Showbiz Sandbox 229: Making South by Southwest A Family Affair
March 18, 2014
Countless bands long to play at South by Southwest, the music festival that takes place in Austin, Texas every March. The event has grown into an important showcases for undiscovered, unsigned and fast rising artists. The Family Crest, an indie rock band from San Francisco, is one of the buzzworthy acts that played at this year’s SxSW. Liam McCormick, the group’s songwriter and founding member, joins us to discuss what it’s being officially invited to play at such a prestigious festival.
In an in-depth conversation, McCormick walks us through how The Family Crest has managed to follow through on all the necessary achievements modern bands strive for in search of success; they’ve funded two albums via Kickstarter which feature hundreds of musicians, they’re signed to an indie record label and NPR is touting the group’s music, which of course can be easily found on all the popular streaming services. On top of all that, television series and advertising campaigns have begun licensing their music.
Much like The Family Crest, Disney is doing quite well for itself these days, at least when it comes to Broadway. What’s surprising is that it isn’t one of the company’s hot new productions that’s the highest grossing production on the Great White Way, but rather “The Lion King”, which opened 16 years ago. It’s all thanks to the new trend of dynamic ticket pricing. We’ll explain.
Of course, we also cover the week’s top entertainment news stories including why the NFL is suing M.I.A., Amazon prepares to enter the streaming music business, and “Big Bang Theory” gets renewed for three whole seasons.
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Showbiz Sandbox 228: The Dish On That Disney Deal With Dish
March 11, 2014
After months of rancorous public and legal battles with television networks over their ad-skipping Hopper technology, U.S. satellite provider Dish Network reached a landmark retransmission consent agreement with the Walt Disney Company. The deal calls for Dish to disable bypassing commercials for three days after a show originally airs. In return Dish is getting the rights to provide Disney’s networks via the Internet for any future IP-television offering they might develop.
Meanwhile, the city which has become known for producing movies and television shows is under siege. Not from a foreign invader, but rather Los Angeles (and California) is suffering from what is known as “runaway production” thanks to tax incentives being offered in other states and countries.
Austin Texas has also been invaded over the past week by attendees at the annual South by Southwest festival. Neil Young marked the occasion by announcing Pono, his long awaited high-def music player, along with its accompanying store filled with digital tracks for audiophiles.
Of course, we also cover the week’s top entertainment news stories including Sandra Bullock’s giant “Gravity” payday, television networks start premiering their shows in summer and why time-shifting made HBO’s “True Detective” a huge hit.
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Showbiz Sandbox 226: Back To The Future – Why TV Networks Suddenly Love Old People Again
February 24, 2014
Broadcast television networks are finally catching on to what most of us have known all along; people over the age of 50 actually watch a lot of TV. In a never-ending pursuit to attract younger viewers, networks discovered that baby boomers make up a large portion of their audience. Surely we’ll be seeing a lot more programming meant to appeal directly to this new found demographic.
Maybe some of these new, more mature shows can be turned into movies one day. That seems to be the new trend in Hollywood as studios get set to release two movies that are spun-off from canceled series (“Veronica Mars”) or are have actually already appeared on television as mini-series (“Son of God”).
Speaking of Hollywood studios, it turns out that despite crying poor on a perennial basis, they all managed to make hundreds of millions of dollars in profit during 2013. Not revenue… actual profit.
Of course, we also cover the week’s top entertainment news stories including Cee Lo Green quitting “The Voice”, CNN quitting Piers Morgan and the end of Moviefone’s movie listing service.
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Showbiz Sandbox 219: The Business of Show Was Profitable In 2013
January 6, 2014
Almost every sector of the entertainment industry saw record grosses during 2013. North American movie ticket sales reached a record $10.9 billion. Television audiences are tuning in to more shows than ever, especially sporting events. The top 20 concert tours made a whopping $2.43 billion. It all helped contribute to the bottom lines of many entertainment companies causing their stock prices to end the year on a high note.
The only category in which revenue declined was the music. Even sales of digital music declined for the first time since iTunes was launched back in 2003. Album sales were down 8.4% overall and some industry insiders concede this might be due to streaming services such as Pandora and Spotify.
And financial numbers aren’t the only ones increasing in entertainment. So are the sizes of televisions. They’re not only getting bigger, but the consumer electronics industry is pushing Ultra HD with 4K resolution, which is twice that of current HD televisions.
Of course, we also cover the week’s top entertainment news stories including the death of singer Phil Everly, the expansion and increased usage of UltraViolet and the manufactured controversy behind Martin Scorsese’s latest film, “The Wolf of Wall Street”.
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Showbiz Sandbox 217: In Hollywood You’re Nobody Till Somebody Sues You
December 17, 2013
The entertainment industry is marking the end of 2013 with a flurry of lawsuits all having to do, one way or another, with profit participation. Moguls Harvey and Bob Weinstein have filed suit against Warner Bros. over profits from sequels to “The Hobbit”, a property they originally owned. Then there’s the fired creator of “The Walking Dead” who is suing AMC claiming the network owes him tens of millions of dollars for the hit television series.
Filmmaker James Cameron is no stranger to legal battles since he is constantly having to fend off plagiarism lawsuits. Last week the director said he struck a tax deal with New Zealand to film not one, but three “Avatar” sequels in the country.
Golden Globe nominations were announced last week helping solidify awards season frontrunners such as “12 Years A Slave”, “American Hustle” and “Gravity” among others. Keep in mind, only about 90 international entertainment journalists get to nominate and vote for the Globes.
Of course, we also cover the week’s top entertainment news stories including the new additions to the National Film Registry, the new members of the Rock and Roll Hall of Fame, and how Beyoncé surprised fans with a new album.
