with zombies.
Industry analysts fault lackluster new series and strong programming alternatives on cable for broadcast networks latest woes. We provide a rundown of which new shows might stick around for a while, those that might be put on hiatus and which have already gotten the ax.
If you paid to download any of this season’s new TV shows you may be interested to know that you are only licensing the right to view them and don’t actually own them outright. Two upcoming court cases may help resolve the issue, if they don’t wind up muddying the waters further.
Of course, we also cover the week’s top entertainment news including the new agreement between Dish and AMC, Beyonce’s new Super Bowl gig, and the end of Newsweek as a print magazine.
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Showbiz Sandbox 149: Cannes Falls For “Amour”
May 29, 2012
This year’s Cannes Film Festival concluded with “Amour”, a film by Austrian director Michael Haneke, winning the Palme d’Or. The movie about an elderly couple in Paris features two renown French actors and was a hit with festival audiences. Anne Thompson from Indiewire’s Thompson on Hollywood blog says the jury rewarded many of the noteworthy films at this year’s festival, though entries with stars like Brad Pitt and Nicole Kidman were rather disappointing.
Speaking of winners, last week Phillip Phillips was crowned the winner of this season’s “American Idol”. The big loser however may be the singing competition show itself, since it is no longer the most watched television show in the nation, a title it held for a historic seven years. That honor is now held by Sunday Night Football.
Apple rather convincingly shredded the antitrust suit tbe Justice Department filed against them and top publishers over the price fixing of e-books. Apple’s response points out a number of innacuracies in the suit and manages to bolster their own case, while notably not helping the publishers with their defense.
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Showbiz Sandbox 147: TV Networks Are Upfront About Their New Schedules
May 14, 2012
It’s the time of year when North American television networks put on big presentations to introduce their fall lineups to major advertisers; a process referred to in the industry as “the upfronts”. It’s also the time when TV audiences find out which of their favorite shows are sticking around for another season and which have been canceled. We’ll fill you in on some of the shows that didn’t make it some of the new series we have to look forward to this fall.
Adele continues to make news in the music world. Her album “21” sold 18 million copies last year which accounted for 1.6% of all the music sold around the world. The pop singer even helped the United Kingdom increase their share of global music sales to 13%.
Tom Hanks appears to be headed to the Great White Way to make his Broadway debut. So is Zooey Deschanel who will be starring in a musical based on Loretta Lynn’s autobiography “Coal Miner’s Daughter”.
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Showbiz Sandbox 140: Nollywood Love – Inside The Booming Nigerian Film Industry
March 13, 2012
Oil rich Nigeria may be best known for political upheavals and brutal civil wars, though over the past twenty years the country has given birth to a thriving film industry. New York Times Magazine contributing writer Andrew Rice explains that what started out as a surplus of blank VHS tapes has grown into what is now called Nollywood; the world’s third largest movie business. Nollywood films now suffer from the same issues faced by Hollywood and Bollywood; piracy and escalating production costs.
The budget for Disney’s “John Carter” was about five thousand times that of the average Nollywood film, which is probably why a $100 million worldwide opening is seen as a bit of a disappointment. Directing his first live-action film, Pixar veteran Andrew Stanton seems to be getting most of the blame for the movie’s lack of success, though it just as easily could be pinned on a studio full of senior executives that lacked experience producing big blockbusters.
Speaking of pricey failures, Fox canceled its sci-fi series “Terra Nova”. Producers hope the show will be picked up by another network, though at $4 million per episode few can afford it.
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