Showbiz Sandbox 505: The Marvel and Mao Effect: A Hollywood Exec Heads to China, Hijinks Ensue
August 11, 2020
In his 17 years as the President of DMG Entertainment Motion Picture Group, Chris Fenton helped bring 20 Hollywood movies to China, facilitating co-productions, financing and distribution on blockbusters such as “Iron Man 3” and “Looper.” In his new book, “Feeding the Dragon,” the former William Morris agent details his time working in the entertainment industry and China. Fenton helps us read the tea leaves about the future for the relationship between the major studios and China.
Meanwhile, the entertainment industry is undergoing some seismic shifts. In a single week the Paramount Consent Decree was killed for good, television packaging is heading into the sunset and theatrical release windows for studio films just collapsed.
Of course we also cover some of the week’s top entertainment headlines including an executive shakeup at NBC, Taylor Swift sets a new chart topping record with her new album and the Eurovision song contest is coming to the United States.
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Showbiz Sandbox 503: An Actor’s Life During A Pandemic
July 21, 2020
Like so many other working actors in New York John Keating saw his world turned upside down by the COVID-19 pandemic. Suddenly, his side gig narrating audio books became a lifeline like never before. We talk to Keating about the impact of the coronavirus shutdown, what it’s like to record an audiobook at home and a new online production of the ghostly tale “The Weir” put together by The Irish Repertory Theatre.
Meanwhile, screenwriters have been locked in a year-long battle with their agents who the scribes claim have placed their own interests ahead of the writers they supposedly represent. Now the peace agreement between the Writers Guild of America has come to an agreement with United Talent Agency which would end packaging deals. Is it just a matter of time before the other big talent agencies follow suit?
Of course we also cover some of the week’s top entertainment headlines including a big promotion for Netflix’s content chief, Ted Sarandos, China begins reopening movie theatres and “Dancing With The Stars” ditches its longtime hosts.
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Showbiz Sandbox 501: Are Movie Studios Starting To Panic?
July 8, 2020
With most of the world’s cinemas having been closed for the past five months due to the coronavirus pandemic, Hollywood studios and other film distributors have been unable to release new movies theatrically. However, even if movie theaters are able to open their doors, will studios be willing to release expensive blockbusters at a time when a new COVID-19 outbreak could shut them down again at any moment?
Meanwhile the Academy of Motion Picture Arts and Sciences invited over 800 new professionals from around the world this year, achieving their goal of diversifying the organization’s membership base.
Of course we also cover some of the week’s top entertainment headlines including the WGA avoids a strike by reaching a deal on a new contract with producers, Beavis and Butt-Head grow up and the United Kingdom pledges to $2 billion for arts programs.
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Showbiz Sandbox 496: Hollywood Jumps On the TikTok Bandwagon
June 3, 2020
Even after the platform helped Lil Nas X turn “Old Town Road” into one of the most successful popular songs of all time, there are some (mostly older) demographics that are unfamiliar with the explosive popularity of the social media platform. Natalie Jarvey, the Senior Digital Media Editor at the Hollywood Reporter, joins us to discuss how TikTok is doing YouTube one better as a launching pad for new talent.
In fact, TikTokers with tens of millions of followers, many of whom are still teenagers, have begun to attract Hollywood talent agencies, record labels and major brands, ultimately leading to big paydays. However, as fast as TikTok became the social media flavor of the moment, could its star fade just as fast.
Of course we also cover some of the week’s top entertainment headlines including which major entertainment conglomerates are backing #BlackLivesMatters during recent civic protests, the Writers Guild of America takes aim at international residuals and “It’s Always Sunny In Philadelphia” sets a new record for a sitcom.
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Showbiz Sandbox 495: Coming Up With A Popular Method To Calculate Streaming Residuals
May 26, 2020
With audiences spending countless hours streaming video during the coronavirus pandemic, and with some movies once bound for cinemas bypassing theaters and going directly to video-on-demand, the issue over residual payments to those that make all the content has once again become a hot button issue. This especially true since global streaming subscription revenue doubled in four years to $37 billion in 2019 and is expected to hit $62 billion by 2024.
Rather than being based on box office, ratings or profits, when it comes to streaming, residuals turned into a low fixed annual payment, no matter how big a hit your series or movie was. Now the Writers Guild of America has proposed a tiered system based on viewership to make sure residual payments reflect the new streaming reality when it comes to the likes of Disney+, HBO Max and Netflix.
Of course we also cover some of the week’s top entertainment headlines including why “Batwoman” lost its star, People magazine heads to television and Joe Rogan’s podcast payday.
