Showbiz Sandbox 179: How To Gamble And Win On Broadway
January 28, 2013
This year alone there are at least 15 new shows being mounted on Broadway including adaptations of movies such as “Diner” and “Big Fish”. At one point or another all were in search of financial backing, however well known productions with big name stars often don’t pay dividends. We review which upcoming stagings smart, experienced Broadway investors should be banking on.
A very successful Sundance Film Festival came to an end last week as distributors left Park City having acquired a dozen or more independent films. We discuss the reason behind the frenzied sales activity and why some films came with steep seven-figure price tags.
Since we’re on the subject of paying out or investing money, it looks as if the cable bill for Los Angelenos will be going up again thanks to the L.A. Dodgers deal with Time Warner Cable for a new sports channel. Does one market really need six sports networks. More importantly, why are the customers in a single market forced to pay for them whether they want them or not.
Of course we also cover the week’s top entertainment news including Warner Bros. new CEO, JJ Abrams signs on to direct the new “Star Wars” and Fox begs viewers to use their DVRs.
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Showbiz Sandbox 155: How Hollywood Handles A Real-Life Tragedy
July 24, 2012
The ripple effect caused by a deranged gunman last week at a midnight showing of “The Dark Knight Rises” spread far beyond the scene of the crime in Aurora, Colorado. Warner Bros. had to instantly pivot from celebrating the studios biggest opening of the year to managing a horrific nightmare which left 12 people dead and dozens injured. We examine how the studio and the entertainment industry have dealt with being part of such a tragic event.
On a happier note, at least for cable networks, the Emmy nominations were announced last week for the year’s best achievements in television. The major broadcast networks, which used to dominate the awards, were entirely shut-out in certain categories. Is this merely a fluke, or has the tide truly shifted to cable programming?
Meanwhile, author Brett Easton Ellis has been in a public feud with Deadline Hollywood editor Nikki Finke, all thanks to a simple posting on Twitter. We’ll fill you in.
We also cover all the week’s top entertainment headlines including some sequels to popular Pixar films, an executive shake-up at News Corp. and the newest judge on “American Idol”.
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Showbiz Sandbox 154: Understanding Comic-Con’s Tribe Mentality
July 17, 2012
Last weekend self-professed geeks made their annual pilgrimage to San Diego for Comic-Con. There’s no better person to speak with about the world’s largest pop-culture convention than Los Angeles Times writer Geoff Boucher. His Hero Complex blog has become a must-read for those attending “the Con” and he fills us in on all the big news coming out of this year’s show.
Boucher also had a professional and somewhat personal relationship with producer Richard Zanuck who unexpectedly passed away last week at the age of 77. The executive behind such films as “The Sound of Music” and the producer of movies like “Driving Miss Daisy”, Boucher provides a unique perspective on what Zanuck was really like.
Meanwhile in the world of television, the war over carriage fees has heated up once again. This time Viacom has pulled its 26 networks from DirecTV and AMC has yanked its programming from Dish.
We also cover the week’s top entertainment headlines including Bruce Springsteen’s curfew, the exodus of judges from “American Idol” and why you should see the “The Dark Knight Rises” in Imax.
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Showbiz Sandbox 144: Measuring Media Proves Difficult In The Digital Age
April 9, 2012
Whether trying to figure out how many users the streaming music actually has or why audiences have abandoned television shows in the ten o’clock hour, it turns out keeping track of media metrics often requires fuzzy logic.
In one instance the ratings for CNBC in the 18 to 49-year-old demographic plummeted when three people included in Nielsen’s measurement sampling turned 50. Meanwhile, Billboard’s new formula for ranking singles caused Justin Bieber to narrowly miss hitting the number one spot.
There have been no problems counting money at movie theater and Broadway box offices. “Hunger Games” has helped movie grosses continue their record setting pace for the year and over on the Great White Way, three musicals pulled in over $2 million during Easter break.
Of course, we also cover the top entertainment headlines from the past week, including Ryan Seacrest’s Olympic efforts, Vince Vaughn’s bad timing and YouTube’s confusing relationship with Viacom.
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Showbiz Sandbox 131: Broadway Flops Find New Life On The Road
January 9, 2012
Even the worst Broadway flops can wind up turning a profit once they begin touring in cities throughout the world. Patrick Healy, the theater news and features reporter for the New York Times, explains how sometimes it doesn’t matter if you make it big on the Great White Way, provided you’re a hit in Buffalo. He also provides a glimpse at what we might see at this year’s Tony awards.
Speaking of awards, the Director’s Guild, Writer’s Guild and Producer’s Guild announced their nominations for end-of-year accolades, helping to further define which films might be in the running for this year’s Oscars. Still, there doesn’t seem to be a front runner for Best Picture.
Music sales were up in 2011 for the first time since 2004. As expected, the sale of digital albums rose significantly as CD’s and other physical copies continued to decline.
Of course, we cover all the week’s top entertainment news including Van Halen’s reunion tour, new trouble for Netflix and the resignation of Disney’s marketing head.