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Showbiz Sandbox 205: Awards Season Commences With Stellar Telluride and Toronto Film Festivals
September 16, 2013
Four of the last five films to win Best Picture Oscars first appeared at the Telluride Film Festival before officially premiering the following week at the Toronto International Film Festival. Anne Thompson from Indiewire attended both festivals this year and fills us in on the big movies everyone will be talking about during the upcoming awards season.
This past week also saw the death of Ray Dolby, the audio pioneer who founded Dolby Laboratories to advance the art of motion picture sound. We debate whether the film industry is now discouraging future inventors from working in the space.
Meanwhile, revenue from digital movies and television shows continues to climb, up 24% this year alone. Unlike theatrical box office though, studios have remained tight lipped when it comes to providing actual sales figures, fearing actors and filmmakers will want a bigger cut.
Of course, we cover the week’s top entertainment news stories including the big winners at the Creative Arts Emmy Awards, a racy Miley Cyrus video that racked up YouTube records and J.K. Rowling spins-off Harry Potter.
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Showbiz Sandbox 199: Comic-Con and Hollywood Is A Match Made In Nerdvana
July 22, 2013
Hollywood movie studios are no stranger to Comic-Con, the world largest pop-culture convention attracting 140,000 fans to San Diego each summer. For years they have showed up with new titles hoping to drum up pre-release buzz, though at times such calculated marketing moves have backfired in spectacular fashion. Even so, Entertainment Weekly’s Geoff Boucher says audiences always welcome Hollywood back to the Con with open arms.
Boucher gives us an inside look at this year’s event, filling us in on which movies, television shows and events were huge hits (or misses) with fans. Did the announcement of a film pairing of Superman and Batman go over well with the crowd? Was everyone surprised to see a trailer for the “Veronica Mars” movie.
Last week also saw the Television Academy announce their nominations for this year’s Emmy Awards. The big news was the Netflix series “House of Cards” which earned 14 nominations and marked the first time a show will vie for an Emmy without having aired on broadcast or cable networks.
Of course we also cover the week’s top entertainment news including a public spat over Spotify streaming royalty rates, Keith Olbermann’s return to ESPN and a summer of big box office flops.
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Showbiz Sandbox 197: Studios Suffer A Summer of Blockbuster Flops
July 8, 2013
Hollywood is learning the hard way that big name movie stars don’t always guarantee the success of a tentpole release. This summer at least three mega-budget titles have tanked; Will Smith couldn’t save “After Earth”, Jamie Foxx and Channing Tatum couldn’t rescue “White House Down” and even the casting of Johnny Depp as Tonto wasn’t enough to rustle up an audience for “The Lone Ranger”.
On the other hand, filmmaker Lee Daniels’ next film may not have a blockbuster-size budget, but it does feature an all-star cast that includes the likes of Forest Whitaker, Robin Williams and Oprah Winfrey. Now all it needs is a new name, since a 1916 Warner Bros. short has already laid claim to “The Butler” causing Daniels and distributor The Weinstein Company to call out the lawyers.
Meanwhile, as we await the court’s verdict in the Justice Department’s antitrust lawsuit against Apple over the pricing of e-books, it turns out Amazon has quietly been raising the ante on a lot of titles, especially those from academic and small presses.
Of course we also cover the week’s top entertainment news including the Academy’s new members, Jennifer Lopez in Turkmenistan and the cost of purchasing a Tony Award.
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Showbiz Sandbox 196: Hollywood’s Frivolous Five Year Plan
June 24, 2013
Hollywood movie studios have a history of announcing the release date for big tentpole films a year or more in advance. The goal has always been to secure a prime weekend that will force the competition to stear clear. Lately however studios have taken to scheduling releases five years in advance. With some untitled projects yet to start production or even complete a script, it appears that release dates are more important than the movies themselves.
With longstanding geographic monopolies in-place cable companies rarely have to worry about competition, other than from satellite providers. That may be why Time Warner Cable is facing a class-action lawsuit which claims customers, especially non-sports fans, are being forced to pay for the company-owned sports channels to help offset the cost of expensive licensing deals.
Speaking of lawsuits, the government wrapped up its anti-trust case against Apple over the fixing of prices for e-books. While the Justice Department went into the trial looking like a winner, in the end Apple may have proved it was innocent of any illegal activity.
Of course we also cover the week’s top entertainment news including Robert Downey Jr.’s deal to play Iron Man in the next two “Avengers” movies, Billboard disses Jay-Z and Warner Bros. shakes up its top executives.
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Showbiz Sandbox 186: Bill Carter of the NY Times on Cable Ratings, Jay Leno and the Shifting Television Landscape
March 18, 2013
Bill Carter of the New York Times has been reporting on the television industry for over 30 years. Who better to ask about why nothing seems to make any sense about this year’s television season? For example, cable shows have been pulling in more viewers than any of the networks. Broadcast networks that were topping the ratings just months ago, are now struggling at the back of the pack. As if that wasn’t enough, it looks as if the battle over late night programming is heating up again.
In a wide-ranging conversation, Carter touches on everything from the reason networks have been cutting back their original programming to why ratings have become so complicated to tabulate (hint: it has to do with DVRs). He explains all the troubles NBC is having not only in primetime, but also with their morning news programming. Carter literally wrote the book on late night television (actually two of them), so his thoughts about which of the ever growing list of hosts is most dominant, and why, is rather insightful.
Meanwhile, the Cannes Film Festival announced the selection of Baz Luhrmann’s adaptation of “The Great Gatsby” as their opening night film. What stunned many Cannes veterans is that the festival would choose a film which will open theatrically in North America just five days before it premieres on the Croisette this May.
Of course, we also cover the week’s top entertainment headlines, including “Django” in China, “Veronica Mars” on Kickstarter and David Bowie’s return to the music sales charts.
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