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Showbiz Sandbox 490: The Future of Journalism After the Coronavirus
April 21, 2020
Long before the coronavirus pandemic, independent journalism was on life support, especially at the local level. After businesses around the world shut down advertising revenue at media outlets completely disappeared and may never fully return. This is especially true at newspapers and industry trade publications, which have begun cutting staff.
In a wide-ranging interview, Kelly McBride, a senior vice president at the Poynter Institute gives us her take on what journalism will look like after the pandemic. She also discusses her new role as the public editor of National Public Radio, as well as her work advising the Hollywood Reporter.
Of course we also cover some of the week’s top entertainment headlines including when we all might be able to attend a live event again, the latest on the Writers Guild contract negotiations and Netflix hits a new high.
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Showbiz Sandbox 486: Box Office In the Age of the Coronavirus
March 24, 2020
For the first time in history a majority of movie theaters around the world have been closed due to the coronavirus pandemic. That means there is no theatrical box office to collect and analyze. Paul Dergarabedian, a senior media analyst at Comscore, is one of the most widely recognized box office pundits in the world. He joins us to explain not only how the industry is coping without grosses to measure their success and failure, but also what it’s like to sleep in on Sunday morning for the first time in 30 years.
In China, a few cinemas have begun opening back up, though very few people are going. Still this may provide a glimpse of where the rest of the world will be within six months after COVID-19 is under control.
Of course we also cover the week’s top entertainment headlines including how much the entertainment industry (sort of) earned last year and Woody Allen finds a publisher for his memoir.
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Showbiz Sandbox 484: How the Coronavirus Is Roiling the Entertainment Industry
March 9, 2020
Like everyone around the globe, the entertainment industry has been consumed by the coronavirus. The ongoing health issue has pushed back the release date of the latest James Bond film, canceled the SXSW conference and is postponing music festivals. We cover more of the ripple effects of the pandemic including its effect on the worldwide box office.
Not all business has been halted in Hollywood however. The Directors Guild of America reached a tentative agreement with the AMPTP which represents producers and studios. This paves the way for the Writers Guild of America to step in and negotiate their own deal, provided they can ever settle with talent agencies.
Meanwhile, the music industry is finally making serious money again thanks to streaming. In fact, there’s a brand new streaming service in India. Music lovers in Japan though still prefer their compact discs.
Of course we also cover the week’s top entertainment headlines including why Woody Allen lost the publisher of his memoir, the PGA gets a new television deal for all its golf tournaments and Led Zeppelin wins another copyright court case.
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Showbiz Sandbox 482: Entertainment Industry Facing Coronavirus Challenge
February 24, 2020
For the past four weeks the Chinese government has mandated that all of its cinemas remain closed in hopes of preventing further spread of the Coronavirus, also known as COVID-19. Not that anyone would actually show up even if movie theaters were open since a majority of China’s population are avoiding public venues and gatherings. Having the second largest movie market in the world out of business for so long will surely affect the global box office, not to mention release dates.
As the Coronavirus reaches other countries and turns into a full-blown pandemic, cinemas in Northern Italy are shutting their doors in the wake of infestations and the popular Korean boy band BTS moved a press conference for its upcoming album to an online only event, rather than meet journalists in-person.
In the United States, the popular indie-cinema chain Alamo Drafthouse launched its own long-awaited subscription plan. We debate the merits of Alamo’s new program and what theater operators need to consider when adopting such a scheme.
Of course we also cover the week’s top entertainment headlines including soaring occupancy rates for Broadway productions, the United Kingdom embraces streaming in earnest and HBO Max will launch with a reunion of “Friends.”
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Showbiz Sandbox 481: Catty Jokes At Oscars Spur Backlash
February 17, 2020
When James Corden and Rebel Wilson strutted onto the Oscar stage dressed as characters from the film adaptation of the Broadway musical “Cats” it garnered sincere laughter from the audience. However, the duo went on to mock the visual effects of the film which they happened to star in, generating a bit of fallout. Turns out there’s a real life sad ending to the story.
Fresh off it’s Oscar win for Best Picture, “Parasite” soared at the box office. Does the film’s success, not to mention the explosive popularity of international TV shows on Netflix, mean audiences in the United States will finally catch up with the rest of the world and embrace subtitles?
Of course we also cover the week’s top entertainment headlines including the controversy over this year’s Cesar Awards in France, the streaming company Roku continues to grow and satellite radio giant Sirius XM invests in SoundCloud.
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