Showbiz Sandbox 107: The Pros And Cons Of Cloud Music Services

After months of rumors and speculation Apple finally announced their cloud music service last week. Aptly named iCloud, the new service joins similar offerings from both Amazon and Google. Though each of the services has their benefits, no two are exactly alike. Amazon and Google stream music over the Internet and require you to upload your entire music library. Apple doesn’t do any of those things. We dissect the pros and cons of all three services and wonder why anyone really needs them in the first place.

Something else that’s probably not needed is a sequel to “Tron: Legacy” but thanks to a television series spinoff of last year’s sci-fi blockbuster, we’ll probably get one. And it will probably be in 3D like its predecessor even though Dreamworks Animation head Jeffrey Katzenberg is heartbroken over the decline of the format.

The Tony Awards were handed out on Sunday and as we predicted, “The Book Of Mormon” walked off with the most trophies, including Best Musical. But what is a Tony really worth to a Broadway show’s bottom line? We’ll try and find out.

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Showbiz Sandbox 102: Why Music Videos Matter (Again)

Music videos rose to prominence in the 1980s to become on of the most important promotional vehicles for new music. As fans grew tired of watching their favorite musicians lip sync their way through elaborate videos MTV and the like stopped showing them. However, with the advent of inexpensive production equipment and the ability to reach a massive global audience via the Internet, musicians have begun churning out a new crop of innovative, and at times interactive, music videos, revitalizing an art form once written off as extinct.

In other music news, Warner Music Group was finally auctioned off for $3.3 billion. Now there is talk that the record labels new owner might scoop up EMI making Warner Music Group even larger than it is already. Meanwhile, in an attempt to reverse declining box office, concert promoters are trying to win audiences back with cheaper ticket prices and high-end acts.

Flixster and Rotten Tomatoes, two of the Internet’s most popular movie sites, were sold to Warner Bros. We debate whether the move will influence some of the reviews and recommendations the websites have become known for.

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Showbiz Sandbox 96: Why Facebook Is Becoming Your Friendly Neighborhood Video Store

In their never ending quest to replace declining DVD revenue movie studios have begun renting movies on Facebook. Such partnerships are focused on more than just sales, or finding a Netflix competitor, they are also about marketing. As Facebook users rent and purchase movies they’ll be transformed into a social marketing army.

Mel Gibson made headlines again last week accepting a plea deal in his spousal battery case. Whether moviegoers will forgive Gibson for recent ethnic slurs and racist comments will be tested when his next film, “The Beaver”, premieres at the South by Southwest festival in Austin, Texas. Meanwhile, Carlie Sheen, in between streaming his wacky behavior on the Internet, was also headed to court to file a $100 million lawsuit against Warner Bros. and sitcom producer Chuck Lorre.

Julie Taymor joined Sheen on the unemployment line. After spending nine years bringing the Broadway musical “Spider-Man Turn Off The Dark”, Taymor was replaced as the director of the expensive, beleaguered musical.

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Showbiz Sandbox 93: A Film Festival Fit For An iPhone

Innovative filmmakers have taken a liking to iPhones and Flip cameras that can record HD video. They’ve begun churning out creative pieces shot entirely on the tiny devices. Ruben Kazanstev co-founded the iPhone Film Festival to promote some of this new work. He is surprised at how popular the festival has been explains how the project has taken on a life of its own.

Maybe in the future big theater chains such as AMC and Regal will wind up playing movies shot on iPhones. They are taking on the studios by forming a joint venture to acquire and distribute independent films, but is such a move legal?

Charlie Sheen continues to make headlines for his erratic behavior. Many industry watchers are questioning the decision to allow the actor to return to work on “Two And A Half Men” before he tackles his substance abuse problem.

We discuss all the top entertainment news, including this year’s Bonnaroo lineup, Borders’ bankruptcy filing and plans for a Robocop statue in Detroit. During Inside Baseball we discuss how LCD Soundsystem hopes to beat scalpers selling tickets to their upcoming farewell concerts.

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Showbiz Sandbox 81: Kanye West Spins His Own Hype

The week of Thanksgiving is usually slow when it comes to entertainment news, but not this year. There was a horse race at the box office as Disney’s 50th animated feature nearly toppled the seventh Harry Potter film at the box office. “Tangled” received positive reviews and earned an impressive $69 million over the four day holiday weekend.

Also bowing last week was Kanye West’s fifth studio album which is being hailed by critics as a masterpiece. But even before critics had weighed in West had jumped on popular social networking platforms to promote the release and his image. A story in the Los Angeles Times claims the hip-hop star has become a master at creating and controlling his own hype. If that’s the case, then why does West have such a terrible reputation as a troublemaker?

