Showbiz Sandbox 170: Why Star Wars Is Better Off Without George Lucas
November 12, 2012
Two weeks ago Disney surprised everyone by purchasing Lucasfilm for a pricetag of $4 billion. Like the studio’s acquisition of Marvel in 2009, the move makes perfect sense since Disney can exploit the Star Wars franchise in films, television and theme parks. Given the quality of the prequels, it’s not hard to see why fans were relieved to hear George Lucas, the creator of the Star Wars universe, will have a limited role in the sequels Disney plans on releasing.
Speaking of lucrative franchises, the latest James Bond film, “Skyfall” was released to both favorable reviews and huge grosses. The twenty-third installment of the Bond series may earn over $1 billion at the international box office. And all without 3-D ticket surcharges.
Though audiences continue to reject paying a premium for 3-D movies in theaters, consumer electronic manufacturers report that the sales of 3-D capable televisions and Blu-Ray players is on the rise. However just because a TV can play 3-D content doesn’t mean people will take advantage of the technology.
Our former host Karen Woodward joins us for a rundown of all the top entertainment news stories from the past two weeks, including the huge sales figures from Taylor Swift’s new album, Mark Wahlberg signs on for the next “Transformers” film and CBS finally signs up for Hulu.
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Showbiz Sandbox 169: How TV Networks Learned To Stop Worrying And Love The DVR
October 29, 2012
Major networks used to bemoan the use of DVRs out of fear that audiences would use them to skip over commercials. However, with DVRs in almost half of all US homes, they have begun touting the big audience increases some of their shows get after factoring in time shifted viewing. Scott Collins, a television reporter with the Los Angeles Times, discusses modern-day TV ratings and how the industry is coping as viewing habits change.
And if you thought television networks were in trouble, they’ve got nothing on the film industry. If you were to believe folks like film critic David Denby and a recent New York Times article, movies may not even be relevant anymore.
Talent agencies aren’t immune from all the changes affecting the industry. Last week the longtime head of ICM Partners, one of the world’s largest ten percenteries, announced he’d be leaving to start a new agency.
Of course, we also cover the week’s top entertainment news including how a child sex abuse scandal at the BBC, the merger of publishing giants Penguin and Random House, and an Amy Winehouse musical.
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Showbiz Sandbox 138: Lessons Learned At This Year’s Oscars
February 27, 2012
Predicting who will win Academy Awards each year isn’t as easy as it looks. Just ask IndieWire’s Anne Thompson. She managed to pick 19 out of 24 winner’s at this past weekend’s Oscar ceremony, but there were a few categories which had everyone guessing. Thompson takes us backstage on Oscar night and explains how easy it is for someone covering the awards season, like herself, to over think how Academy voters will respond when ballots are cast.
Meanwhile, Google filed applications last week to become a cable television provider in Kansas City. What remains to be seen is whether the tech giant can obtain enough programming to attract customers.
Maybe Hollywood will welcome Google with open arms as they have with the glut of streaming video providers all vying to license premium content. Ironically, the industry seems to be ahead of the curve on a new technology they hope will make up for falling DVD sales.
We also cover the week’s top entertainment headlines including a new book from J.K. Rowling, Barbara Streisand’s new record deal and how advertising at movie theaters is being taken more seriously.
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Showbiz Sandbox 123: DVR Data Can Save TV Shows From Cancellation
October 17, 2011
It turns out your DVR can be helpful beyond just recording your favorite television shows. Examining which commercials you skip past might be able to help predict box office flops and monitoring which shows you watch can save a borderline series from being canceled. We’ll debate whether television networks and movie studios can benefit from the data being collected from your DVR.
Apple however may be trying to make your DVR obsolete. The long standing rumors that Apple might be working on a next generation television set have heated up once again. Would you welcome Apple into your living room?
Dozens of entries make up this year’s Best Foreign Language Oscar list, though all of them will ultimately be nominated. We’ll explain how the list ultimately gets whittled down to just five movies.
We also cover the week’s top entertainment headlines including why Hulu is no longer for sale, why Jonny Depp’s “Lone Ranger” is back in production and how Amazon plans to make publishers unnecessary.
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Showbiz Sandbox 122: The Real Story Behind Steve Jobs And Pixar
October 10, 2011
Millions mourned the loss of Apple co-founder Steve Jobs this past week when the innovator behind the Macintosh computer, the iPod and others died at the age of 56. Though the endless eulogies of Jobs always mention Jobs Pixar tenure, they rarely provided any real detail. Truth is Jobs lost money with Pixar for ten years trying to turn the company into a successful computer hardware business. We’ll dive into the story of how Jobs came to own Pixar and how the company stumbled upon success in computer animation.
Of course, there has never been a Pixar film that didn’t make money. However, we often blithely dismiss one movie as being a box office loser and another as a hit even though they might seem similar in budgets and box office. When we consider a film a hit or a flop, we’re making numerous assumptions on various factors. It’s always a judgment call, but to try and explain what sort of judgments we’re making, we’ve decided to look at several different movies and explain why we consider them a hit or miss.
