Showbiz Sandbox 534: Do All The Streaming Numbers Add Up?
March 23, 2021
With world-wide subscriptions surpassing 1 billion last year, every movie studio and every television network is pouring money into streaming video services. They’re hoping to make more money with subscribers than the untold billions they’ve been raking in for decades at the box office, through advertising, in syndication or sales of Blu-Rays. And while these services are quick to tell us how many subscribers they have, it’s anyone’s guess as to how many people are actually tuning in to their programming.
Theatrical box office is another statistic that has gotten harder to track during the pandemic with many distributors delaying the reporting of grosses. Even so, the Motion Picture Association added up all the numbers for 2020 and reported that global box office was down over 70 percent to $12 billion.
Of course we also cover some of the week’s top entertainment headlines including the NFL’s new relationship with Amazon, Hollywood agencies are getting into celebrity estate management and a trip to this year’s SXSW Film Festival.
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Showbiz Sandbox 533: Behind The Scenes At The Most Challenging Grammys Ever
March 16, 2021
Working within strict health and safety guidelines the producers of the 63rd Annual Grammy Awards telecast were uncertain how the show would come together or even when it would take place. David Wild knows this first hand. He was the lead writer and one of the producers on this year’s show. Wild joins us to detail all the challenges of pulling off music’s biggest night amidst a global pandemic.
Meanwhile, nods for outstanding achievements in motion pictures were announced en masse over the past week with the BAFTAs, Cesars, Directors Guild, American Society of Cinematographers and many more leading up to, finally, this year’s Oscar nominations.
Of course we also cover some of the week’s top entertainment headlines including a trip to this year’s Berlin Film Festival, how Drake is dominating the music charts and Disney+ continues its staggering growth.
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Showbiz Sandbox 510: Studios Play Hide and Seek With Box Office Data
September 15, 2020
Now that new movies are once again playing in reopened cinemas, studios are reluctant to report their pandemic crippled grosses lest their films be deemed publicly as financial flops. At least two studios are delaying box office reports of their latest releases in what many industry insiders fear is a new trend. Is it appropriate for distributors to break with a decades old tradition of reporting weekend grosses in the midst of COVID-19 or do they have the right to keep box office on their titles confidential?
Meanwhile, the Academy of Motion Picture Arts and Sciences announced a new diversity initiative for the Oscars. Now for a film to be eligible for the Best Picture category it has to meet at least two of four diversity requirements. It’s a thoughtful move, even if almost every film made in the last ten years can easily meet the new requirements
Of course we also cover some of the week’s top entertainment headlines including why Disney’s “Mulan” is stirring up unwanted controversy, a major talent agency finally agrees to the Writers Guild code of conduct and sales of vinyl records surpass compact discs for the first time in over 30 years.
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Showbiz Sandbox 499: The Problems Facing Movie Theaters After They Reopen
June 23, 2020
Though the COVID-19 pandemic is far from over, cinemas around the world are making plans to reopen having to take health and hygiene into consideration. In laying out their new safety protocols some theater chains are stumbling in how they make moviegoers feel comfortable with the idea of returning to the cinema. Yet, the real challenges facing exhibitors will come after they reopen.
Then there is the uncertainty of what new movie releases will be available once theaters do turn on their lights, Titles such as Christopher Nolan’s “Tenet” keep getting delayed as large markets such as China are showing no signs of reopening cinemas.
Of course we also cover some of the week’s top entertainment headlines including how BTS made millions performing a concert despite nobody showing up in person, DC Comics gets into podcasting and a popular video game sets a new standard for making the medium accessible to disabled people.
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Showbiz Sandbox 498: Comic Book Industry Fights For Survival, Meanwhile China and US Simply Fight
June 16, 2020
While the coronavirus has shut down movies, concerts and live theater, it has absolutely decimated the comic book industry. Pop culture journalist Geoff Boucher joins us to look at the future for comic book stores and comic book movies. Spoiler alert – one of these is in dire straits.
Currently, Boucher is co-authoring a book on the Marvel Cinematic Universe and Marvel Studios. And this week he’s launching another his own podcast hosted by the legendary comic book magazine Heavy Metal.
Meanwhile, Chris Fenton, a longtime exec in Asia and the author of “Feeding The Dragon,” wrote a piece for Real Clear Politics saying Hollywood and China are headed for a divorce…but he explains why they should make certain it a conscious uncoupling.
Of course we also cover some of the week’s top entertainment headlines including how media companies are jumping on the Black Lives Matter bandwagon, SAG-AFTRA reaches a new deal with producers avoiding a strike and the Oscars update their rules for the Best Picture category.
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Showbiz Sandbox 492: Hollywood Players Battling Pandemic… And Each Other
May 5, 2020
Even when times are good and profits are up, some of Hollywood’s biggest stakeholders don’t always get along. For over a year now the Writers Guild of America has been duking it out over television packaging fees with the Association of Talent Agencies, suing three of its largest members; United Talent Agency, William Morris Endeavor and Creative Artists Agency. Entertainment attorney and Hollywood Reporter contributing editor Jonathan Handel fills us in on the latest court rulings in the dispute and why things aren’t looking good for the WGA.
