Showbiz Sandbox 450: Once Upon A Time… in Cannes

May 28, 2019

This year’s Cannes Film Festival will be remembered for presenting a selection of titles from around the world that were, for the most part, really good movies. The premiere of Quentin Tarantino’s ninth film, “Once Upon A Time… in Hollywood,” was one of the highlights, but it was “Parasite” from Korean director Bong Joon-ho that stole the show, as well as the festival’s top prize, the Palme d’Or. We take you to the Croisette in the French Riviera to cover the entire festival and all the films to look out for over the coming months.

Harvey Weinstein used to be one of the movie moguls that showed up in Cannes each May, but these days he’s busy negotiating a reported $44 million settlement with those accusing him of sexual harassment and assault.

Meanwhile, when some of those films from Cannes make it to cinemas, audiences will likely check Rotten Tomatoes to see what critics and moviegoers have to say about them. We give a 95% Fresh Rating to how Rotten Tomatoes plans on protecting their website from being manipulated in the future.

Of course we also cover the week’s top entertainment headlines including a new name for Warner Bros. Records, why film and television productions are boycotting the state of Georgia and Lil Nas X cuts a deal for a new pair of Wranglers.

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Showbiz Sandbox 449: Staying Up Late In Cannes

May 20, 2019

Stories about women empowerment and a growing discontent among the middle or working class have taken center stage at this year’s Cannes Film Festival. A spotlight has also been given to diversity with the 2019 program filled with titles by filmmakers from all over the world, as well as a number of women, including the first female African director. Some selections from legendary filmmakers such as Pedro Almodovar and Terrence Malick are being hailed as masterpieces, despite any dissenting minority.

Keep in mind we are only half-way through the 2019 Cannes Film Festival, which is always a marathon, more than a sprint. Attendees watch hundreds of movies across more than four different categories and, as of this year, the press no longer gets to see the films ahead of their premiere. We discuss what that means for the filmmakers and why journalists may be losing sleep over the new protocol.

Meanwhile, it seems that some talent agencies have begun to sign the Writers Guild of America’s new code of conduct contract, albeit none of them are firms that package television shows or are even in the Association of Talent Agents. Are the agencies going to crack or are writers beginning to realize that maybe agents aren’t as important as they once were.

Of course we also cover the week’s top entertainment headlines including Disney takes full control of Hulu, the entertainment industry continues to work out how or whether to shoot their productions in Georgia and ITV cancels the Jeremy Kyle Show after one of its guests commits suicide.

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Showbiz Sandbox 445: Is Netflix Leaving Money On The Table?

April 22, 2019

There is no arguing that Netflix is doing quite well these days. Even the announcement of heavyweight competition from the likes of Disney and Apple hasn’t affected its stock price nor, more importantly, hampered its subscriber growth. The company added 10 million new subscribers in the first quarter of 2019 alone.

Even so, Netflix may want to rethink their approach to how they monetize their television shows. While their big hits such as “House of Cards” may not be appropriate or too exclusive to syndicate on traditional linear networks, others such as “One Day At A Time” may be a missed opportunity for the streamer to do what it’s never done before: seek more outside revenue.

Meanwhile, this year’s Cannes Film Festival lineup features longtime favorites like Ken Loach and Pedro Almodovar, new favorites like Xavier Dolan and more female filmmakers than in the past. Just don’t look for any movies from Netflix.

Of course we also cover the week’s top entertainment headlines including the continuing dispute between the WGA and talent agents, MoviePass loses 90% of its 3 million subscribers and director Roman Polanski wants back into the Academy.

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Showbiz Sandbox 444: Disney Gets Serious About Streaming

April 15, 2019

From the moment the Walt Disney Company announced they would eventually launch their own video streaming service everyone wanted more detailed information. When would the service launch? How much would it cost? What content would be offered? Last week Disney answered all of those questions during an investor media event.

Disney+, as the service has been named, will launch this November in and will offer hundreds of hours of television and movies, both old and new, for the attractive price of $6.99 per month or $70 per year. Unlike Apple, who announced their own streaming service just a few weeks ago, Disney proved they know how to launch an attractive content platform. Not surprising since they have content from their animation, Marvel and Lucasfilm labels to offer up.

Meanwhile, the Writers Guild of America and the talent agents which represent their membership, are still arguing over the adoption of a new code of conduct which would prevent agencies from collecting packaging fees on new television series. Late last week the WGA asked its members to fire their agents, which many did rather publicly via social media.

Of course we also cover the week’s top entertainment headlines including how Apple Music has topped Spotify (in the United States), the Emmys revise how certain TV shows are classified and Netflix buys a movie theater.
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Showbiz Sandbox 408: CinemaCon Shrugs Off Unwanted Disruptions

April 30, 2018

Movie theater owners from around the world descended upon Las Vegas for CinemaCon last week. Studios wooed exhibitors with clips from upcoming film releases while industry manufacturers lured attendees with the latest technology, including high-resolution LED screens as a method of showing movies to the masses. Much like the subscription service MoviePass, the screens left cinema operators wondering if they were just one more “innovation” nobody had asked for.

Meanwhile “Avengers: Infinity War” broke box office records both in North America and globally when it opened over the weekend. The latest Marvel superhero movie earned over $640 million in just three days, putting it on track to pass the billion dollar mark.

Speaking of “war,” one is brewing between the Writers Guild of America and talent agencies. The WGA wants to cancel their current agency agreements and rewrite them to prevent franchised agents from profiting off of packaging deals with television networks. Such arrangements currently allow agents to double dip and at times earn more than their clients for a project.

