Showbiz Sandbox 254: Are HBO and CBS Really Really Becoming Cord-Cutters?
October 21, 2014
The entertainment industry was stunned last week when Time Warner announced plans for HBO to go over the top. The premium cable channel intends to offer a standalone service in the US come 2015 that won’t require a cable subscription. Legions of cord-cutters rejoiced upon learning the news, but what they weren’t actually hearing about were the details of how the new plan would work.
Just a day later the broadcast network CBS offered a bit more information about their upcoming Access All In streaming service. The network will begin offering their programming directly to viewers via the web and mobile apps at a cost of $6 per month.
Both of these landmark moves are being seen as bellwethers for how television will be distributed in the future and they come with all sorts of ramifications. Will selecting television channels a la carte actually increase our cable bills? What do all these new services mean for net neutrality? What does all of this mean for Netflix? We’ll explain.
Of course, we also cover the week’s top entertainment news stories including Amazon’s deal with Simon & Schuster, Neil Patrick Harris gets tapped to host next year’s Oscars and why pop-star Lorde is persona non grata in San Francisco.
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Showbiz Sandbox 252: Crouching Netflix, Hidden IMAX and the Myth of Broken Release Windows
October 6, 2014
The Weinstein Co. stunned the entertainment industry last week by announcing they would distribute the sequel to “Crouching Tiger, Hidden Dragon” simultaneously on Netflix and IMAX. As Brooks Barnes of the New York Times explains, the plan only has one problem; movie theaters refuse to show any film that opens day-and-date on home video or video-on-demand. This begs the question, if a movie never opens theatrically, was it’s release window really broken?
Netflix continued to make additional headlines later in the week by signing a deal with actor Adam Sandler to make four original movies for the streaming service. We discuss whether Netflix is changing the Hollywood paradigm or simply becoming one more buyer of premium content.
While Netflix is leaning into the future, director Christopher Nolan is taking a more old fashioned approach by releasing his upcoming movie on actual film. Select theaters showing “Interstellar” on analogue celluloid will get the film two days early. But will theater owners, who recently converted to digital cinema, still know how to thread a 35mm projector?
Of course, we also cover the week’s top entertainment news stories including the death of Saturday morning cartoons, why U2 released their latest album on vinyl and how Facebook is helping “Twilight” live on through a series of short films.
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Showbiz Sandbox 249: Why Film Festivals Are More Important Than Ever
September 16, 2014
Anne Thompson, an editor at Thompson on Hollywood and Indiewire, just spent the past two weeks at the Telluride and Toronto Film Festivals before she heads off to the New York Film Festival. Thompson takes us through some of the noteworthy films we’ll be seeing in coming months and discuss the important role festivals play in creating buzz before a movie’s commercial release.
The competition for landing premieres of noteworthy titles has become so fierce that Toronto switched up its programming this year to give less prominence to any film screening a week earlier at Telluride. One aspect of each festival which is unlikely to change is their reputation for selecting films that go on to win Best Picture Oscars.
While fall festivals might be the talk of the film industry, television executives have been preoccupied with their over-the-top strategies. As audiences switch to OTT offerings from Amazon to Roku, networks are experimenting with direct-to-consumer offerings while contending with increasingly meaningless overnight ratings.
Of course, we also cover the week’s top entertainment news stories including opting-out of a free U2 album, Microsoft picks up “Minecraft” and Netflix’s invasion of Europe.
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Showbiz Sandbox 246: The Emmys Have A Hopeless Scheduling Problem
August 26, 2014
It’s bad enough that the Emmy Awards honor the exact same talent and television shows every year. Now, the Emmys are really growing stale by handing out prizes to shows that finished airing before last year’s ceremony. Unfortunately, as television migrates to year round programming, there is no good time to schedule the Emmys which would make them feel more timely or relevant.
The industry-at-large was likely glad to see at least one aspect of the Emmys go unchanged as shows from broadcast and cable networks continue to win the most awards over shows from streaming services such as Netflix, which went home empty handed. There also, thankfully, seems to be a voter backlash against shows positioning themselves in odd categories.
Meanwhile, August has proven to be the cruelest month for show business with the untimely death of actor Robin Williams and the passing of Hollywood legend Lauren Bacall, among others.
Of course, we also cover the week’s top entertainment news stories including Amazon public relations battle with Hachette over e-book pricing, Jimmy Fallon comes out on top in the late night television war, and Anne Rice’s Vampire Lestat may see new life on the big screen.
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Showbiz Sandbox 244: Hollywood Faces An Epic Struggle Over the Future of Entertainment Distribution
July 29, 2014
Whether it’s movies streaming online before they premiere in theaters, the never-ending retransmission dispute between television networks and cable companies or the dwindling number of book retailers, how media companies are distributing their content has never been more in flux.
The Weinstein Company released their critically acclaimed release “Snowpiercer” on VOD just two weeks after the film opened in cinemas. Then they agreed to let “One Chance”, a biopic of talent show winner Paul Potts, stream free on Yahoo! ten days before the movie opens in the United States.
Meanwhile, rather than sell you books, Amazon is hoping you’ll be willing to pay a monthly fee for their new e-book subscription service. The only problem is the service’s limited selection (not to mention the company’s inability to make a profit), making us wonder whether such a business model is viable.
Of course, we also cover the week’s top entertainment news stories including how Weird Al Yankovic’s album wound up at the top of the sales charts, the Emmy’s snub broadcast networks and Garth Brooks comes out of retirement.
