Showbiz Sandbox 221: Sundance Returns To Its Indie Roots (Again)
January 20, 2014
Celebrities, filmmakers and industry executives are in the midst of their annual pilgrimage to Park City, Utah for the Sundance Film Festival. Thanks to digital technology it’s never been easier to make or distribute a low budget film. This has led to a glut of indie productions looking for audiences and no way to know which are worth watching.
This year’s Sundance began the day Oscar nominations were handed out and the festival’s founder was overlooked for his critically praised performance in “All Is Lost”. (Awkward). With nine films competing for Best Picture, and guild awards not being hounded out to consistent winners, it looks as if this will be one of the closest Oscar races in recent memory.
Meanwhile, an appeals court ruling may have finally killed Net Neutrality, much to the joy of Internet service providers everywhere. This means the cost of streaming online music and video may soon rise significantly.
Of course, we also cover the week’s top entertainment news stories including a Broadway bound musical adaptation of Disney’s “Frozen”, the declining appeal (and ratings) of “American Idol” and the most popular show on daytime television.
Podcast: Play in new window | Download
Showbiz Sandbox 219: The Business of Show Was Profitable In 2013
January 6, 2014
Almost every sector of the entertainment industry saw record grosses during 2013. North American movie ticket sales reached a record $10.9 billion. Television audiences are tuning in to more shows than ever, especially sporting events. The top 20 concert tours made a whopping $2.43 billion. It all helped contribute to the bottom lines of many entertainment companies causing their stock prices to end the year on a high note.
The only category in which revenue declined was the music. Even sales of digital music declined for the first time since iTunes was launched back in 2003. Album sales were down 8.4% overall and some industry insiders concede this might be due to streaming services such as Pandora and Spotify.
And financial numbers aren’t the only ones increasing in entertainment. So are the sizes of televisions. They’re not only getting bigger, but the consumer electronics industry is pushing Ultra HD with 4K resolution, which is twice that of current HD televisions.
Of course, we also cover the week’s top entertainment news stories including the death of singer Phil Everly, the expansion and increased usage of UltraViolet and the manufactured controversy behind Martin Scorsese’s latest film, “The Wolf of Wall Street”.
Podcast: Play in new window | Download
Showbiz Sandbox 214: Go Big Or Go Home – Why Big Budget Blockbusters Are The Safest Bet In Entertainment
November 18, 2013
Over the past year filmmakers from Steven Spielberg to Steven Soderbergh have lamented over Hollywood’s love affair with expensive tentpole releases. However, according to Harvard Business School professor Anita Elberse the entertainment industry is obsessed with blockbusters because they work. She explains why in a wide ranging interview about her new book on the subject, “Blockbusters: Hit-Making, Risk-Taking, and the Big Business of Entertainment”.
Not only are the number of big budget films studios churn out on the rise, apparently so is the level gun violence in hit titles. After studying 945 movies released from 1950 to the present day, researchers discovered gun violence portrayed in movies more than doubled during the time frame.
Meanwhile, in the television world most have forgotten about daytime soap operas. That hasn’t kept companies like Prospect Park from trying to keep shows such as “One Life To Live” and “All My Children” alive online. Unfortunately, they don’t seem to be getting any help from the network that originally aired the soaps and are now going to court over the matter.
Of course, we also cover the week’s top entertainment news stories including a movie for Monster High dolls, a new HBO show for John Oliver, pricy reruns for “The Simpsons” and a new manager for the rock band U2.
Podcast: Play in new window | Download
Showbiz Sandbox 213: Has Thor Brought The Hammer Down On 3D Movies?
November 11, 2013
There is no disputing the financial success of “Thor: The Dark World”, a sequel in the franchise based on the Marvel Comics superhero. What’s less clear is what the film’s box office grosses say about the adoption of 3D. During opening weekend 700 2D screens in North America accounted for 60% of tickets sales, as opposed to the 40% earned by 3,100 3D screens. Is this yet another sign audiences have given up on 3D movies?
Netflix doesn’t care how you see a superhero movie, so long as you’re watching it through their service. Last week the on-demand video powerhouse cut a deal with Disney to produce four new original series based on Marvel superheroes, all of which will lead up to a crossover miniseries.
As if competing with Netflix wasn’t bad enough, television broadcasters are still figuring out how to deal with DVRs and the growing number of audiences who time shift their content. One major broadcast network is pushing for advertisers to pay for increased viewership on DVRs for up to seven days after a show originally airs.
Of course, we also cover the week’s top entertainment news stories including the death of Blockbuster Video, the official release date for “Star Wars: Episode VII” and Richard Branson brings reality television into space.
Podcast: Play in new window | Download
Showbiz Sandbox 212: Should There Be An Oscar For Casting Directors?
November 4, 2013
Last week Woody Allen wrote an “open letter” to the film industry pointing out that casting is the only single card credit at the beginning of a movie which is not honored by the Academy Awards. Like many before him, the filmmaker argued casting directors are crucial to any good movie, especially his. Should the Oscars consider adding a category for casting directors to recognize them alongside editors, cinematographers and other craftspeople?
Meanwhile, a film that hasn’t started the casting process in earnest is “Star Wars: Episode VII”. The movie doesn’t even have a script yet, which is why its filmmakers have been trying to convince Disney to push its release date back a year to 2016.
In the television world there was bad news for Time Warner Cable last week. Their dispute with CBS which led to a month-long blackout of the network cost the company over 300,000 subscribers. This likely means other cable providers will be afraid to pick fights with broadcasters over the rising cost of programming. Digital rights, however, are an entirely different battle.
Of course, we also cover the week’s top entertainment news stories including why “slow TV” is such a hit in Norway, the rising cost of the “Hunger Games” franchise and the Jonas Brothers officially call it quits.
