Showbiz Sandbox 175: Fixing Electronic Oscar Voting In One Easy Step

When the Academy of Motion Picture Arts and Sciences announced it would allow electronic voting for this year’s Oscar nominations many industry insiders felt it was long overdue.  However with a median age of 62, the Academy’s membership may not be ready to cast ballots online.  Heck, some members don’t even have computers.

Now reports have emerged that the Academy’s electronic voting procedure has hit a few speed bumps.  Members have had password problems and those that were able to log into the voting system found it difficult and complicated.  Some fear that voting for the Oscars will reach an all-time low.  Yet there may be a very simple way to overcome some of the security concerns the Academy and its members have in casting online ballots.

The National Film Registry cast a vote of their own last week, adding 25 films to its archives in the Library of Congress, declaring them culturally, historically or aesthetically significant.  Unfortunately this doesn’t necessarily mean these films will actually be preserved.

Of course, we cover the week’s top entertainment headlines, including a lucrative holiday box office, big changes for “The Walking Dead” and a historical court ruling for screenwriters.

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Showbiz Sandbox 174: Is “The Hobbit” A Death Knell for 3D Movies?

All of the talk surrounding the release of “The Hobbit” was over high frame rate and whether audiences would reject a crisper image. It may have been more appropriate to discuss whether audiences have already shunned 3D. Only 49% of audiences chose to see the film in 3D over opening weekend. If moviegoers aren’t willing to see a film shot and meant to be seen in 3D, is the format ultimately doomed?

“The Hobbit” was noticeably absent on a number of important year-end top film lists. Nor was it among the nominations for the Golden Globes and SAG Awards, which were announced last week.

The fantasy book from “The Hobbit” is adapted has been a perennial best seller, but with the explosion of e-book readers future generations may not even know what a book is. Can e-books and print co-exist?

Of course we also cover the week’s top entertainment headlines including this year’s Rock Hall of Fame inductees, the top grossing concert tours of 2012 and (finally!) an end to loud television commercials.

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Showbiz Sandbox 98: Why New Distribution Models Terrify Hollywood

Movie studios, television networks and record labels still haven’t updated their business models to account for video and music streaming services like Netflix and Spotify. Now companies such as Amazon, Google and Apple plan on introducing a whole new group of media subscription services. With premium video-on-demand on the horizon it’s no surprise the entertainment industry is concerned about all these disruptive distribution methods.

One of the biggest players in the current content licensing wars has been Netflix. Showtime and Starz began pulling shows from the video rental giant, while Fox and Paramount offered up popular series and hit movies. Cable operators have also entered the fray by allowing viewers to watch live television on mobile device apps.

The creator of “Mad Men” was embroiled in his own fight with AMC and Lionsgate over the future of the series. In the end, Matthew Weiner was able to reach an agreement on a new contract, though new episodes won’t air until 2012.

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Showbiz Sandbox 67: Cheap Digital Music Downloads Are On (Arcade) Fire

The indie rock group Arcade Fire topped the album charts for the first time in their career with the release of their third album “The Suburbs” which moved more than 156,000 copies in its first week. However more than 97,000 of those albums were sold digitally at significantly reduced prices. Are digital music downloads devaluing music? Todd Martens, a music reporter with the Los Angeles Times, joins us to explain how digital downloads are affecting the music industry.

Speaking of digital media, Netflix entered into a $900 million deal with Epix which will allow them to stream films from Paramount, MGM and Lionsgate starting in September. Meanwhile the popular television streaming website Hulu is rumored to be investigating an IPO.

Sylvester Stallone may have shown up just in time to save Lions Gate with “The Expendables” which came in first at the box office, but “Scott Pilgrim vs. The World” proved a disappointment despite earning rave reviews.

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Showbiz Sandbox 33: “Avatar” Is A $100 Hamburger

James Rocchi was one of the lucky entertainment journalists invited to the “Avatar” premiere and press junket in London and he joins us this week to tell us all about it. Rocchi also helps us dissect all those year-end “Top 10” critics lists, not to mention one that rates the year’s best unproduced screenplays. Who do you think will be on the red carpet at Oscar time?

And the Best of 2009 lists extend into television and music territory as well. The Los Angeles Times rounded up the TV winners and losers for the season (and we compare them to our own predictions for this year’s television series from Episode 22). Meanwhile, SoundScan released the best selling albums and artists of the decade. Guess how many of them were released before 2002? Listen to the podcast to find out.