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Showbiz Sandbox 241: YouTube Gets Tough With Indie Record Labels
June 23, 2014
As YouTube gets set to launch its own streaming music service the company is updating existing partnership contacts with record companies. While all of the major labels have signed on, some independent labels are balking at what they consider unfair terms. Now, YouTube is threatening to block the content of any label refusing to enter into its new licensing contracts, a move that is proving hugely controversial and divisive throughout the tech and entertainment industries.
Speaking of contracts, when it came to negotiating the deal for his latest film “Boyhood”, director Richard Linklater gave up a large part of his usual salary to assure he would actually own a piece of the movie it took him 12 years to complete. Will more filmmakers decide to forfeit their upfront fees and begin taking ownership stakes in their projects, or is Linklater’s move a one-off?
Musician Jack White probably isn’t setting any trends either, at least not for vinyl records. His new album sold 40,000 on vinyl during its first week of release though that can probably be attributed to all the nifty extras White included on the vinyl version such as hidden tracks and alternate versions rather than any ongoing interest in the analogue medium.
Of course, we also cover the week’s top entertainment news stories including why “Sesame Street” is getting shorter, Netflix plans on producing a talk show with Chelsea Handler and Disney nails down another director for its “Star Wars” franchise.
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Showbiz Sandbox 234: Scandal and Politics Invade Hollywood (Again)
May 5, 2014
Two real-life controversies are presently complicating life in Hollywood where studios prefer to make lots of money and ignore complicated social issues or the sometimes tawdry private lives of their executives and talent. The first involves accusations of forcible rape by movie director Bryan Singer. The second involves boycotting a historic Tinseltown hotel over its owners politics.
In less contentious news it appears our prediction about the future of Craig Ferguson as host of the “Late Late Show” was correct, and he will indeed be departing by the end of this year. The host says the decision was entirely his own, despite what it might look like with David Letterman retiring from his show’s lead in, “Late Night”.
Tony nominations were announced last week to honor some of this year’s best and brightest Broadway productions and performers. We give you a rundown of all the front runners as well as a look at a few that didn’t make the cut.
Of course, we also cover the week’s top entertainment news stories including the “Star Wars Episode VII” casting announcement, AT&T’s acquisition offer of DirecTV and Ben Affleck’s blackjack trouble.
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Showbiz Sandbox 233: Net Neutrality – Is The Fat Lady Singing?
April 28, 2014
The concept that all data sent via the Internet should be treated equally has allowed services such as YouTube and Netflix to develop and prosper on a level playing field. However a new proposal from the Federal Communications Commission would effectively kill net neutrality by allowing companies to pay for faster access. Will the public revolt in mass protest or will big business ultimately prevail?
A similar question is being asked as the United States Supreme Court heard oral arguments over whether Aereo infringes on broadcaster’s copyright by retransmitting over-the-air television signals via the Internet, or if the company’s services are legal under current law. The future of television may hinge on the answer.
There seems to be no dispute over the state of opera these days as many regional companies are suffering from a number of problems, not the least of which is declining ticket sales. Most recently the San Diego Opera announced it would be shutting down after running out of money.
Of course, we also cover the week’s top entertainment news stories including Amazon’s deal to stream past HBO series, Ryan Seacrest stays with “American Idol” and why record labels are suing Pandora… again.
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Showbiz Sandbox 229: Making South by Southwest A Family Affair
March 18, 2014
Countless bands long to play at South by Southwest, the music festival that takes place in Austin, Texas every March. The event has grown into an important showcases for undiscovered, unsigned and fast rising artists. The Family Crest, an indie rock band from San Francisco, is one of the buzzworthy acts that played at this year’s SxSW. Liam McCormick, the group’s songwriter and founding member, joins us to discuss what it’s being officially invited to play at such a prestigious festival.
In an in-depth conversation, McCormick walks us through how The Family Crest has managed to follow through on all the necessary achievements modern bands strive for in search of success; they’ve funded two albums via Kickstarter which feature hundreds of musicians, they’re signed to an indie record label and NPR is touting the group’s music, which of course can be easily found on all the popular streaming services. On top of all that, television series and advertising campaigns have begun licensing their music.
Much like The Family Crest, Disney is doing quite well for itself these days, at least when it comes to Broadway. What’s surprising is that it isn’t one of the company’s hot new productions that’s the highest grossing production on the Great White Way, but rather “The Lion King”, which opened 16 years ago. It’s all thanks to the new trend of dynamic ticket pricing. We’ll explain.
Of course, we also cover the week’s top entertainment news stories including why the NFL is suing M.I.A., Amazon prepares to enter the streaming music business, and “Big Bang Theory” gets renewed for three whole seasons.
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Showbiz Sandbox 226: Back To The Future – Why TV Networks Suddenly Love Old People Again
February 24, 2014
Broadcast television networks are finally catching on to what most of us have known all along; people over the age of 50 actually watch a lot of TV. In a never-ending pursuit to attract younger viewers, networks discovered that baby boomers make up a large portion of their audience. Surely we’ll be seeing a lot more programming meant to appeal directly to this new found demographic.
Maybe some of these new, more mature shows can be turned into movies one day. That seems to be the new trend in Hollywood as studios get set to release two movies that are spun-off from canceled series (“Veronica Mars”) or are have actually already appeared on television as mini-series (“Son of God”).
Speaking of Hollywood studios, it turns out that despite crying poor on a perennial basis, they all managed to make hundreds of millions of dollars in profit during 2013. Not revenue… actual profit.
Of course, we also cover the week’s top entertainment news stories including Cee Lo Green quitting “The Voice”, CNN quitting Piers Morgan and the end of Moviefone’s movie listing service.
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