Of course we also cover the week’s top entertainment news including Steven Spielberg signing on to direct the movie adaptation of DC Comic’s “Blackhawk,” the next “Star Trek” film lands a female director and Bill Cosby is found guilty of sexual assault.

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Showbiz Sandbox 394: A Golden Globes Ceremony With Perfect Timing

January 8, 2018

Amid a sea of black dresses and black tie Hollywood held its first big annual event of the #metoo age as the Golden Globes became a platform for the industry to speak out on gender inequality. The highlight of the evening came when Oprah Winfrey delivered a rousing acceptance speech for an honorary award that had everyone wondering whether she plans on running for president in 2020.

Meanwhile, estimated financials for 2017 are being tallied and it looks as if the global box office set new highs, thanks in part to the Chinese market which is still rising sharply. In North America however, attendance reached a low that hasn’t been seen in decades generating receipts that declined only slightly.

And just as a new wave of lawsuits threaten to swamp Spotify, the music streaming service looks to cash in with one of the largest direct public offerings ever. Apple music is still trying to catch up to Spotify’s 70 million paying subscribers as Jimmy Iovine, one of their key executives, is reportedly stepping down this summer.

Of course we also cover the week’s top entertainment news including Broadway’s record breaking year, Lady Gaga heads to Las Vegas and John Legend becomes a savior.

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Showbiz Sandbox 364: Hollywood Averts Another Writer’s Strike With Last Minute Deal

May 2, 2017

Though it came down to the wire and took an all-night negotiating session, Hollywood avoided another costly writer’s strike earlier this week. The Writers Guild of America, which represents upwards of 12,000 movie and television writers, came to a tentative agreement with the Alliance of Motion Picture and Television Producers, which negotiates on behalf of Hollywood studios and networks. The three year contract reportedly resolves several issues including the WGA health plan, how long a writer can be held by a television series as well as parity for online and cable residuals.

In other breaking news, the nominations for this year’s Tony Awards were announced, but it is anyone’s guess which of the four productions up for Best Musical will come out on top. The same is true of the four plays, each of which is by an American playwright making their Broadway debut. The only sure thing is that Bette Midler will win the Best Leading Actress in a Musical Award for “Hello Dolly!”

Meanwhile, after a 15 year decline in which global recorded music lost 40% of its value, the music industry is showing signs of life. You can thank streaming. For the second year in a row, music sales worldwide have increased – that includes physical product, digital and income from streaming.

Of course, we also cover the week’s top entertainment news stories including more layoffs at ESPN, “Saturday Night Live” heads to China (sort of) and Ryan Seacrest gets a new television gig.

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Showbiz Sandbox 362: What’s The Flipping Problem With Record Store Day?

April 17, 2017

This year’s Record Store Day is just days away, but what began as a way to support independent record stores has turned into a covert commercial endeavor for those reselling the event’s exclusive vinyl releases at exorbitant prices. Sal Nunziato, a former record store owner himself, joins us to discuss why he’s never been all that fond of the annual promotion.

These days Nunziato is a music blogger and drummer in the band the John Sally Ride. Their new album, “A New Set of Downs” will be released later this year, but in a unique twist, is already available on platforms such as Spotify and Soundcloud. He’ll tell us all about it.

Meanwhile, even though ESPN has lost 12 million subscribers in the past six years, the cable sports network is still very profitable, generating $11 billion per year for its owner, Disney. But with skinny cable bundles and online streaming eating into its subscriber base, ESPN is girding itself for an unknown future.

Of course, we also cover the week’s top entertainment news stories including the launch of YouTube TV, Spotify finally signs a new deal with a major record label, and Harry Potter wins big it at this year’s Olivier Awards.

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Showbiz Sandbox 361: Forget Release Windows, CinemaCon Proves the Screen is the Future

April 4, 2017

Cinema operators gathered in Las Vegas last week to attend the annual CinemaCon trade show where they were able to preview upcoming film releases and learn about some of the new technology on offer for their theatres. Naturally, box office was a big topic with global ticket sales (barely) hitting a record $38.6 billion. Even with a strong U.S. dollar, international box office still made up 71% of the total.

Another issue on everyone’s mind were theatrical release windows; studios want to introduce a premium video on demand offering that brings new releases to the home sooner, though exhibitors are understandably pushing back.

Meanwhile, there may be no movies to show in cinemas if screenwriters goes on strike. The Writers Guild of America has been meeting with producers and studios, however the sides are far apart in their negotiations and a strike is looking more likely.

Of course, we also cover the week’s top entertainment news stories including Robert Downey Jr. as Dr. Dolittle, why major advertisers are upset with YouTube and Adam Sandler reups with Netflix.

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Showbiz Sandbox 310: Diversity Makes A Comeback At Sundance

February 2, 2016

This year’s Sundance Film Festival wrapped up over the weekend in historic fashion by awarding the dramatic competition grand jury and audience prizes to “The Birth of a Nation”, a historical biopic a Virginian slave revolt. The film made headlines earlier in the week when Fox Searchlight purchased the film for a record $17.5 million after beating out Netflix in a heated bidding war.

We’ll tell you about all the big Sundance awards and continue the Oscar season slog, in which this year’s front runners are as mixed up as a Republican presidential primary. SAG added to the confusion, making “Spotlight” this week’s hero, after “The Big Short” looked like a winner the week before.

Meanwhile the Federal Communications Commission is about to vote on ending the monopoly of set top boxes for US cable subscribers, a decision that could have big ramifications for everything from what you watch to the stock prices of numerous tech companies, including Apple and Roku.

Of course we also cover the week’s top entertainment news including Louis CK bypasses television networks and brings his new series directly to viewers, Pope Francis gets ready for his closeup in a feature film and sales of new music were outpaced by catalogue titles over the past year.

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