We sail through some of the week’s top entertainment news headlines in our Big Deal/Big Whoop segment, including the possibility of a “Ghostbusters 3” sequel in the works. Read more

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Showbiz Sandbox 31: Blind Sided By Adam Lambert’s Double Standard

While we all still may be sluggish from all the turkey and stuffing on Thanksgiving, the North American box office sure wasn’t. It set a record for the Thanksgiving holiday weekend as once again “The Blind Side” surprises everyone. The Sandra Bullock movie defied expectations to earn another $40 million over the five-day period, almost topping “The Twilight Saga: New Moon” as the winner this weekend. Proof positive that Sandra Bullock is a movie star.

So is George Clooney, whose “Up In The Air” opens on Friday. According to Claudia Eller of the Los Angeles Times the film is proving to be a marketing challenge for its distributor, Paramount. Apparently the studio is afraid Jason Reitman’s humorous drama about corporate downsizing may touch a raw nerve. But how could this critically acclaimed movie be a marketing challenge? We’ve got two words that might help Paramount’s advertising campaign: George. Clooney. Sheesh, maybe we should be marketers.

Actually, maybe we should become linguistics experts instead. USC linguistics professor Paul R. Frommer was brought in by James Cameron – writer and director of a little upcoming release called “Avatar” – to develop the language of the 10-foot tall blue Smurfs – um. . . aliens – who inhabit Pandora, the setting for the film’s conflict.  Read more

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Showbiz Sandbox 26: Hollywood Struggles With New Business Models

Freelance entertainment journalist Todd Gilchrist joins us this week to talk about movies, music, and journalism. (But he recused himself from discussing TV because he doesn’t watch a lot of it. [gasp!]) Fine. We’ll start with movies then.

“Paranormal Activity” took over the box office this week. The film has been so well received that Paramount, which distributed the film, may produce a sequel. If a film is this successful, is a studio almost obligated to make a sequel? (And will it be as bad as “Blair Witch 2: Book of Shadows”?)

In other news involving Paramount , the studio has angered members of the National Association of Theatre Owners by releasing “G.I. Joe: The Rise of Cobra” on DVD only 88 days after its theatrical run. It also set the Jeremy Piven comedy “The Goods: Live Hard, Sell Hard” for DVD-rental release 88 days from its theatrical bow, not that anyone wants to see it. “We don’t know what Paramount is up to,” NATO president John Fithian said. “But it’s highly objectionable.”  Read more

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Showbiz Sandbox 17: Twitter Makes Movie Critics Important Again

Anne Thompson of “Thompson On Hollywood” joins us again this week, with big news of her own: Her blog is now a part of the indieWire network, where she will shine the Hollywood light on outlet which has traditionally covered the indie scene. Thompson can now be read at http://blogs.indiewire.com/thompsononhollywood, and you can always follow her on twitter at twitter.com/akstanwyck.

Speaking of Twitter, is the social media platform responsible for the successful opening weekend of “Inglorious Basterds”? “Bruno” and “GI Joe” plummeted at the box office within their opening weekends, and box office watchers posit that social networking sites such as Twitter and Facebook have a lot to do with it. Bad news travels fast. Obviously so does good news – and the best news is that studios may have to start making – gasp – watchable movies!

Friday, August 21st was Avatar Day, when fans could hustle over to their nearest IMAX theatre to watch 16 minutes of 3D footage from James Cameron’s “Avatar.” Read more

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Showbiz Sandbox 9: I Loves Me A Good Ouster Story

Entertainment journalist Michael Giltz provides his insight and wit again this week.

“The Proposal” topped the box office, and was Sandra Bullock’s biggest movie opening ever. Which begs the question, why is this not also “a Ryan Reynolds movie”? Sean Penn is taking a year off for some “personal time,” or perhaps he just wants to get out of “The Three Stooges.” Other people taking time off are Steven Soderbergh and Brad Pitt, after Colombia Pictures President Amy Pascal pulled the plug on the Steven Zallian-scripted “Moneyball” which was set to shoot on Monday, June 22. Sam Mendes is having better luck, having just signed a two year deal with Focus Features, and he will direct the film adaptation of George Eliot’s classic “Middlemarch.”

It was a shoot ‘em up between NY Post Critic Lou Lumenick and Universal over Lumeneck’s early review of “Public Enemies.” Turns out there was an embargo on when the reviews could be published. Lumenick claims he didn’t know that, but according to Michael Giltz, it’s a rule of thumb that all reviewers know. Read more

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