Podcast: Play in new window | Download
Showbiz Sandbox 211: Why Movie Studios Are Playing Musical Chairs With Release Dates
October 28, 2013
There was a time if a Hollywood studio pushed back the release date for one of its eagerly anticipated titles it signaled the movie might be in trouble. If there was ever a sign that such stigmas no longer apply when delaying a release date, one need look no further than this year. An overly crowded and competitive awards season has meant the release dates for a number of high-end hopefuls have been wisely pushed into 2014, including “Monuments Men”, “Foxcatcher” and “Jack Ryan: Shadow Recruit”.
Distributors in China, Japan and South Korea may soon have to start worrying about release dates too. Box office is surging to record levels in Asia, thanks not to Hollywood blockbusters, but rather homegrown productions.
If it were up to consumer electronics manufacturers, we’d all be watching movies at home on our new 4K Ultra HD televisions. Broadcasters, burned by the original conversion to HD and a string of 3D experiments, want to know who is going to foot the bill this time around.
Of course, we also cover the week’s top entertainment news stories including the new, yet familiar, writers taking on the “Star Wars” sequels, YouTube gets into the music streaming business and Netflix wants to make original movies.
Podcast: Play in new window | Download
Showbiz Sandbox 210: Record Labels Look To YouTube As The New Radio
October 21, 2013
Instead of promoting new releases through traditional avenues such as radio and television, record labels are beginning to rely on YouTube as the most effective method for reaching younger audiences. As Dawn C. Chmielewski, an entertainment writer for the Los Angeles Times explains, its not just musicians that are getting a boost from this new practice, but also some of the self-made tastemakers who have become YouTube stars.
Television networks are also beginning to love technology, specifically DVRs. Though the industry has long despised the timeshifting devices which allow viewers to skip commercials, executives are once again discovering how they can significantly boost ratings.
Meanwhile, more details are emerging about why the film adaptation of “Fifty Shades of Grey” lost its male lead. Beyond being uncomfortable with his new found stardom, Charlie Hunnam was also pushing for script revisions according to some reports.
Of course, we also cover the week’s top entertainment news stories including why the creators of “South Park” missed the deadline for their latest episode, “The Lion King” becomes Broadway’s first billion dollar production and the hit television series “Glee” announces its final season.
Podcast: Play in new window | Download
Showbiz Sandbox 205: Awards Season Commences With Stellar Telluride and Toronto Film Festivals
September 16, 2013
Four of the last five films to win Best Picture Oscars first appeared at the Telluride Film Festival before officially premiering the following week at the Toronto International Film Festival. Anne Thompson from Indiewire attended both festivals this year and fills us in on the big movies everyone will be talking about during the upcoming awards season.
This past week also saw the death of Ray Dolby, the audio pioneer who founded Dolby Laboratories to advance the art of motion picture sound. We debate whether the film industry is now discouraging future inventors from working in the space.
Meanwhile, revenue from digital movies and television shows continues to climb, up 24% this year alone. Unlike theatrical box office though, studios have remained tight lipped when it comes to providing actual sales figures, fearing actors and filmmakers will want a bigger cut.
Of course, we cover the week’s top entertainment news stories including the big winners at the Creative Arts Emmy Awards, a racy Miley Cyrus video that racked up YouTube records and J.K. Rowling spins-off Harry Potter.
Podcast: Play in new window | Download
Showbiz Sandbox 203: Star Trek Blu-Ray Leaves Frustrated Fans Lost In Space
September 2, 2013
In what seems to be an attempt to bolster sagging DVD and Blu-ray sales Hollywood studios have begun offering “retailer exclusives” on releases of their hit titles. “Star Trek Into Darkness” is the latest example of how different versions of a movie are being paired with varying sets of special features based on which store the disc is being sold. Trekkies will have to purchase duplicate copies of the latest installment in the franchise in order to collect all the bonus material.
Singers Robin Thicke and Miley Cyrus pulled a stunt of their own which helped twerk record sales. Cyrus set tongues wagging with her racy performance that MTV Video Music Awards, but she may be laughing all the way to the bank since her on-stage gyrations have helped boost sales of her new single.
YouTube is filled with user generated videos featuring hit songs by Thicke and Cyrus. If you use these recordings in the wrong way, you could get a takedown notice for copyright infringement. One music publisher however, may have picked a copyright fight with the wrong legal scholar.
Of course we also cover the week’s top entertainment news including the retirement of a legendary animator, Netflix’s foray into stand-up comedy and Hollywood’s big legal victory over a popular file sharing service.
Podcast: Play in new window | Download
Showbiz Sandbox 201: Why CBS Is Winning The Battle (And The War) Over Cable Television
August 12, 2013
For the past two weeks Time Warner Cable has been blacking out CBS networks in New York, Los Angeles and other major markets over a retransmission dispute. Despite losing more than 3 million households ratings on CBS have remained steady giving the network no reason to back down from its demands. With the new television and football seasons set to begin in September Time Warner Cable may have no choice but to cave in to CBS’ terms.
Meanwhile, this summer’s blockbuster movies continue to underperform at the box office with Disney announcing they may have to take a $190 million write down on losses from “The Lone Ranger”. Actor Johnny Depp and producer Jerry Bruckheimer have figured out who to blame for the movie’s failure; vengeful American film critics.
After being publicly trashed by George Clooney, activist investor Daniel Loeb was unable to convince Sony to spin-off its entertainment divisions. Even so, Loeb says he’s pleased since the company’s stock price is up and its management more accountable to shareholders.
Of course we also cover the week’s top entertainment news including a lost film from Orson Welles, a new ending for the “Finding Nemo” sequel and the surprising new owner of The Washington Post.
Podcast: Play in new window | Download