Also trying to promote themselves via social media was Sesame Street’s Cookie Monster. The furry blue “cookie enthusiast” is campaigning to host “Saturday Night Live” starting with a video on YouTube. Don’t laugh too hard though, since “SNL” seems to be where the Oscars are scouting for hosts. Just ask two former SNL guests James Franco and Anne Hathaway who will be co-hosting the 83rd Academy Awards.

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Showbiz Sandbox 79: A New Social Music Chart To Rival Billboard?

Media measurement company BigChampagne believes that ranking songs and musicians based on radio airplay and record sales is an antiquated method. Joe Fleischer, the company’s Chief Marketing Officer, explains how they’ve added social platforms such as YouTube, Facebook and Pandora into the mix to create the Ultimate Chart, a new music chart giving industry heavyweights Billboard and Soundscan a run for their money.

Speaking of media metrics, the biggest entertainment launch in history occurred last week and it wasn’t a James Cameron movie. In fact, it wasn’t a movie at all, but a video game. “Call of Duty: Black Ops” earned  a record setting $360 million in its first day alone.

If that’s not strange enough for you, the biggest headlines coming out of the Country Music Awards may not have been from winners Miranda Lambert and Blake Shelton or even the red hot Taylor Swift. Instead it was actress Gwyneth Paltrow who performed the title song from her upcoming movie “Country Strong”. Paltrow proved she can really belt out a tune, though whether that helps rehabilitate her career or image remains to be seen.

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Showbiz Sandbox 73: Handicapping This Season’s New TV Shows

With the new television season already underway our hosts debate which of the new series will get a full season order from the networks and which won’t make it to October. Will the revival of “Hawaii Five-O” make the cut? What will be the first show to get canceled? Let the arguments begin.

Oliver Stone got passing grades this week with “Wall Street: Money Never Sleeps”. The sequel to his iconic 1987 film topped the box office with just over $19 million. Of course, if Hollywood studios have their way, video-on-demand might start being included in opening weekend numbers. In an effort to supplement sagging DVD sales, the studios are planning to offer movies via premium VOD shortly after their theatrical release. At $25 per film audiences may just be willing to wait a few months.

Meanwhile, shares in Netflix soared when Blockbuster filed for bankruptcy, though the DVD-by-mail powerhouse may be facing some stiff competition as it migrates to a movie streaming business model.

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Showbiz Sandbox 48: The Justin Bieber Swagger

Yet another 3D film release topped the box office this weekend, sort of.  “Clash of the Titans” was actually shot traditionally and had 3D added to it during post-production.  Many film critics and industry insiders are faulting the film’s 3D work, which was performed in only eight weeks.  Neil Feldman, the president and CEO of In-Three, a company that specializes in dimensionalizing 2D films, joins us during our Inside Baseball segment to discuss the difference between good 3D conversions and bad 3D conversions.  For Feldman, it’s all about quality, which he believes Warner Bros. was not concerned with on “Clash”.

Apparently, Warner Bros. also wasn’t concerned with producing a sequel of “The Hangover” when they set out to make the surprise comedy hit.  The studio neglected to put option clauses in the lead actor’s contracts so they are having to pay each of them $5 million to appear in the sequel.  The same may have been true for Twentieth Century Fox and “Independence Day”.  There are now rumors however that the studio has locked Will Smith in for two sequels to the blockbuster 1996 action film.  Unfortunately they are just that… rumors.

Justin Bieber continues to tear up the music charts.  His new album “My World 2.0” debuted in the number one spot and his first album is still at number five.  Read more

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Showbiz Sandbox 37: Conan and Leno’s Late Shift Shrift

It’s official: Simon Cowell will be leaving “American Idol” this season and NBC (finally!) admits that airing “The Jay Leno Show” in primetime five nights a week was a mistake. Cowell is headed off to start a new reality talent show, “X Factor”, while Jay Leno is headed back to his old late night time slot, at least for a half-hour. But where will Conan O’Brien’s tonight show end up? Right now NBC wants to push him back a half hour.

In theaters, “Avatar” just will not go away. It stays firm at the top of the box office again this week. “Daybreakers” staring Ethan Hawke, also did well in its debut, but the Amy Adams vehicle “Leap Year” didn’t leap anywhere.

Meanwhile, the Consumer Electronics Show (CES) tries to sell us on 3D television and video rental service Netflix reaches an important agreement with Warner Bros.

David Colker, a business reporter covering technology for the Los Angeles Times gives us the low down on CES, espcially all the 3D televisions announced at the show (which aren’t even available for sale yet). Do consumers even want 3D television? More importantly, how are we prepared to wear those funny 3D glasses at home? Read more

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