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Showbiz Sandbox 109: Making Grammar Fun (And F*cking Funny)
June 27, 2011
When Chris Baker isn’t working on Madison Avenue for a big advertising firm, he is creating some of the world’s most exclusive websites… literarily. TheWorldsMostExclusiveWebsite.com only lets verified celebrities and big wigs past the home page. His website M. Night School is crowd-sourcing enough funds to send director M. Night Shyamalan back to film school. Baker joins us to discuss his latest effort, “The Elements of F*cking Style
After this past weekend, Baker may want to send Pixar back to film school. “Cars 2”, the company’s highly anticipated sequel to their blockbuster “Cars”, was given a drubbing by critics. However, critical acclaim may not matter for a film that earns $2 billion a year in merchandising.
At least nobody’s forcing you to see “Cars 2”. That might not be an option in China where the government is “suggesting” that everyone see “Beginning of the Great Revival,” a propaganda film disguised as a historical epic detailing the founding of China’s Communist Party.
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Showbiz Sandbox 85: How To Save The Movie Business
December 27, 2010
In an age of video on demand and mobile computing, the traditional method for releasing films doesn’t seem to be working. As ticket prices rise, moviegoing and ticket sales are declining. Even worse, the fastest declining segment of moviegoers is young adults who can’t find movies that speak to their generation. Independent producer Cotty Chubb has proposed a potential solution to the problem, but it requires the participation of reluctant theater operators.
In a open letter to Relativity Media topper Ryan Kavanaugh published on IndieWire, Chubb suggests that riskier movies be released “day-and-date” at lower prices not only in theaters but on multiple platforms such as DVD and iTunes. He joins us for an in-depth discussion about his plan and how to bring audiences back to the movies.
As 2010 comes to a close we take a look at some of the year’s highest grossing and most pirated films. We also say goodbye to our co-host Karen Woodward whose career as a social media consultant has truly taken off.
Of course, we cover the week’s top entertainment headlines during Big Deal or Big Whoop, including the latest news from the Broadway version of “Spider-Man”, a delay in the next “DaVinci Code” movie and Steven Soderbergh’s rumored retirement. Our Inside Baseball topic focuses on SoundExchange and the music industry’s rising digital fortunes.
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Showbiz Sandbox 79: A New Social Music Chart To Rival Billboard?
November 16, 2010
Media measurement company BigChampagne believes that ranking songs and musicians based on radio airplay and record sales is an antiquated method. Joe Fleischer, the company’s Chief Marketing Officer, explains how they’ve added social platforms such as YouTube, Facebook and Pandora into the mix to create the Ultimate Chart, a new music chart giving industry heavyweights Billboard and Soundscan a run for their money.
Speaking of media metrics, the biggest entertainment launch in history occurred last week and it wasn’t a James Cameron movie. In fact, it wasn’t a movie at all, but a video game. “Call of Duty: Black Ops” earned a record setting $360 million in its first day alone.
If that’s not strange enough for you, the biggest headlines coming out of the Country Music Awards may not have been from winners Miranda Lambert and Blake Shelton or even the red hot Taylor Swift. Instead it was actress Gwyneth Paltrow who performed the title song from her upcoming movie “Country Strong”. Paltrow proved she can really belt out a tune, though whether that helps rehabilitate her career or image remains to be seen.
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Showbiz Sandbox 60: Reality TV Doesn’t Kid Around
June 28, 2010
If you are a minor working on a reality television series it turns out there are no child labor laws that protect you. A month long investigation by the Los Angeles Times found dozens of kids appearing on reality programs without legal safeguards due to widespread uncertainty about how to classify the shows. Times staff writers Matea Gold and Richard Verrier reveal that most of the popular shows had not obtained work permits to employ minors. Gold joins us this week to provide all the details.
It was good news and bad news at the box office. Good news for “Toy Story 3”, which finished in first place for the second week and bad news for Tom Cruise, whose latest movie, “Knight and Day” didn’t open to boffo numbers. If you’d like to place a bet on how much Cruise’s next movie might make, you might never get the chance. The U.S. Congress is set to pass a financial reform bill that would prevent two box office futures exchanges from operating.
The government is also getting involved in the annual Lollapalooza festival in Chicago, and not in a good way. The events promoters was subpoenaed last week for an anti-trust investigation. Turns out the “radius clause” in Lollapalooza’s contract is preventing Chicago night clubs from booking musical acts. Maybe Coachella’s booking rules aren’t so bad after all.
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Showbiz Sandbox 46: Hollywood’s Latest Meme Is 3D
March 22, 2010
A “Wimpy Kid” couldn’t beat “Alice In Wonderland” at the box office this weekend. The higher price for 3D tickets has turned “Alice” into Tim Burton’s most successful film. And Hollywood studios have definitely noticed how well audiences are responding to 3D. The new format is so hot that, much to the annoyance of James Cameron, they have gone back to convert some upcoming releases to 3D, such as “Clash of the Titans”.
With thirty three 3D films presently slated for release in 2010 this has managed to create a bottle neck at movie theaters where there is usually only enough room to show one 3D film at a time. It’s gotten so competitive that Paramount has told theater owners that if they don’t play “How to Train Your Dragon” on their 3D enabled screen, they won’t send them a 2D print. But that means “Alice’s” engagement will be cut short. Beginning to see the problem?
While movie theaters don’t have enough 3D screens and too much content, the exact opposite is true in the home. Television manufacturers are selling 3D enabled televisions but there is nothing to watch. Have no fear though, Major League Baseball, NCAA basketball and the PGA Masters all have plans for 3D broadcasts. Read more
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