Meanwhile, cinema operators were already upset with Universal Pictures for releasing “Trolls World Tour” via premium video on demand, skipping a theatrical release due to the coronavirus pandemic. Now the studio announced plans to release its future movies on PVOD at the same time as they hit theaters, causing a few chains to boycott Universal’s titles. Film distribution veteran Jim Amos of Scout 53 breaks down the argument for us and tells us how he thinks it will be resolved.
Of course we also cover some of the week’s top entertainment headlines including new rules for the Oscars, global music industry revenue continues to grow (for now) and without sports to broadcast should ESPN still be charging cable subscribers?
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Showbiz Sandbox 481: Catty Jokes At Oscars Spur Backlash
February 17, 2020
When James Corden and Rebel Wilson strutted onto the Oscar stage dressed as characters from the film adaptation of the Broadway musical “Cats” it garnered sincere laughter from the audience. However, the duo went on to mock the visual effects of the film which they happened to star in, generating a bit of fallout. Turns out there’s a real life sad ending to the story.
Fresh off it’s Oscar win for Best Picture, “Parasite” soared at the box office. Does the film’s success, not to mention the explosive popularity of international TV shows on Netflix, mean audiences in the United States will finally catch up with the rest of the world and embrace subtitles?
Of course we also cover the week’s top entertainment headlines including the controversy over this year’s Cesar Awards in France, the streaming company Roku continues to grow and satellite radio giant Sirius XM invests in SoundCloud.
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Showbiz Sandbox 478: Setting Records at Sundance and the Grammys
January 27, 2020
With the Winter Olympics causing an abbreviated and frantic awards season, the film took a brief respite from Oscar-talk to head to Park City, Utah for this year’s Sundance Film Festival. We give you an update on all the hot titles and buzz being generated at this year’s festival, including a record breaking price for a Sundance film.
Meanwhile, the Grammys were held under a scandalous cloud due to the fallout from the Recording Academy dismissing its top exec, Deborah Dugan. The evening belonged to 18-year-old Billie Eilish who became the youngest person to win four of the top awards at the event including Best Pop Vocal Album, Best New Artist, Record of the Year, Song of the Year and Album of the Year.
In China, the Chinese New Year usually marks the highest grossing week on the calendar, however not this year. A highly contagious virus caused the government to quarantine large cities and the country’s cinema chains shuttered out of precaution leading to a loss of hundreds of millions yuan.
Of course we also cover the week’s top entertainment headlines including why country radio stations won’t play female artists, more talent agencies sign on to the Writers Guild code of conduct, and Netflix continues to gain subscribers.
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Showbiz Sandbox 476: Four Movies Top This Years Oscar Nominations
January 14, 2020
When the nominations for the 92nd Annual Academy Awards were announced on Monday morning, for the first time in history four films wound up earning ten or more nods; “1917,” “The Irishman,” “Joker,” and “Once Upon a Time… in Hollywood.” While the media will focus on who was snubbed or the lack of diversity among nominees, the real story is just how wide open this year’s highly competitive Oscar race truly is.
Will this be the year that Netflix wins a Best Picture trophy? They wound up earning more total nominations than any other studio (or streamer). As well, a record 62 women received nominations, though filmmaker Greta Gerwig was overlooked as a director for “Little Women”.
Meanwhile, as CES wrapped up in Las Vegas last week a new standard could make televisions a lot friendlier when it comes to showing movies. And Jeffrey Katzenberg showed up to tout his new short-form video streaming service.
Of course we also cover the week’s top entertainment headlines including “Hamilton” closes in Chicago after earning $400 million, some drama in the romance literary world and streaming music hits an all time high.
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Showbiz Sandbox 469: Hollywood Unions Set For Fight Over Streaming Residual Payments
November 17, 2019
As television networks turn from linear broadcast methods to consumer streaming platforms a brewing battle over residual payments has the potential to spark a dual union strike in the middle of next year. Jonathan Handel, an entertainment attorney and a contributing editor at The Hollywood Reporter, joins us to discuss how the lack of data coming from streaming giants could lead to a standoff between major guilds and producers.
Indeed, in mid-2020 the master contacts between the Alliance of Motion Picture and Television Producers and the Directors Guild of America, The Writers Guild of America and SAG-AFTRA are set to expire. By now negotiations on new contracts would be well underway. Instead talks have stalled as unions try to revise the formulas used by streamers to make residual payments to their members. Given the timing, it’s a perfect storm for a potential massive industry work-stoppage.
Meanwhile, the Broadway musical “Tootsie” is closing long before it recoups its production costs. Michael Riedel of the New York Post has a host of reasons for why this critic’s darling didn’t click, however only one of them makes sense; the show’s music wasn’t all that great.
Of course we also cover the week’s top entertainment headlines including how Amazon has followed Netflix in deciding not to publish box office figures for its films, George Lucas revises the original “Star Wars” once again and Taylor Swift gets into a public spat with her former record label.
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