It’s not as hard to tell when a new television series is a flop, especially after the network cancels it. A number of new shows (“Playboy Club”) got axed this past week, while others (“New Girl”) were picked up for an entire season. One series which nearly didn’t make the cut was “The Simpsons”. After its 23rd season the animated show was nearly canceled over a contract dispute with the cast providing voices for its lovable characters.
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Showbiz Sandbox 117: Crunching The Numbers Behind Summer’s New Box Office Records
September 6, 2011
Big budget sequels and super hero movies helped push the bar on summer box office records slightly higher. North American grosses rose to $4.4 billion as overseas markets improved to $8.2 billion in receipts. But how much did all those blockbusters actually cost to produce and market? After all the money is counted, how profitable will the latest installments of “Pirates of the Caribbean” and “Transformers” truly be? We sharpen our pencils and do the math to answer all these questions and more.
One future blockbuster that was recently axed by Disney may actually get made after all. The studios is lowering the budget on “The Lone Ranger” by asking star Johnny Depp and filmmaker Gore Verbinski to take a pay cut.
The publishing world also seems to be doing quite well lately thanks to strong sales of digital titles. Even though the e-books may be getting all the love in mainstream media stories, Random House wants everyone to know that print books aren’t dead. In fact, the sale of hardcover and paperback books still outpaces their digital counterparts.
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Showbiz Sandbox 114: Hollywood Overflows With Streaming Content Deals
August 1, 2011
Digital distribution of television shows, movies and music has become quite trendy in Hollywood. Not a week goes by that companies such as Netflix, Spotify, Hulu and others aren’t in the news cutting some sort of deal with a big studio, television network or record label. This past week retail giant Amazon and online video portal YouTube made big additions to their streaming content libraries while Fox decided to limit those who could view their shows online. We provide a rundown of all the recent announcements and what they might mean for you, the consumer.
We are also joined by Roger Goff, an entertainment attorney with Wolf, Rifkin, Shapiro, Schulman & Rabkin. He helps us understand a few recent lawsuits filed by television producers, especially one in which the producer of “American Idol” is suing Fox over not being made an executive producer on the upcoming reality series “X-Factor”.
Speaking of legal issues, it turns out the NBCUniversal Comcast merger wasn’t as much of a done deal as everyone thought. A federal judge is threatening to hold up approving the union claiming it may not be in the “public interest”.
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Showbiz Sandbox 111: Can Paste Magazine Ignite A Digital Publishing Revolution?
July 11, 2011
Less than a year after ceasing publication of their print edition Paste Magazine has revived itself in a new digital format. The popular music and culture magazine shunned the traditional print medium and relaunched as a weekly web periodical chock full of long-form features, downloadable music and multimedia content. Editor Josh Jackson reveals how the new Paste mPlayer was designed from the ground up as a next-generation publication. Is Paste giving us a glimpse into the future of magazines?
Soap operas are in the midst of their own transformation. Rather than canceling “All My Children” and “One Life To Live” as planned, ABC has struck a deal to keep the shows alive on the Internet. Will loyal viewers migrate online to keep up with their favorite soaps?
The music industry has also received some good news lately. Not only will the hotly anticipated arrival of Spotify in the United States soon be a reality, but Nielsen Soundscan is reporting that music sales are up slightly this year. Does all of this mean the music business is poised to make a comeback?
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Showbiz Sandbox 109: Making Grammar Fun (And F*cking Funny)
June 27, 2011
When Chris Baker isn’t working on Madison Avenue for a big advertising firm, he is creating some of the world’s most exclusive websites… literarily. TheWorldsMostExclusiveWebsite.com only lets verified celebrities and big wigs past the home page. His website M. Night School is crowd-sourcing enough funds to send director M. Night Shyamalan back to film school. Baker joins us to discuss his latest effort, “The Elements of F*cking Style
After this past weekend, Baker may want to send Pixar back to film school. “Cars 2”, the company’s highly anticipated sequel to their blockbuster “Cars”, was given a drubbing by critics. However, critical acclaim may not matter for a film that earns $2 billion a year in merchandising.
At least nobody’s forcing you to see “Cars 2”. That might not be an option in China where the government is “suggesting” that everyone see “Beginning of the Great Revival,” a propaganda film disguised as a historical epic detailing the founding of China’s Communist Party.
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Showbiz Sandbox 96: Why Facebook Is Becoming Your Friendly Neighborhood Video Store
March 14, 2011
In their never ending quest to replace declining DVD revenue movie studios have begun renting movies on Facebook. Such partnerships are focused on more than just sales, or finding a Netflix competitor, they are also about marketing. As Facebook users rent and purchase movies they’ll be transformed into a social marketing army.
Mel Gibson made headlines again last week accepting a plea deal in his spousal battery case. Whether moviegoers will forgive Gibson for recent ethnic slurs and racist comments will be tested when his next film, “The Beaver”, premieres at the South by Southwest festival in Austin, Texas. Meanwhile, Carlie Sheen, in between streaming his wacky behavior on the Internet, was also headed to court to file a $100 million lawsuit against Warner Bros. and sitcom producer Chuck Lorre.
Julie Taymor joined Sheen on the unemployment line. After spending nine years bringing the Broadway musical “Spider-Man Turn Off The Dark”, Taymor was replaced as the director of the expensive, beleaguered musical.
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