Showbiz Sandbox 131: Broadway Flops Find New Life On The Road
January 9, 2012
Even the worst Broadway flops can wind up turning a profit once they begin touring in cities throughout the world. Patrick Healy, the theater news and features reporter for the New York Times, explains how sometimes it doesn’t matter if you make it big on the Great White Way, provided you’re a hit in Buffalo. He also provides a glimpse at what we might see at this year’s Tony awards.
Speaking of awards, the Director’s Guild, Writer’s Guild and Producer’s Guild announced their nominations for end-of-year accolades, helping to further define which films might be in the running for this year’s Oscars. Still, there doesn’t seem to be a front runner for Best Picture.
Music sales were up in 2011 for the first time since 2004. As expected, the sale of digital albums rose significantly as CD’s and other physical copies continued to decline.
Of course, we cover all the week’s top entertainment news including Van Halen’s reunion tour, new trouble for Netflix and the resignation of Disney’s marketing head.
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Showbiz Sandbox 110: “Transformers” Proves Mediocrity Makes Money
July 6, 2011
When “Transformers 3: Dark of the Moon” hit theaters over the Fourth of July holiday weekend fans of the franchise were relieved to discover it wasn’t nearly as bad ad the second film. That seems to be a fairly common response to Michael Bay’s latest critic-proof popcorn blockbuster. The highly anticipated movie made nearly $400 million at the worldwide box office in its first week explaining why studios love such formulaic dreck and all but ensuring another sequel.
Last week also saw the sale of MySpace. The once dominant social network Internet site which was once valued at $12 billion was sold by News Corp. at a loss for a mere $35 million. What may be more surprising than anyone actually wanting to buy MySpace is that pop star Justin Timberlake has been tapped to help turn the company’s fortunes around by focusing on music.
Speaking of music, NPR tried to figure out how much it costs to make a hit pop song by examining the finances behind Rihanna’s recent single “Man Down”. Apparently all it takes is $1.1 million in production and promotions costs and 12 minutes to right the lyrics.
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Showbiz Sandbox 86: Why TV Viewing Is Rising As Moviegoing Declines
January 3, 2011
On more than a few occasions during 2010 one could hardly fault moviegoers for feeling as if they’d been duped as they left theaters. Movieline journalist and author Alonso Duralde believes that in at least seven instances films were misrepresented by their marketing campaigns. He discusses, among others, the arthouse movie that was sold as an action thriller, the riotous comedy that isn’t funny at all, and a princess tale disguised as a swashbuckling adventure.
Marketing could hardly be the primary reason 2010’s box office was down slightly from the previous year’s record earnings. With ticket sales off by an estimated 5.36% the only thing propping up film grosses were higher ticket prices, which noticeably rose over the past year.
On the other hand, Nielsen reports that Americans are watching more television than last year, around 34 hours per week. Unfortunately for the major broadcast networks which once ruled the airwaves, viewership has become fractured as it spread out across hundreds of cable channels. The only big TV winner during 2010 was living sporting events, which accounted for eight of the top ten highest rated shows of the year.
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Showbiz Sandbox 59: Movie Piracy Becomes Unthinkable
June 21, 2010
On the weekend of June 11th the film “Unthinkable” starring Samuel L. Jackson and Michael Sheen rocketed up the Internet Movie Database’s MovieMeter. It wound up at number three beating out such new releases as “Get Him To The Greek” and “Shrek Forever After”. The funny thing is, this film wasn’t playing in theaters and at the time hadn’t even been released on DVD. A pristine pirated version however did leak online.
Cotty Chubb, the producer of “Unthinkable”, joins us to discuss the film, whether the illegal version helped its recent release and ultimately how movie piracy is affecting the entertainment industry.
“Toy Story 3” didn’t have to worry about being pirated when it opened this weekend since most theaters were showing it in 3D. The film earned debuted in first place with a whopping $109 million. That makes it the most successful Pixar opening ever.
Piracy doesn’t seem to be affecting Michael Jackson’s estate either. In the year since the performer’s death his music and film work has earned nearly a billion dollars according to Billboard magazine.
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Showbiz Sandbox 22: The Trouble With Indie Films, Roman Polanski and Hollywood Guilds
September 28, 2009
When the Toronto Film Festival concluded last week only one of its official selections had been picked up for distribution. This touched off a string of articles and blog posts from the likes of Anne Thompson and Roger Ebert on the state of the independent film industry. One of the more interesting blog posts came from indie producer Ted Hope who has produced over 60 films in a career which spans three decades. He joins us on this week’s episode with independent film producer Christine Vachon.
Hope has worked with such filmmaker as Ang Lee, Michel Gondry, Hal Hartly, Todd Solondz, Ed Burns, Todd Field and Tamara Jenkins while producing films like “In The Bedroom”, “The Ice Storm”, “Eat Drink Man Woman”, “The Brother’s McMullen”, “American Splendor”, “21 Grams”, “Happiness” and “The Savages”. His production company This Is That has produced more than 17 films since it was founded in 2002.
Vachon has also produced an astounding number of indie films, including Todd Haynes’ “Poison” and “Far From Heaven”, Larry Clark’s “Kids”, John Cameron Mitchell’s “Hedwig and the Angry Inch”, Todd Solondz’s “Storytelling” and Kimberly Pierce’s “Boys Don’t Cry”. Along with Pamela Koffler, Vachon has been running the production company Killer Films for the 14 years. Read more
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